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Supergods: Our World in the Age of the Superhero Hardcover – 30 Jun. 2011

4.4 4.4 out of 5 stars 98 ratings

Supergods is your opportunity to join one of the great figures of modern comics on a mind-bending journey into the world of the superheroes.

In 1938, the first superhero comic ever published,
Action Comics #1, introduced the world to something both unprecedented and profoundly familiar: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens and vigilantes: Batman, Wonder Woman, the Fantastic Four, Captain Marvel, Iron Man, and the X-Men - the list of names is as familiar as our own. In less than a century they've gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But why?

For Grant Morrison, possibly the greatest of contemporary superhero storytellers, these heroes are not simply characters but powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: through them, we tell the story of ourselves. In this exhilarating book, Morrison draws on history, art, mythology, and his own astonishing journeys through this alternate universe to provide the first true chronicle of the superhero - why they matter, why they will always be with us, and what they tell us about who we are.

Product description

Review

It offers the same switchback exhilaration as Morrison's comic books ― Sunday Herald

The author shows a deft turn of phrase while appraising his fellow creators...
Supergods proves an entertaining introduction to newcomers ― Metro

About the Author

Grant Morrison was born in Glasgow in 1960. As a comics writer, he is renowned for his bold reinventions of existing superheroes and his own authored titles. He has had successful runs on Batman, Animal Man, Doom Patrol, JLA, The Invisibles, New X-Men, Fantastic Four and All Star Superman. His Batman: Arkham Asylum is the best-selling original graphic novel ever published. A documentary on his life and work, Grant Morrison: Talking with Gods, was released in November 2010.

Product details

  • Publisher ‏ : ‎ Jonathan Cape; 1st edition (30 Jun. 2011)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 464 pages
  • ISBN-10 ‏ : ‎ 022408996X
  • ISBN-13 ‏ : ‎ 978-0224089968
  • Dimensions ‏ : ‎ 16.2 x 3.9 x 24 cm
  • Customer reviews:
    4.4 4.4 out of 5 stars 98 ratings

About the author

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Grant Morrison
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Grant Morrison is one of comics' greatest innovators. His long list of credits includes Batman: Arkham Asylum, All-Star Superman, JLA, Green Lantern, Animal Man, Doom Patrol, The Invisibles, WE3 and The Filth.

The TV series of his graphic novel HAPPY! is showing on SYFY and Netflix.

Photo by PDH (File:Grant_morrison.jpg) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.

Customer reviews

4.4 out of 5 stars
98 global ratings

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Customers say

Customers find the book interesting and insightful. They describe it as an enjoyable, entertaining read with a well-written style. Readers appreciate the comprehensive history of superhero comics and the author's knowledge of the industry.

AI-generated from the text of customer reviews

13 customers mention ‘Interest’13 positive0 negative

Customers find the book interesting and insightful. They appreciate the personal journey and how it informs the super-hero. The book is a mix of memoir and analysis, inspiring readers and a gateway book for new comic fans.

"...There was a magical background, back stories, untold wonders to be experienced, and they could be experienced through the other DC titles...." Read more

"...I find this whole personal journey quite fascinating for how it informs the super-hero comics he's written and into which he goes into considerable..." Read more

"An insightful, affectionate and amusing complement to any comic fan's bookshelf, and a seductive gateway book for the new/casual reader of..." Read more

".../was in the process of creating, I found the whole thing to be absolutely mesmerising...." Read more

12 customers mention ‘Readability’12 positive0 negative

Customers find the book engaging and enjoyable. They describe it as a brilliant read with an interesting mix of personal memoir and comics history. Readers consider it an important book that is readable even for non-comic fans.

"...is part memoir, part (of a selective) history of American comics, part review, and part magical-mystical tract on how to transform the world!..." Read more

"...But the reason I loved his comics is the same reason this prose book is so damn good...." Read more

"...This is a very important book." Read more

"...Nevertheless, 'Supergods' is an engrossing and authoritative read. Highly recommended." Read more

9 customers mention ‘History’9 positive0 negative

Customers enjoy the book's history of comic books and superheroes. They find it an entertaining mix of personal history and comic book history. The author clearly understands the comic book industry and shares his insights in an engaging way.

"I loved this book. It is part memoir, part (of a selective) history of American comics, part review, and part magical-mystical tract on how to..." Read more

"...This book is basically his love affair with super-hero comics, their effect on his life, and his effect (as a writer) on them...." Read more

"...one point abundantly clear: Grant Morrison loves, knows, and understands superheroes...." Read more

"A fully comprehensive history of the creation and evolution of superhero comics, with insights in to one of the genres most prolific writers’ minds...." Read more

6 customers mention ‘Writing style’6 positive0 negative

Customers find the writing style engaging and witty. They describe the book as well-written, elegantly expressed, and dazzling. Readers consider the author one of the genre's most prolific writers and consider him one of the great British writers of American comics.

"...There was a cleanness and purity to them reflected in the sublime artwork of the likes of Curt Swan and Carmine Infantino...." Read more

"Morrison is generally considered to be one of the great British writers of American comics who is either on, or just slightly below, the same..." Read more

"...; and write in both of them stories that weren't just beautiful, dazzling comics that revelled in the medium itself, but also intricate and complex..." Read more

"...superhero comics, with insights in to one of the genres most prolific writers’ minds...." Read more

5 customers mention ‘Knowledge’5 positive0 negative

Customers find the book informative and well-written. They appreciate the comprehensive history of superhero comics and its insights into the early days of comics. The book is described as a blend of memoir, history, and sociological examination of the early days of comic books.

"I loved this book. It is part memoir, part (of a selective) history of American comics, part review, and part magical-mystical tract on how to..." Read more

"...It's a blend of a historical and sociological examination of the early days of comics taking this through to the current era..." Read more

"A fully comprehensive history of the creation and evolution of superhero comics, with insights in to one of the genres most prolific writers’ minds...." Read more

"...While it was interesting to learn of the writer's history, I found at certain points it felt like the book strayed from its path -particularly..." Read more

Top reviews from United Kingdom

  • Reviewed in the United Kingdom on 16 October 2011
    I loved this book. It is part memoir, part (of a selective) history of American comics, part review, and part magical-mystical tract on how to transform the world! One of the secrets, in my opinion, of Grant Morrison's success is that he's never forgotten the magical impact of colour superhero American comics on a young child growing up in the austere black and white backdrop of Glasgow in the sixties. I can relate to this because I was one such boy myself, only a few years older than Morrison. We seem to have had a parallel comics reading 'career' so for me it was an uncannily familiar reading experience. I was introduced to American comics at about the age of seven when I was ill with chicken pox. My father brought home a pile of comics given to him by a colleague at work. My very first comic was a red kryptonite tale that turned Superman into a dragon. What the hell was this? A flying hero, kryptonite, Lois and Jimmy, the secret identity that he kept from his girl friend? And so on. It was as though I'd tapped into an alternate universe. It was too bizarre and too vibrant for anybody to have made up. I occasionally glanced at the sky to see if I might catch a glimpse of Superman on his world patrol! It wasn't just the story. It was everything it implied! There was a magical background, back stories, untold wonders to be experienced, and they could be experienced through the other DC titles. The Flash, Hawkman, the Atom, Green Lantern. There was a cleanness and purity to them reflected in the sublime artwork of the likes of Curt Swan and Carmine Infantino. Over and above them shone the godlike goodness of Superman, a rock steady force that always tried to do the right thing.

    Morrison gives us a potted history from the start: the so-called Golden Age, through the Silver Age and then the Dark Age, when comics tried to become more 'relevant' which meant being dark and gritty. Fortunately, writers like Morrison never forgot their initial impact and once again reminded us all of Superman's original appeal, especially in his All-Star Superman series, illustrated by the perfect Zen-like art of Frank Quitely.

    Alan Moore was another British writer who invigorated American comics in a similar way, by remembering, in my opinion, their initial impact. Curiously, both Moore and Morrison are practising magicians. I suspect that this is symptomatic of the extraordinary creativity that both gentlemen seem able to tap into. However, whereas Moore seems somewhat embarrassed by his involvement with superheroes and wants to put them behind him, Morrison has plunged into them, almost driven to somehow manifest them in our everyday reality. Indeed, he is under directions as such by higher dimensional electrical angels. Or something. I suspect that these are the 'Supergods' of the title rather than their comic book counterparts.

    Morrison has a chapter devoted to his four-part collaboration with Frank Quitely, Flex Mentallo. And quite rightly. This is where it all comes together and in my opinion is the closest that any modern writer has come to producing a Buddhist Mahayana sutra. Like the Mahayana sutras though, they require some familiarity with the language. This is one thing about most of Morrison's work though. The idea that you can just pick up a comic for an escapist read for a few minutes DOES. NOT. APPLY! They can be hard work, requiring multiple readings and possibly a lot of background reading. Hey, you're having your head rewired after all!

    Supergods is in fact a lot easier to read than many of his comics. Although, if you're not already familiar with much that he mentions then you might not find it so. However, he does include a list of suggested further reading at the end of the book which might be useful if this is the case.

    My only complaint is that even though it's a hardback, the pages were already starting to come loose by the time I approached the end. The physical construction does not seem to respect the contents. Or maybe the contents just refuse to be bound...
    2 people found this helpful
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  • Reviewed in the United Kingdom on 19 July 2011
    Morrison is generally considered to be one of the great British writers of American comics who is either on, or just slightly below, the same pantheon which includes Alan Moore and Neil Gaiman and his other peers are Warren Ellis and Mark Millar. I'm inclined to rank them in the order I've listed with Morrison at No.3.

    This book is basically his love affair with super-hero comics, their effect on his life, and his effect (as a writer) on them. I've read a couple of British press reviews of the book and both reviewers miss the point. They like it fine when he's doing a history (albeit a narrow and stylish history) but feel it goes off the rails when it becomes a personal story. They have, of course, got it wrong. The historical account is simply the context for Morrison's personal exploration of the super-hero genre and when it gets personal, it gets going. This isn't a history of super-heroes, though his account of the genre and his response to developments in it is vital to understand how Morrison sees how it should be transformed.

    Of particular interest are his reactions to Moore and Gibbons transformative Watchmen. Morrison admires the technique, skill and intelligence which goes into it but finds it a hollow exercise -I'm simplifying here, read the book for his full argument- and made this clear at the time. Several years later Moore described Morrison's Arkham Asylum (with artist Dave McKean) as 'a gilded turd'; 'gilded' referring to the art, 'turd' to the writing. Morrison's opinions on the work of his peers are elegantly expressed and endlessly interesting.

    Where the book becomes truly fascinating is when Morrison delves into his experiences with drugs and mysticism which alters his entire perception of the world.

    Or:

    Where the book goes completely off the rails and Morrison is exposed as a self-obsessed nut-job is when he delves into his experiences with drugs and mysticism which alters his entire perception of the world.

    Depending on your own inclination. My own view of the world, as a libertarian-leftie atheist who has faith only in hard science and a deep distrust of any form of mysticism, is to take the second view. And yet the more you read of these experiences, the more strangely convincing they become. Morrison sees an analogy between inserting himself into two dimensional fiction space -as he does when he confronts the protagonist of the comic he's been writing (Animal Man)- and dimensions higher than ours which we, like Animal Man himself, are unable to perceive. (To get the next reference you need to read the book for its context) Flash Fact: five year old children cannot see perspective but seven year olds can.

    I find this whole personal journey quite fascinating for how it informs the super-hero comics he's written and into which he goes into considerable detail which is all interesting as he's written some of the best mainstream superhero comics ever as well as some of the best oddball comics.
    5 people found this helpful
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  • Reviewed in the United Kingdom on 8 May 2012
    An insightful, affectionate and amusing complement to any comic fan's bookshelf, and a seductive gateway book for the new/casual reader of mainstream graphic fiction.

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  • Andrew Morrissey
    5.0 out of 5 stars Amazing information just purchased 16 hours Audible also
    Reviewed in the United States on 3 March 2016
    Amazing information just purchased 16 hours Audible also. If you are interested in this subject then well worth a read or listen.
  • DF
    5.0 out of 5 stars 100% grant
    Reviewed in Italy on 10 July 2015
    Per capire il fumetto americano, attraverso la vita di un ragazzo inglese che è diventato una star facendo quello che sa fare meglio: rompere gli schemi. Morrison a nudo, tra deliri di onnipotenza e vividi mea culpa. Per chi lo ama, per chi lo odia, per chi vuole conoscerlo. Obbligatorio seguire la ricca bibliografia, per capire il rapporto quasi speculare tra la vita e le opere.
  • Kieran
    1.0 out of 5 stars Good start, wandering middle, rubbish finish
    Reviewed in the United States on 13 February 2014
    The book starts well with some interesting history of various characters and in depth analysis of key covers/elements/etc.

    Then somewhere along the line as Morrison switches into autobiography it becomes a series of painfully dull stories of "I got high, wrote a comic and everyone loved it because I'm great. Got high again."

    If you want to read about Morrison's 'creative process' then you might enjoy this. If you want to read about the history of comics, their position in society or anything beyond self aggrandisement then skip this book completely.