When band members move in next door to Renza, her life will never be the same again, but Stella could put a fly in her ointment!
What a roller coaster of emotions for Renza and Stella. Only One Woman is a real insight into the lives of these two young women in the 1960s. They experience the whole range of experiences for women of their time with their contrasting families shaping them very differently. I’d much rather have Stella’s family in my life than Renza’s!
Right the way through reading Only One Woman I couldn’t make up my mind about Scott. At times I thought I would like to meet him myself and at others I felt I’d prefer to hit him several times with a very heavy blunt instrument. Even by the end of Only One Woman I hadn’t made up my mind. I think this shows what a good job both authors have done in creating complex and real characters.
However, I have no such vacillations of opinion about the atmosphere and 1960’s setting. Although I was quite a bit younger than Renza and Stella in the 1960s, I remembered so many of the cultural references that give Only One Woman such a vivid era, from the music to world events. The authors deserve great praise for the quality of the research to ensure the accuracy of these details. The music really sets the scene but readers of a certain age need to be careful otherwise they will have earworms for days reading this book!
I also enjoyed the variety of settings and was fascinated especially by the depiction of army life in Germany.
I think anyone who has lived through the 1960s will find so many personal memories are prompted by Renza, Stella, Scott et al so that there is so much more to enjoy than simply reading a narrative in Only One Woman. It’s a highly evocative read.