8 of 9 people found the following review helpful
2.0 out of 5 stars
Disappointing, 13 Nov. 2013
A rehash of all the other soho books, for this one is largely centred, for the first few chapters on soho, and the circle of painters and bohemians which were attract to it.
The main problem is the title; misleading to say the least, how can you claim to write a book about 'counterculture' in London and hardly mention The Little Theatre Club, Ronnie Scott's Old Place, the improvised music scene which flourished in the 60s in London. In his introduction Miles uses the disclaimer that he never really was interested in that scene; if so then use a different title for a book. There is little here that readers of Dan Farson, Deakin, Jeff Bernard etc will find new, not enough else to attract others. Nothing either on an artist like Lynton Kwesi Johnson... No mention of Julie Driscoll, nor Mike Garrick, central to the jazz poetry movement. The sixties is covered in a very anecdotal style and dwells too long on the indulgences of Jagger, McCartney et al, without analysing what the 'counterculture' signified in any depth. I would suggest that Barry Miles retitle his book 'My experience of London's Artistic Bohemia' which would at least have the merit of being clear.