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SJATurney "Roma Victrix" (Yorkshire, UK)

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The Death of Robin Hood (Outlaw Chronicles)
The Death of Robin Hood (Outlaw Chronicles)
by Angus Donald
Edition: Hardcover
Price: £13.59

2 of 3 people found the following review helpful
5.0 out of 5 stars This book ends the Outlaw Chronicles with a bang AND a whimper, 4 Aug. 2016
If ever there was a spoiler in the title, eh? But come on, we’ve been expecting this book for a while. Angus Donald’s superb Outlaw Chronicles have run to 8 books, which is pretty good for any series to maintain freshness and individuality, but we could see by book 6 that the characters were beginning to age and to look towards the end. And book 7 pretty much told us there was only one more tale to tell. And yet we’ve all hungered for this last outing for a year.

Donald’s series has gone from strength to strength over the greater part of a decade. The first book was one of the most outstanding debuts ever written in the genre and, though the second was, to my mind, the weakest of the series, that was still a gripping book. But I had maintained throughout that my favourite in the series was King’s Man – the third. Until now.

I know from personal experience how hard it can be to finish a series. Managing to engineer a plot that effectively ties up each and every loose end to a satisfactory level is nightmarish work. It is only when one tries that one realises just how much a series has exploded outwards over its course and just how much there is to resolve. And mine was only a four book series. Donald must have been head-scratching and fretting at this plot for a while. And yet however he went about it, he’s pulled off a real coup with this novel.

The war between King John and his barons we encountered in book 7 resurfaces in this last tale, with Alan and Robin joined by old friends and new as they navigate the impossible currents of their masters’ politics. Fighting for justice against King John is one thing, but when those very rebels offer the throne instead to the French, then which was can a loyal Englishman turn? This is the dilemma Robin and his friends end up facing. That’s something of a spoiler, I guess, but an early one, and if I’m to tell you anything about the book at all, it has to include the fundamental point of it.

From a brutal siege at Rochester castle, we follow the adventures of Robin and Alan across Kent and the south, imprisonment and war, betrayal and revenge, all the way to Nottingham and Lincoln. There are four points I think about this work that deserve specific mention.

There is a sense of ‘full circle’ about book 8. In book 1 we met Robin Hood the outlaw, running a vicious godfather-like world and carrying out guerilla war in the forests against the authorities. Over successive books, Robin had changed, achieving legitimacy, title and a role at the heart of the Kingdom. Here, now in book 8, we are treated, at least for a while, to a return to form. There is a sense that despite the characters’ now rather mature age, we are seeing them relive their youth and the excitement of those rebel days. This I loved. This, for me, is what I will take away from the novel.

Angus Donald is rapidly becoming the ‘master of the siege’. It can be extremely difficult to include at least one siege in a book multiple times within a series. I’ve done it myself, and it’s very easy for them to become blase and samey. There are sieges throughout the Outlaw Chronicles, and some of the books pretty much centre on one (The Iron Castle, for example.) And in book 8, there are two sieges to handle. And you know what? They are exciting, unpredictable, fresh and superbly-executed. Every siege Donald handles he manages to produce something new and worthwhile, which is a masterful thing.

The characters are fluid and changing. It is ridiculously easy to maintain a character, and it is equally easy to mess up their progression. To have your characters grow old and mature over a series in a realistic and noticeable way while maintaining the traits that make them who they are is a skillful thing. Alan and Robin, Thomas and Miles, plus their many companions, are painted well and have grown with the reader. Even the absence of Little John does not mar the sense of character at the heart of the book.

Finally, the death of Robin (see? I told you the title held a spoiler.) Such a momentous event – in history, let alone at the climax of a series – has to be handled just right. To have Robin die in some glorious golden way would be cheesy to say the least. To have him butchered out of hand in a sad, random manner would leave the reader huffing grumpily. To achieve something that is realistic, tragic, sad, noble and personal is a real bonus. And that is how this book ends. It is all those things, but I think the most important point is that it is personal. Robin’s end is not some great battle scene like the one that took King Richard. It is the result of strands of the tale long in the making, and it is truly a personal thing. Also, it took me by surprise in the end, which is magnificent. Oh, not that he might die – note once more the title – but how it might come about.

In short, The Death of Robin Hood is a tour-de-force and has shot to the very top as the best in the series, which is fantastic for a finale. If you’re not read the books, you’re in for a treat, because there are 8 now waiting for you and you can demolish the whole tale from beginning to end. If you have, then fear not, loyal readers. Donald has done you proud. This book ends the Outlaw Chronicles with a bang AND a whimper. It’s out today. Go buy it… trust me.


Caesar's Ambassador: A Short Story about Marcus Mettius (The Marcus Mettius Series Book 1)
Caesar's Ambassador: A Short Story about Marcus Mettius (The Marcus Mettius Series Book 1)
Price: £0.99

3.0 out of 5 stars Caesar's Ambassador, 21 July 2016
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Caesar's Ambassador is a short story I picked up at random somewhere along the line and has just sat there on my kindle. Recently, I had a day free in my reading schedule, so I decided to give it a read.

The story is set in a very familiar milieu for me, being the first year of Caesar's Gallic Wars (the setting for Marius' Mules I) and takes as its main character one Marcus Mettius, who is a minor supporting character in Caesar's book. Mettius is one of two men the general sends to negotiate with the German king Ariovistus and who are captured and held by the man. That's pretty much his run in history apart from minting coins the year of Caesar's death. Virgin ground to work with then for a storyteller.

This is only a short story, but if you like it, there are a run now of about six shorts in the series, which probably adds up to a good sized novel between them. As you may know, my policy on reviewing books is to only review those I consider at least 3* books, since poor reviews can damage an author's livelihood and it seems unfair to do that simply because I don't like it. For me, Caesar's Ambassador was really hard to rate. In the end I've given it 3 stars, but it could have gone up or down from there because there are so many things about it I like and, while there's only one thing I don't, it's pretty crucial.

So on the positive side, this is a truly fresh and interesting angle on the events of Caesar's De Bello Gallico, an interesting, bold and inventive choice. Mettius himself is an interesting character with an intriguingly uncharted history, and Johnston has done a sterling job of bringing him to life, giving him real personality and filling in history's blanks. He's also done an excellent job of depicting the times and the locations, with some of the detail being exquisite (a scene in a tavern particularly stands out.) Better still, given Mettius' history, Johnston has chosen a character he can take on from there, and I know he covers quite a few years in subsequent books. The story is pacey, the characters vivid, the descriptive excellent. Additionally, there is a quirky humour throughout that really hits the spot, reminiscent for me of Ron Gompertz's novels.

So what didn't I like about it then? Quite simply the heavy anachronisms. I'm hardly free of blame for that myself, though I have gradually ironed out such things as I progress. But even at my strongest, I was nothing to this. Johnston's idiom and terminology are almost entirely modern American in the tale, and some of the phrases used in an ancient setting just had me wincing. I'll hold my hands up and say that as a Brit, perhaps I'm not the target audience and that for all I know this is a standard in the American market, but I don't think that's the case. For me the idioms and modern, anachronistic terms marred what could have been an excellent tale.

I still enjoyed Caesar's Ambassador, and I will read the second in the series when I have the time, and so I leave it up to you whether this is a story for you, as I cannot doubt that what damaged it for me will certainly appeal to some readers, and I'm not so arrogant as to think I am right all the time. To be honest, at $0.99 it'll hardly be breaking the bank to take a punt on it and see what you think.


The Lone Warrior
The Lone Warrior
by Paul Fraser Collard
Edition: Paperback
Price: £8.99

1 of 1 people found the following review helpful
5.0 out of 5 stars Lone Warrior is exhilarating and packed with vivid characters and scenes and deserves to be read., 14 July 2016
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This review is from: The Lone Warrior (Paperback)
I’m behind on reading one of my favourite series, but I’m catching up now. The Lone Warrior is the fourth book in Paul Fraser Collard’s excellent mid-nineteenth century series and, coincidentally is out in paperback today.

Jack Lark bean some time ago in The Scarlet Thief as something of an anomaly, an imposter. A low-ranker impersonating an officer. It was a very singular tale with, as far as I could see, little scope for an ongoing series. Then Paul surprised me with The Maharajah’s General, which repeated certain elements of the first, with impersonation and subterfuge, but also blew a hole in the very idea by revealing his true self and sending the series on something of a sharp tangent. This was good as a series, especially one with such a unique concept, would soon become stale if it simply repeated that concept over and over. So the third book – The Devil’s Assassin – took us in new directions. Jack was no longer wearing a mask, and instead went into tremendous action as his true self. And at the end of that book, he was free of his long-standing lie and released from the military.

So when I came to Lone Warrior, I truly had no idea what to expect. Jack was no longer in the army. He was no longer pretending to be someone he wasn’t. What could happen next? In fact what does happen is a new and fascinating angle. What could drag Jack back into the world of war and danger? What else but a woman. And the danger? Well Jack has faced it in the Crimea, with a rogue Maharajah and then in Persia. And throughout the second book, when he was serving in India, I kept wondering when we would encounter the Sepoy Mutiny, one of the few great events of Raj history of which I’m actually aware. And now, in book four, we’re there.

I won’t spoil the plot. If you’ve read the other books then you know what sort of thing to expect. If not, you’re in for derring-do and thunderous action. A character who is down-to-earth and practical living in the world of the English gentleman amid a sea of the empire’s enemies. All right, I’ll try to nudge the story without ruining it. Jack has fallen for a girl. It’s easy to see why when you read her. And after saving her from some dreadful people, he agrees to take her back to her home in Delhi. His timing is somewhat poor, arriving in the city the day before said Sepoy Mutiny kicks off and drags the whole of India into war, challenging English rule and almost succeeding. And so Jack finds himself in a city besieged by the enemy. Oh it doesn’t end there, and Jack finds himself once more serving with the British, displaying his forte – the art of killing.

And therein lies what for me is the great strength of the novel: the British siege of Delhi. The action is brutal and thick and fast and the pace never lets up. Nor, incidentally does the horror or violence, though Collard manages to enfold it all in a great epic tale of adventure and sometimes Flashman-esque action. But yes, to the siege. There are two movie sequences that to me portray the utter chaos of battle better than all others. The lesser of the two is the opening to Gladiator. The better is the start of Saving Private Ryan. Well, that is what you’ve got in Collard’s siege of Delhi. This is a third of the book at least, with all the action, intensity and brutality of the D-Day landings. It is warfare masterfully told. Gloriously horrifying, and it proves once more that Paul Fraser Collard is at the top of his game and the top of the genre.

Lone Warrior is exhilarating and packed with vivid characters and scenes and deserves to be read. Go buy it, people.


The Earthly Gods: Agent of Rome 6
The Earthly Gods: Agent of Rome 6
by Nick Brown
Edition: Hardcover
Price: £17.26

2 of 3 people found the following review helpful
5.0 out of 5 stars Yet another win from Nick Brown, 30 Jun. 2016
Are you reading Nick Brown's 'Agent of Rome' series? If not, then you need to check into either your local bookshop or your local head doctor. Nick Brown has created one of modern Historical Fiction's most absorbing and accessible series, and if you are not already reading it, you need to go out and buy The Siege now, to get started.

Some writers write excellent books but can get a little bogged down with the need to portray their tale with ultra-realistic, technical period detail. Very laudable, but it can sometimes make a book hard going. Others, conversely, write with so many modernisms and anachronisms that it can hardly be called Historical Fiction at all. Few hit the perfect sweet spot where they are giving you high quality historical fiction but presented in such a way that it is truly entertaining for both the knowledgeable and the novice. Nick Brown fits that role, I think.

So, to the book.

The preceding five volumes in the series have introduced us to the character of Cassius Corbulo, his slave Simo and his bodyguard Indavara, as well as a lovable donkey. We have seen the breadth of the Roman east in many circumstances, from siege and warfare to criminal investigation, to undercover missions, dangerous sea voyages, corrupt army officers and much more. This volume once more shows us a new angle, but with 'Earthly Gods' we are, I think, seeing a subtle shift in Brown's series. To this point, while the characters have grown and changed with their experiences, each tale has been a single contained story that could be read as a standalone book, even if the reader might miss important nuances that way. Now things are changing. Book 6 follows directly on from the previous volume, picking up an open thread from book 5 and following it. The plot for book 6 still contains its own standalone tale - helping Syrian natives hunt their daughters who have been illegally enslaved and sold. But it also follows the thread of Indavara's disappearance at the end of the previous book, giving it a sense of series continuity that is new. And even the standalone element within it, to be honest, draws in characters from the very first book. So, in essence, while presenting a new plot, this volume also drags in elements from across the series, binding it all together rather neatly. As such there is a different type of depth to it than the previous volumes.

Moreover, while there is violence and womanising throughout the series, this volume begins to explore darker themes, with illegal slavery and enforced prostitution, as well as plague and the working to death of mine slaves. Such matters have to be dealt with carefully in my experience, lest they turn readers away, but be assured that Brown has managed it perfectly. Despite these darker underlying themes, the book is delivered with Brown's usual engaging prose, easy humour and insight into the fascinating character of his protagonists. No one in Brown's world is truly black or white, but all are varying shades of grey.

The plot? Well, I always try to avoid potential spoilers, but here we go...

Faced with the disappearance of his bodyguard and friend Indavara, Corbulo is landed with a difficult choice: forget about a friend in peril or defy his powerful masters. Needless to say, Corbulo is no longer the haughty young man who left Rome 3 years ago, and even going against Imperial Security will not deter him from attempting to save his friend. And so begins a dangerous quest outside the bounds of his duty. Skipping out of town unnoticed, going undercover and trying to avoid his own employers and fellow agents, Corbulo embarks on a twin mission, to find his friend and to help locate the missing daughters of his Syrian allies. Their journey will take them through plagues and into salt mines, all the way to Byzantium, pitting them against a powerful yet shady group of men. Once again the history of Indavara is being unwrapped slowly before our eyes, but it seems that Earthly Gods is set to be something of a game-changer in that respect, too, as that reveal accelerates rapidly now, and something of the future direction of the series is hinted at.

In short, this is everything a reader of the series has come to expect from Brown's work, and something else beside. It is perhaps a step up. It is certainly a riveting read and kept me turning the pages long after I'd planned to put the book down.

Yet another win from Nick Brown. Long may Corbulo adventure.


A Dark Anatomy (Cragg & Fidelis Historical Crime Series Book 1)
A Dark Anatomy (Cragg & Fidelis Historical Crime Series Book 1)
Price: £5.99

5.0 out of 5 stars I highly recommend all Robin Blake’s books, but start with this one., 21 Jun. 2016
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Having been enthralled with Blake’s third and fourth books in the Cragg and Fidelis series, I felt it only right to go back and cover the ones I’ve missed. This, then, is the first book of the series. Having gone from the latest to the first, I expected to be less impressed, for it’s natural for writers to grow and improve with their work, but all I can say is this must have been a heck of a debut, for it matches his more recent novels in quality, style and content.

And I also expected some sort of lengthy introduction to the characters and the setting, and to experience the moment when the two title characters of the series meet and become friends. But no. Not for Blake. We are thrown straight into the world as it stands with no messing about, for a mystery waits to be untangled. That was rather refreshing, I think, for ‘origin stories’ can often take up enough of a first book that they rather eclipse the plot. Not so: Dark Anatomy.

The plot of this first book revolves around a squire’s wife found dead in the woods with a cut throat. But this is no simple murder. Far from it. For there lurk deep undercurrents of dissatisfaction among the locals, marital troubles, potential dark magicks brought back from the New World, troublesome con-men, secretive itinerant workers, stolen bodies and so much more. I won’t delve any deeper into the plot than that for fear of spoilers. But suffice it to say that I had more than one surprise as the plot unfolded. The plot itself was a work of genius and if anything is better than the other two I read, for the solution is simply masterful and ingenious.

Blake paints a picture of Regency north-west England that is at once realistic and immersive, and yet accessible and eminently readable. His characters are believable and the protagonists sympathetic. The whole thing comes out as a well-wrapped package of mystery that will give you a few very happy hours opening.

I highly recommend all Robin Blake’s books, but start with this one.


The Scrivener (Cragg & Fidelis)
The Scrivener (Cragg & Fidelis)
by Robin Blake
Edition: Paperback
Price: £8.99

0 of 1 people found the following review helpful
5.0 out of 5 stars Excellent and engrossing historical mystery, 12 May 2016
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Every now and then I come across a new series of books and wonder ‘why haven’t I come across these before?’ This is most definitely one of those. Robin Blake has created an immersive series set in, for me, a largely unknown era.

The Scrivener is in fact the third in a series, currently of 4, of mysteries set in mid 17th Lancashire. The book is billed as a Cragg and Fidelis mystery. Cragg is Preston’s coroner, and his friend Fidelis is a doctor. Between them, their skillsets and authority give them most of what they need to pick apart complex murders and plots, but it is not quite that straightforward. In fact, the book is written from the point of view of Cragg, and Fidelis seems to be more of a supporting character. In fact, Cragg’s clever and forthright wife is almost as helpful in their solution as Fidelis, though I have thus far read only one of the four books.

The Scrivener is a complex plot, which seems to have several threads with at best tenuous connections. A businessman shot dead in Preston, who seems to have been swindled. A trade mission to Guinea which is being investigated by an insurance agent. A trove of Civil War treasure found on Preston moor by a man now suffering a dreadful disabling medical condition, a will with peduliar conditions… it’s a wealth of fun for the mystery fan. The threads tie up nicely as the book draws to a close in the manner of all good mysteries. If I had one complaint about the plot it was a minor dissatisfaction that not everything in those threads is fully detailed and viewed by the reader. Some of it is reduced to a single line of second hand report. Still, this is merely the tidying up of the case. It just set my OCD twitching. The one that got away still nags at me, but enough about that in case I cause spoilers.

The writing is excellent, in that Blake manages to evoke the feel of the 17th century and create a brooding atmosphere while at the same time making everything relevant to the modern reader, easy to digest and at times perfectly light-hearted and enjoyable. The characters are likeable and believeable. They do not so conform to stereotypes that they are common, which is nice, since mystery protagonists often do. Again, with characters, there is one thing that nags at me, which is that the protagonists (or Cragg at least) is at times a little too good and politically incorrect for the time, in respetc of slavery and bear-baiting, for example. It really doesn’t spoil the book, mind, and probably makes it accessible to a number of readers who would otherwise be put off. Blake’s history and social culture of 1740s Lancashire is stop on, thorough, and fascinating, to the extent that I lost track of the things I learned in this book. Best of all, for me, is that I live just across the Pennines from Preston and have spent quite a bit of time in the area, so a lot of this is quite familiar to me.

I would recommend this book (and therefore probably the series) to readers of historical fiction, and to lovers of mystery. To those who fill the middle group in that Venn diagram, you’ll love it. I see readers of D.E. Meredith’s Hatton and Roumande mysteries loving Robin Blake, for example.


War at the Edge of the World (Twilight of Empire)
War at the Edge of the World (Twilight of Empire)
by Ian Ross
Edition: Paperback
Price: £7.99

1 of 1 people found the following review helpful
4.0 out of 5 stars A fast paced, very engaging read, 5 May 2016
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I wasn't sure what to expect from Ian Ross' debut, to be honest. I've a soft spot for the Late Roman Empire these days, and it often worries me that writers won't do the era justice. After all, for centuries now scholars have considered everything from the early 3rd century onwards to be the Decline and Fall etc. I needn't have worried. What should you expect from War at the edge of the world? Rollocking Romans, put simply.

This book, set at the time of the tetrarchy with Constantius as Augustus, is based at a time when the Roman world was on the cusp of new things. Only fifty years earlier was what they call the 'crisis' of the third century and an era of soldier emperors. Within fifty years will be the flowering of fully Christian Rome. This is the time when things change. And that was nicely reflected in the book for me.

Essentially, the story and its action and characters could have taken place in any Roman era with just a few tweaks. That is how familiar Ross' Rome is. At the level of the general soldier much is as it has always been. It's the detail and the background, oddly, that show us we are in late Rome. Details like the armour, weapons and clothing are not what you would find in Principate books. And in the overall background, there are Christians about, watched with suspicion, but they are there. There is a system of emperors rather than a straight Dynasty. But the most striking thing for me is that, appropriately for the era, Rome is no longer the centre of the world. Yes it's a great city, but it's no longer the home of emperors. Imperial courts are held at Nicomedia or Trier, or more or less wherever the emperor is. And the emperors are not Italian these days. In fact the majority descend from Balkan stock. It is nice to see this 'devolved' state of later Rome shown in books.

Then there's the writing and the style. For those of you who read Roman fiction often, the best comparison I can present you with is Anthony Riches. Ross' book reminded me in many ways of the first three of Riches' Empire series. The story flows well and hardly ever lags from its fast, adventurous pace. The plot is intelligible but not simplistic, the descriptive atmospheric but not over-the-top. The writing is very easy and engrossing. It is very easy to pick this book up for a 5 minute read and put it down after an hour wondering where the time has gone.

There is, I would say, nothing strikingly unusual about most of the characters for the regular reader of Roman fiction. Grizzled centurions, barely-disciplined ne'er-do-wells, untrustworthy civilians in high authority, barbarous barbarians etc. The exceptions for me are the teacher-turned-legionary, who I found entertaining and would like to see more of, and the female Pict, who broke the mould a little.

In short, War at the edge of the world was a welcome surprise for me. A fast paced, very engaging read, at the same time comfortably familiar and yet strangely exotic, it was one of the best debuts I've seen and I shall most definitely be reading the second volume.


King's Company
King's Company
by Jessamy Taylor
Edition: Hardcover
Price: £18.00

5.0 out of 5 stars King's Company is an excellent medieval romp and comes highly recommended., 28 April 2016
This review is from: King's Company (Hardcover)
The mid 12th century was, until recently, very unfamiliar ground for me. I know the late days of Henry II and his sons Richard and John because, well let's face it, they're what we think of in Britain when we hear the word 'medieval'. But of Stephen and Matilda and the early life of Henry? No. Until recently, that is, when I read the rather superb Demon's Brood, which was a history of the Plantagenet dynasty and rather opened my eyes to how interesting their era was.

King's Company, then, takes place in this world. A world where King Stephen and his cousin, the Empress Matilda, are at war, England a ravaged, torn and frightened place. The plight of the ordinary folk in this world is brought to the forefront with the protagonist William, who belongs to a family with a small estate in the south of the country and whose father died in the service of the King.

Dreaming his whole life of becoming a knight and doing glorious deeds, William remains tied by duty to the family holding and daily drudgery. Then one day things change when he is jumped by bandits on the road and is saved by a dashing young nobleman. The two become fast friends and the young man, Richard, spends much time at the family estate.

Only after many months of their bonds of friendship tightening does William realise that Richard is not quite what he thought and, with one ill-conceived act he finds himself launched into a world where his illusions of the glory of knighthood are torn away, his belief in the nobility and royalty shattered and his preconceptions all destroyed as he meets a young man who dreams of ruling an England not ravaged by war and torn apart by divided loyalties.

The characters in King's Company are believable and likeable. Henry, in particular, stood out for me. As a protagonist, William is perfect: young, open-minded and strong willed, and pitted alongside a cast of older, more grizzled characters they drive the plot along well.

The basis of the plot becomes fairly obvious early on, when Richard pries information from the family that the reader can't help but realise will lead to something, and there's a faint predictability to that, but once that one predictable event passes, the story rolls on fresh, interesting and unforeseeable. Indeed, gradually as the novel unfolded I found myself wondering more and more where it was going to lead. Towards the end I feared it was bound for something of an anticlimax, since the novel does not reach the conclusion one might expect from early on, but Taylor throws us a final turn in the plot that brings us to a very satisfying conclusion.

The scene-setting is done well, and the prose is excellent. To give you some idea of the style, the book has gone onto my shelves next to Angus Donald's Outlaw series. It is less brutal and dark than those books, though. In fact, while King's Company is far from being a children's book, the lack of extreme violence, graphic scenes and bad language make it a very acceptable and easy read for all ages.

King's Company is an excellent medieval romp and comes highly recommended.


Man From Berlin, The
Man From Berlin, The
by Luke McCallin
Edition: Paperback
Price: £8.99

4.0 out of 5 stars An absorbing read., 28 April 2016
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This review is from: Man From Berlin, The (Paperback)
A while ago I saw two novels by Luke McCallin on a promotion and, in a fit of ‘why notness’ I bought them. The thing is, I may be solidly rooted in ancient history with most of my reading there, but every now and then I’m partial to a little World War 2 fiction. Michael Ridpath’s ‘Traitor’s Gate’ made it into my annual top 10. And I rather liked the look of a murder investigation in a WW2 setting.

First off, this is a novel with a fascinating and I might even hazard ‘unique’ viewpoint. Few works of fiction choose to take a member of the wartime German forces as a protagonist. Yes, I’ve seen a few, but not many. Because it’s a brave novelist who takes it on. Because there is a very fine line to walk with it. It’s hard to make the character sympathetic to a modern non-German, I think, because of inherent prejudices born of half a century of ‘White hat – black hat’ thinking. And if you try to make him too sympathetic you run the risk of losing credibility with the character. In that respect, McCallin has hit the sweet spot. Reinherdt is very realistic, and yet sympathetic. More so, I think, even than Ridpath’s hero. In fact as a character he reminds me of Korolev in William Ryan’s pre-war Russian thrillers.

And perhaps a word then about setting. Because in WW2 stories we are very familiar with England, France, Germany and Russia as settings. We’ve also seen North Africa, and on occasion Italy, and Greece. Yugoslavia is a new one on me, and really an incredibly rich and complex setting, with the territory itself almost torn apart by internecine wars, completely ignoring the Germans in overall control. Then there are Italians present, partisans, British in threat form at least. And Orthodox, Muslim and Catholic. And everyone hates everyone else. McCallin does an excellent job of painting 40s Yugoslavia. I wonder if he has spent time there? It certainly felt like he knew the place well.

The plot, then. We are immediately presented with a murder case which is given to Reinhardt as a member of the Abwehr to solve, because while one of the victims is a wealthy, spoilt, man-eating female local journalist, the other is also a German officer of the Abwehr. I have to admit that I was half way through the book before the investigation really picked up pace and we began to discover what was going on, but that was not a fault. The investigation is endlessly messed around with for political, personal and ethnic purposes and it is only when Reinhardt becomes truly galvanised in his role that things pick up speed. The plot is almost as complex as the setting and gives us something of an insight into just how difficult and labyrinthine the internal politics of wartime Germany and the wehrmacht actually were.

All in all, the novel was intricate, fascinating, and kept dragging me back. It is not the most pacy novel I’ve read, with some parts feeling a little languid, but when the action comes, it comes thick, fast and unforgiving. Similarly, while there are times when I felt the plot becoming a little muddled, all comes out well and the ending is very satisfying. And like all good whodunnits, many of the things that slip past early on as not vastly important actually do in the end have a place in the tale and a bearing on the case.

So the upshot is that as soon as I have the time, I shall be reading the second Gregor Reinhardt novel. If you have any interest in the war, or in complex murder investigations – and certainly if both – then you might well want to give the Man from Berlin a try. An absorbing read.


Dans la Rome des Césars
Dans la Rome des Césars
by Gilles Chaillet
Edition: Board book
Price: £27.16

5.0 out of 5 stars I cannot recommend this book highly enough, 14 April 2016
Verified Purchase(What is this?)
I cannot recommend this book highly enough, even if you've not a word of French. Anthony Riches, author of the excellent Empire series, put me onto this book and I bought it immediately, and have opened it at least once a week now for years. It is a complete visual topography of Rome in the age of Constantine. It is organised by region and nowhere is left out (most books covering this sort of subject focus on the famous bits and gloss over the rest.) Whole sections of very informative text, accompanied by lovely glossy photos of the current city's remains, are punctuated with fold out maps in the form of panoramic reconstructions (again such as on the cover above.) But these are great big and very detailed images. Better still, each one is unlabelled and clear (again as above), but is accompanied by a copy of the same image a little washed out and with each location labelled. I cannot stress enough the value of this to anyone trying to understand the ancient city of Rome. Praetorian 1 and 2 were both written using this as an almost constant research text. Not so Marius' Mules, as the book concentrates on the early 4th century city, and the Rome of Julius Caesar would look a great deal different. But.... well, just buy it and look at it. Try not to drool on the pages!


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