46 of 50 people found the following review helpful
5.0 out of 5 stars
"To sounds like forks scratched on a plate...", 17 Aug. 2001
Forget their debut album, and the incessant comparisons with Radiohead (although I don't think they were that similar), this album will blow you away, and probably your entire house. Almost every track is an excellent example of how to mix classical influence with all-out rock.
From the maniacally fearsome opener New Born there's little breathing space as each track emerges from its lair of feedback to assault your senses. Bliss, the new single gives way to the organised chaos of Space Dementia, a mammoth piece which threatens to 'destroy this world'. And after hearing it, it's easy to see why. Then comes the defiant Hyper Music, returning to the intense riffing of the opening track and adding some excited bass. Soon after is Plug In Baby, with it's tense riff and bouncing bassline, the introduction of which has to be heard live to be fully appreciated. Then, Muse define the word 'epic' with Citizen Erased, a 7+ minute opus which still can't prepare you for the rending apocalyptic scream of Micro Cuts. A track which would probably beat Space Dementia's boast and destroy the whole universe; a musical black hole perhaps...
Then things calm down a little with Screenager, brimming with claustrophobic angst, but soon pick up with Darkshines' confused atmospheric rock. Feeling Good, the Nina Simone cover, manages to retain the sexiness of the original while giving it that triumphant edge Muse manage so well on this CD. To finish things off, the grand, deliciously overblown Megalomania with its church organ just about sums up what this album is about and provides what can easily be put into the 'finale' drawer.
I don't think I've heard any album quite so desperate to escape from the CD and start an interplanetary war, but then its to Matt Bellamy, Chris Wolstenholme and Dom Howard's credit that that's what they've made. A fully deserved five stars.