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Dervish is Digital Paperback – 20 Oct. 2000
Dore Konstantin is officer in charge of TechnoCrime, Artificial Reality Division and, as if handling a heavy case-load almost single-handed wasn't enough, she's now got a stalker to deal with.Extremely wealthy Hasting Dervish is the stalker according to Susannah Ell -- and she should know. Firstly, she's the one being stalked; secondly, she used to be married to Dervish. Worse, Susannah claims he's swapped places with an ambitious AI, and now Dervish has all the processing power he needs to infiltrate every line of code in Susannah's AR design studio.
Meanwhile the AI is using Dervish's body as a base to visit AR, and hanging out in the gambling casinos of the Lowdown Hong Kong mound. This is where Goku of a Japanese law-enforcement agency, comes in. Since he likes going into AR in the persona of a nine-year-old kid, this really makes Konstantin unhappy. But if she's going to get the goods on Hastings Dervish, she'll have to deal with Goku.
- Print length240 pages
- LanguageEnglish
- PublisherTor
- Publication date20 Oct. 2000
- Dimensions15.3 x 1.9 x 23.4 cm
- ISBN-100333779533
- ISBN-13978-0333779538
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Product description
From the Author
The following is the jacket copy (publisher's description) for Dervish is Digital.
Detective Lieutenant Doré Konstantin is up against it. And she still can't find the fabled Out Door.
Konstantin is Chief Officer in charge of TechnoCrime, Artificial Reality Division. In fact, she is the AR Division - unless you count her subordinates, Celestine and DiPietro. Most of the time, Konstantin doesn't count them, and puts them on loan to auto crime. Now, as if handling her heavy case load almost single-handed weren't enough, she's got a stalker to deal with.
Hasting Dervish, who's so rich he lives in the Key West enclave, where all legal records are sealed and the local police are bought and sold, is the stalker. At least, that's what Susannah Ell claims, and she should know. Two reasons: first, she's the one being stalked; second, she used to be married to Dervish. Worse, Susannah says Dervish is a race traitor - to the human race. He's swapped places with an ambitious AI, and now Dervish has all the processing power he needs to infiltrate every line of code in Susannah's AR design studio. And the AI? It's using Dervish's body as a base to visit AR, hanging out in the gambling casinos of the Lowdown Hong Kong mound.
Which is where the guys from the East/West Precinct, a Japanese law enforcement agency, come in. Specifically, Goku, who often likes to go into AR in the persona of a nine year old kid. Which really makes Konstantin unhappy. But if she's going to get the goods on Hastings Dervish, she'll have to deal with Goku.
Pat Cadigan, two-time winner of the Arthur C Clarke Award for best science fiction novel of the year, introduced us to Doré Konstantin in Tea from an Empty Cup, which Salon magazine called "a tightly plotted, crisply written novel that fits the classic noir mystery template set down by the likes of Raymond Chandler more comfortably than anything William Gibson has ever written". If you felt the way Salon did about Konstantin first time out, you're going to love her second case. Fast, funny, packed with brilliant ideas, it's how crime investigations are going to be the day after tomorrow. Get ahead of the game - mug up on it now.
Dervish is Digital will be published as a "C Format" (trade) paperback.
About the Author
Product details
- Publisher : Tor (20 Oct. 2000)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 0333779533
- ISBN-13 : 978-0333779538
- Dimensions : 15.3 x 1.9 x 23.4 cm
- Best Sellers Rank: 3,353,615 in Books (See Top 100 in Books)
- 215,000 in Science Fiction (Books)
- Customer reviews:
About the author

“I swear they told me I was terminal...but that was back in December 2014. What can I say? Heaven doesn’t want me and Hell’s afraid I’ll take over.”
Pat Cadigan won the Arthur C. Clarke Award twice for her novels Synners and Fools, and the Scribe Award three times for Best Novelisation, most recently for Ultraman. She has also won three Locus Awards––best short story for "Angel," best collection for Patterns, and best novelette for "The Girl-Thing Who Went Out For Sushi,", which also won the Hugo Award and Japan's Seiun Award; it can be found in Edge of Infinity, edited by Jonathan Strahan. Most often identified as one of the original cyberpunk writers––the Guardian called her The Queen of Cyberpunk––her work includes fantasy, horror, young adult, and nonfiction.
Born in New York, she grew up in Massachusetts but spent most of her adult life in the Kansas City area, where she worked for ten years at Hallmark Cards, Inc., writing greeting cards, often in perfect iambic pentameter. She now lives in gritty, urban north London with her husband Chris Fowler, and takes pride in the accomplishments of her son, musician, composer, data scientist, and nonfiction writer Robert Fenner.
Along with her media tie-in writing, Cadigan is working on two new original novels––working titles: See You When You Get There and Truth & Bone––while she makes terminal cancer her bitch. Diagnosed in late 2014 with an inoperable and incurable form of recurrent endometrial cancer, she was given at most two years to live. After she underwent what was supposed to have been strictly palliative chemotherapy in early 2015, however, doctors were forced to revise their estimates from 'two years or less' to 'Someday, maybe––hey, we just work here'.
When asked for comment, Cadigan, who has already returned from the dead after a severe case of anaphylactic shock, said, “Each of us was put on this earth to accomplish a certain number of things. I’m now so far behind that I can never die.”
She has been keeping a Wordpress blog called 'Ceci N'est Pas Une Blog––Dispatches From Cancerland' about her adventures as a cancer patient; she promises that it's not a bummer. In fact, some of it is even funny. She can also be found on Facebook and tweets as @cadigan and just about everything there is funny, too.
Cadigan was proud to do the novelisation of William Gibson’s unproduced screenplay for what would have been the third Aliens movie, published 31 August 2021. (Spoiler Alert: it’s not the third Aliens movie that you saw in the theatre, on video, or in your nightmares.) In fact, Gibson did two drafts of the screenplay; this novelisation is his first draft. The second draft was very different and was adapted as a graphic novel by Dark Horse, starring the fabulous artwork of Johnny Christmas. Cadigan thinks you should own both, because.
Her latest works are Ultraman and Ultraseven, novelisations of the legendary Japanese superheroes from Nebula M73. Ultraman came out in 2023, while Ultraseven is scheduled for early 2025. If you’re unfamiliar with Ultraman, watch for the upcoming Ultraman documentary, coming soon from Japanese public television.
Thanks to Gollancz’s highly successful Gateway eBook program, all of Cadigan’s original novels are available electronically. Other books, such the two making-of movie books she was commissioned to write—The Making of Lost in Space and The Resurrection of the Mummy—are available through third-party sellers. Support independent and second-hand book-dealers whenever possible. You can’t get everything in electronic format. Also, before eBooks came along, second-hand book dealers prevented many good writers from disappearing altogether. Ebooks are great because you can take hundreds of them with you on an airplane without worrying about the weight allowance but it’s still great to have a book signed by your favourite author.
As a cancer patient (remember, she’s not in remission, just stubborn), Cadigan spent 2020 at home, thanks to the inconvenience of a global pandemic. She got a lot of writing done, but not a lot of housework, because seriously? Are you kidding? Sightings continued to be scarce during 2021. Cadigan hoped to get around more in 2022 but didn’t.
In 2020, she was nominated for the Scribe Award for Alita Battle Angel, and was delighted when she won. She says that her editor, Ella J Chappell was crucial in helping her produce her best work possible. Like Ellen Datlow and Gardner Dozois, Ms Chappell has become a lasting influence on Cadigan’s work in general.
In 2022, she was again nominated for the Scribe Award for Alien 3, the novelisation of William Gibson’s unproduced screenplay. Nominees and winners were announced at the San Diego Comic Con and to her even greater delight, she won again. And in 2024, she was overjoyed to win a third time for Ultraman. She has had superb editorial support from Titan Books.
A full list of Scribe Award winners is available at the International Association of Media Tie-In Writers website.
Customer reviews
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Learn more how customers reviews work on AmazonTop reviews from other countries
Thomas D. GulchReviewed in the United States on 31 May 20025.0 out of 5 stars excellent
excellent cyberpunk ala VR. Reading her previous works is help
full to get full enjoyment out of this book.
Kevin WohlerReviewed in the United States on 20 October 20012.0 out of 5 stars Alice in Cyberland
In Pat Cadigan's previous novel, Tea from an Empty Cup, she introduced readers to Doré Konstantin, a homicide detective tracking down a murder leading to AR (Artificial Reality). In Dervish is Digital, Cadigan returns to the world of AR, where everything is a lie and must be accepted as such. Konstantin, too, is back, heading up the TechnoCrime division, a job that is more like purgatory than actual hell, but nevertheless not her life's dream.
If Tea was cyberpunk mixed with Eastern mysticism, one must sum up Dervish as cyberpunk with a healthy dose of Lewis Carroll. This is not so much a mystery novel as a trip through the looking glass. As Konstantin chases her elusive white rabbit, the reader is not asked to understand what is going on, but to hang on and enjoy the ride. Unfortunately, the ride has little dimension to it, feeling flat and unimaginative.
While I immensely enjoy Cadigan's writing, this book left me cold. The story did not have the grit that I have come to expect in Cadigan's worlds. (Maybe because I recently finished her excellent collection of short stories, Patterns.) This novel felt like an unfinished story in many ways. It is as if the characters and plot had been put into place, but without the scenery. Sure, there are weird moments aplenty in Dervish, but it is all the same kind of glitter that we saw in Tea. There is nothing here that suggests this story is taking us someplace new. If anything, the AR world becomes as monotonous to the reader as it has become to Konstantin.
While Konstantin makes repeated metaphors of carnival rides, the book is anything but. A strange trip, to be sure, but never real. The story seems forced, and the situation seems hollow. Even the end of the novel leaves the reader feeling cheated somehow.
If this is a reflection of Cadigan's own feelings about cyberpunk, perhaps she should move on to something that excites her before she (and the reader) dies of ennui. Pick up Synners again for a truly great cyberpunk story.
