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Stop Stealing Sheep & Find Out How Type Works Paperback – 1 Jan. 2003
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This classic typography book, first published in 1993, is now updated with brand-new typefaces, fonts, and illustrations. Internationally renowned graphic designer Erik Spiekermann explains in everyday terms what typography is and offers design guidance in choosing type for legibility, meaning, and aesthetic appeal. Stop Stealing Sheep and Find Out How Type Works, 2nd Edition guides the reader through all aspects of typography, from the history and mechanics of type, to training the eye to recognize and choose typefaces. Uncover type's roots and placement within society and learn how to use space and layout to improve overall communication. This elegant guide for readers of all levels is revised and updated to discuss the particular design challenges of type on the Internet. Note: This title was originally announced in the October 2000 Pearson Technology Group catalog.
- ISBN-100201703394
- ISBN-13978-0201703399
- Edition2nd
- PublisherAdobe Press
- Publication date1 Jan. 2003
- LanguageEnglish
- Dimensions1.14 x 13.97 x 21.59 cm
- Print length192 pages
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Product description
From the Back Cover
An updated new edition of the classic guide to typography.
A unique, entertaining, and educational tour through the most basic unit of human communication: type. This book, a perennial seller since 1993, draws in the reader with its beautiful design and layout, making liberal use of more than 200 illustrations and photographs. The author explains in everyday layman's terms what type is and how you can use it to enhance legibility, meaning, and aesthetic enjoyment. This edition is revised and updated to include new chapters on Web typography and other forms of online text display.
About the Author
Erik Spiekermann is an internationally renowned graphic designer and the founder of MetaDesign. He wrote the bestselling first edition of this book and many articles on type and typography, as well as Rhyme and Reason: A Typographic Novel. He is also the designer of typefaces such as FF Meta and ITC Officina. He lives and works in Berlin.
E.M. Ginger is a typographic consultant, editor, and freelance writer in the San Francisco Bay Area. She has worked with type and typography for two decades. She was managing editor of the journal Fine Print for twelve years and the editor of several bestselling cookbooks.
Product details
- Publisher : Adobe Press; 2nd edition (1 Jan. 2003)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 0201703394
- ISBN-13 : 978-0201703399
- Dimensions : 1.14 x 13.97 x 21.59 cm
- Best Sellers Rank: 312,558 in Books (See Top 100 in Books)
- 37 in Desktop Publishing Software
- 91 in Maya
- 91 in 3D Studio Max
- Customer reviews:
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Top reviews from United Kingdom
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This book is one of two* that I recommend to my students when they realise they are part of a centuries old printing inheritance and they want to understand type and get it right.
My students are not always professional designers - or they skimmed the type part at art school - or simply, there is that awakening that means you have understood type's contribution to communication. It's subtle thing, the time you realise that you have plateaued and that there more to type than simply text. And anyone, wether they are professional trained or self taught can come to this book and learn something of use to them that will make their work better. It's written for everyone. Not dumbed down, but it doesn't use flowery language either, accessible I suppose would be the term.
*The other is "The Mac(PC) is not a typewriter"
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I had read the Basic Design: Typography by Gavin/Ambrose Basics Design: Typography and thought it was very interesting with loads of superb examples of artwork but there weren't enough contents compared to "Stop stealing sheep".
I'd recommend this book to anyone who, like me, is a beginner in the graphic design world and wants to learn basics about typography. It's a good intro!
Top reviews from other countries
Je le recommandes à tous les pros qui utilisent des typos et qui veulent savoir comment argumenter le choix d'une typo plutôt qu'une autre mais aussi pour améliorer ses connaissances personnelles.
So, after recommending it to my print manager here in NYC, I figured I'd buy a copy after all these years - it's still a nifty wee book, very much worth the money.


