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Do Androids Dream of Electric Sheep?: The inspiration for the films Blade Runner and Blade Runner 2049 Paperback – 28 May 1996
One of The Atlantic's Great American Novels of the Past 100 Years
By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can't afford one, companies built incredibly realistic simulacra: horses, birds, cats, sheep. They've even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and "retire" them. But when cornered, androids fight back--with lethal force.
Praise for Philip K. Dick
"The most consistently brilliant science fiction writer in the world."--John Brunner
"A kind of pulp-fiction Kafka, a prophet."--The New York Times
"[Philip K. Dick] sees all the sparkling--and terrifying--possibilities . . . that other authors shy away from."--Rolling Stone
- Print length240 pages
- LanguageEnglish
- Publication date28 May 1996
- Dimensions13.97 x 1.27 x 20.83 cm
- ISBN-100345404475
- ISBN-13978-0345404473
- Lexile measure490L
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Product description
Review
"The most consistently brilliant science fiction writer in the world."--John Brunner
"A kind of pulp-fiction Kafka, a prophet."--The New York Times
From the Back Cover
--John Brunner
THE INSPIRATION FOR BLADERUNNER. . .
Do Androids Dream of Electric Sheep? was published in 1968. Grim and foreboding, even today it is a masterpiece ahead of its time.
By 2021, the World War had killed millions, driving entire species into extinction and sending mankind off-planet. Those who remained coveted any living creature, and for people who couldn't afford one, companies built incredibly realistic simulacrae: horses, birds, cats, sheep. . .
They even built humans.
Emigrees to Mars received androids so sophisticated it was impossible to tell them from true men or women. Fearful of the havoc these artificial humans could wreak, the government banned them from Earth. But when androids didn't want to be identified, they just blended in.
Rick Deckard was an officially sanctioned bounty hunter whose job was to find rogue androids, and to retire them. But cornered, androids tended to fight back, with deadly results.
"[Dick] sees all the sparkling and terrifying possibilities. . . that other authors shy away from."
--Paul Williams
Rolling Stone
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
A merry little surge of electricity piped by automatic alarm from the mood organ beside his bed awakened Rick Deckard. Surprised—it always surprised him to find himself awake without prior notice—he rose from the bed, stood up in his multicolored pajamas, and stretched. Now, in her bed, his wife Iran opened her gray, unmerry eyes, blinked, then groaned and shut her eyes again.
“You set your Penfield too weak,” he said to her. “I’ll reset it and you’ll be awake and—”
“Keep your hand off my settings.” Her voice held bitter sharpness. “I don’t want to be awake.”
He seated himself beside her, bent over her, and explained softly. “If you set the surge up high enough, you’ll be glad you’re awake; that’s the whole point. At setting C it overcomes the threshold barring consciousness, as it does for me.” Friendlily, because he felt well-disposed toward the world—his setting had been at D—he patted her bare, pale shoulder.
“Get your crude cop’s hand away,” Iran said.
“I’m not a cop.” He felt irritable, now, although he hadn’t dialed for it.
“You’re worse,” his wife said, her eyes still shut. “You’re a murderer hired by the cops.”
“I’ve never killed a human being in my life.” His irritability had risen now; had become outright hostility.
Iran said, “Just those poor andys.”
“I notice you’ve never had any hesitation as to spending the bounty money I bring home on whatever momentarily attracts your attention.” He rose, strode to the console of his mood organ. “Instead of saving,” he said, “so we could buy a real sheep, to replace that fake electric one upstairs. A mere electric animal, and me earning all that I’ve worked my way up to through the years.” At his console he hesitated between dialing for a thalamic suppressant (which would abolish his mood of rage) or a thalamic stimulant (which would make him irked enough to win the argument).
“If you dial,” Iran said, eyes open and watching, “for greater venom, then I’ll dial the same. I’ll dial the maximum and you’ll see a fight that makes every argument we’ve had up to now seem like nothing. Dial and see; just try me.” She rose swiftly, loped to the console of her own mood organ, stood glaring at him, waiting.
He sighed, defeated by her threat. “I’ll dial what’s on my schedule for today.” Examining the schedule for January 3, 2021, he saw that a businesslike professional attitude was called for. “If I dial by schedule,” he said warily, “will you agree to also?” He waited, canny enough not to commit himself until his wife had agreed to follow suit.
“My schedule for today lists a six-hour self-accusatory depression,” Iran said.
“What? Why did you schedule that?” It defeated the whole purpose of the mood organ. “I didn’t even know you could set it for that,” he said gloomily.
“I was sitting here one afternoon,” Iran said, “and naturally I had turned on ‘Buster Friendly and His Friendly Friends’ and he was talking about a big news item he’s about to break and then that awful commercial came on, the one I hate; you know, for Mountibank Lead Codpieces. And so for a minute I shut off the sound. And I heard the building, this building; I heard the—” She gestured.
“Empty apartments,” Rick said. Sometimes he heard them at night when he was supposed to be asleep. And yet, for this day and age a one-half occupied conapt building rated high in the scheme of population density; out in what had been before the war the suburbs, one could find buildings entirely empty?.?.?.??or so he had heard. He had let the information remain secondhand; like most people he did not care to experience it directly.
“At that moment,” Iran said, “when I had the TV sound off, I was in a 382 mood; I had just dialed it. So although I heard the emptiness intellectually, I didn’t feel it. My first reaction consisted of being grateful that we could afford a Penfield mood organ. But then I realized how unhealthy it was, sensing the absence of life, not just in this building but everywhere, and not reacting—do you see? I guess you don’t. But that used to be considered a sign of mental illness; they called it ‘absence of appropriate affect.’ So I left the TV sound off and I sat down at my mood organ and I experimented. And I finally found a setting for despair.” Her dark, pert face showed satisfaction, as if she had achieved something of worth. “So I put it on my schedule for twice a month; I think that’s a reasonable amount of time to feel hopeless about everything, about staying here on Earth after everybody who’s smart has emigrated, don’t you think?”
“But a mood like that,” Rick said, “you’re apt to stay in it, not dial your way out. Despair like that, about total reality, is self-perpetuating.”
“I program an automatic resetting for three hours later,” his wife said sleekly. “A 481. Awareness of the manifold possibilities open to me in the future; new hope that—”
“I know 481,” he interrupted. He had dialed out the combination many times; he relied on it greatly. “Listen,” he said, seating himself on his bed and taking hold of her hands to draw her down beside him, “even with an automatic cutoff it’s dangerous to undergo a depression, any kind. Forget what you’ve scheduled and I’ll forget what I’ve scheduled; we’ll dial a 104 together and both experience it, and then you stay in it while I reset mine for my usual businesslike attitude. That way I’ll want to hop up to the roof and check out the sheep and then head for the office; meanwhile I’ll know you’re not sitting here brooding with no TV.” He released her slim, long fingers, passed through the spacious apartment to the living room, which smelled faintly of last night’s cigarettes. There he bent to turn on the TV.
From the bedroom Iran’s voice came. “I can’t stand TV before breakfast.”
“Dial 888,” Rick said as the set warmed. “The desire to watch TV, no matter what’s on it.”
“I don’t feel like dialing anything at all now,” Iran said.
“Then dial 3,” he said.
“I can’t dial a setting that stimulates my cerebral cortex into wanting to dial! If I don’t want to dial, I don’t want to dial that most of all, because then I will want to dial, and wanting to dial is right now the most alien drive I can imagine; I just want to sit here on the bed and stare at the floor.” Her voice had become sharp with overtones of bleakness as her soul congealed and she ceased to move, as the instinctive, omnipresent film of great weight, of an almost absolute inertia, settled over her.
He turned up the TV sound, and the voice of Buster Friendly boomed out and filled the room. “—ho ho, folks. Time now for a brief note on today’s weather. The Mongoose satellite reports that fallout will be especially pronounced toward noon and will then taper off, so all you folks who’ll be venturing out—”
Appearing beside him, her long nightgown trailing wispily, Iran shut off the TV set. “Okay, I give up; I’ll dial. Anything you want me to be; ecstatic sexual bliss—I feel so bad I’ll even endure that. What the hell. What difference does it make?”
“I’ll dial for both of us,” Rick said, and led her back into the bedroom. There, at her console, he dialed 594: pleased acknowledgment of husband’s superior wisdom in all matters. On his own console he dialed for a creative and fresh attitude toward his job, although this he hardly needed; such was his habitual, innate approach without recourse to Penfield artificial brain stimulation.
After a hurried breakfast—he had lost time due to the discussion with his wife—he ascended clad for venturing out, including his Ajax model Mountibank Lead Codpiece, to the covered roof pasture whereon his electric sheep “grazed.” Whereon it, sophisticated piece of hardware that it was, chomped away in simulated contentment, bamboozling the other tenants of the building.
Of course, some of their animals undoubtedly consisted of electronic circuitry fakes, too; he had of course never nosed into the matter, any more than they, his neighbors, had pried into the real workings of his sheep. Nothing could be more impolite. To say, “Is your sheep genuine?” would be a worse breach of manners than to inquire whether a citizen’s teeth, hair, or internal organs would test out authentic.
The morning air, spilling over with radioactive motes, gray and sun-beclouding, belched about him, haunting his nose; he sniffed involuntarily the taint of death. Well, that was too strong a description for it, he decided as he made his way to the particular plot of sod which he owned along with the unduly large apartment below. The legacy of World War Terminus had diminished in potency; those who could not survive the dust had passed into oblivion years ago, and the dust, weaker now and confronting the strong survivors, only deranged minds and genetic properties. Despite his lead codpiece, the dust—undoubtedly—filtered in and at him, brought him daily, so long as he failed to emigrate, its little load of befouling filth. So far, medical checkups taken monthly confirmed him as a regular: a man who could reproduce within the tolerances set by law. Any month, however, the exam by the San Francisco Police Department doctors could reveal otherwise. Continually, new specials came into existence, created out of regulars by the omnipresent dust. The saying currently blabbed by posters, TV ads, and government junk mail, ran: “Emigrate or degenerate! The choice is yours!” Very true, Rick thought as he opened the gate to his little pasture and approached his electric sheep. But I can’t emigrate, he said to himself. Because of my job.
The owner of the adjoining pasture, his conapt neighbor Bill Barbour, hailed him; he, like Rick, had dressed for work but had stopped off on the way to check his animal, too.
“My horse,” Barbour declared beamingly, “is pregnant.” He indicated the big Percheron, which stood staring off in an empty fashion into space. “What do you say to that?”
“I say pretty soon you’ll have two horses,” Rick said. He had reached his sheep now; it lay ruminating, its alert eyes fixed on him in case he had brought any rolled oats with him. The alleged sheep contained an oat-tropic circuit; at the sight of such cereals it would scramble up convincingly and amble over. “What’s she pregnant by?” he asked Barbour. “The wind?”
“I bought some of the highest quality fertilizing plasma available in California,” Barbour informed him. “Through inside contacts I have with the State Animal Husbandry Board. Don’t you remember last week when their inspector was out here examining Judy? They’re eager to have her foal; she’s an unmatched superior.” Barbour thumped his horse fondly on the neck and she inclined her head toward him.
“Ever thought of selling your horse?” Rick asked. He wished to god he had a horse, in fact any animal. Owning and maintaining a fraud had a way of gradually demoralizing one. And yet from a social standpoint it had to be done, given the absence of the real article. He had therefore no choice except to continue. Even were he not to care himself, there remained his wife, and Iran did care. Very much.
Barbour said, “It would be immoral to sell my horse.”
“Sell the colt, then. Having two animals is more immoral than not having any.”
Puzzled, Barbour said, “How do you mean? A lot of people have two animals, even three, four, and like in the case of Fred Washborne, who owns the algae-processing plant my brother works at, even five. Didn’t you see that article about his duck in yesterday’s Chronicle? It’s supposed to be the heaviest, largest Moscovy on the West Coast.” The man’s eyes glazed over, imagining such possessions; he drifted by degrees into a trance.
Exploring about in his coat pockets, Rick found his creased, much-studied copy of Sidney’s Animal & Fowl Catalogue January supplement. He looked in the index, found colts (vide horses, offsp.) and presently had the prevailing national price. “I can buy a Percheron colt from Sidney’s for five thousand dollars,” he said aloud.
“No you can’t,” Barbour said. “Look at the listing again; it’s in italics. That means they don’t have any in stock, but that would be the price if they did have.”
“Suppose,” Rick said, “I pay you five hundred dollars a month for ten months. Full catalogue value.”
Pityingly, Barbour said, “Deckard, you don’t understand about horses; there’s a reason why Sidney’s doesn’t have any Percheron colts in stock. Percheron colts just don’t change hands—at catalogue value, even. They’re too scarce, even relatively inferior ones.” He leaned across their common fence, gesticulating. “I’ve had Judy for three years, and not in all that time have I seen a Percheron mare of her quality. To acquire her I had to fly to Canada, and I personally drove her back here myself to make sure she wasn’t stolen. You bring an animal like this anywhere around Colorado or Wyoming and they’ll knock you off to get hold of it. You know why? Because back before W.W.T. there existed literally hundreds—”
“But,” Rick interrupted, “for you to have two horses and me none, that violates the whole basic theological and moral structure of Mercerism.”
“You have your sheep; hell, you can follow the Ascent in your individual life, and when you grasp the two handles of empathy, you approach honorably. Now if you didn’t have that old sheep, there, I’d see some logic in your position. Sure, if I had two animals and you didn’t have any, I’d be helping deprive you of true fusion with Mercer. But every family in this building—let’s see; around fifty: one to every three apts, as I compute it—every one of us has an animal of some sort. Graveson has that chicken over there.” He gestured north. “Oakes and his wife have that big red dog that barks in the night.” He pondered. “I think Ed Smith has a cat down in his apt; at least he says so, but no one’s ever seen it. Possibly he’s just pretending.”
Going over to his sheep, Rick bent down, searching in the thick white wool—the fleece at least was genuine—until he found what he was looking for: the concealed control panel of the mechanism. As Barbour watched, he snapped open the panel covering, revealing it. “See?” he said to Barbour. “You understand now why I want your colt so badly?”
After an interval Barbour said, “You poor guy. Has it always been this way?”
Product details
- Publisher : Random House Worlds; Reissue edition (28 May 1996)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 0345404475
- ISBN-13 : 978-0345404473
- Dimensions : 13.97 x 1.27 x 20.83 cm
- Best Sellers Rank: 2,067,848 in Books (See Top 100 in Books)
- 4,117 in Metaphysical & Visionary
- 5,252 in Science & Religion
- 6,191 in Hard Science Fiction (Books)
- Customer reviews:
About the author

Over a writing career that spanned three decades, Philip K. Dick (1928-1982) published 36 science fiction novels and 121 short stories in which he explored the essence of what makes man human and the dangers of centralized power. Toward the end of his life, his work turned toward deeply personal, metaphysical questions concerning the nature of God. Eleven novels and short stories have been adapted to film; notably: Blade Runner (based on Do Androids Dream of Electric Sheep?), Total Recall, Minority Report, and A Scanner Darkly. The recipient of critical acclaim and numerous awards throughout his career, Dick was inducted into the Science Fiction Hall of Fame in 2005, and in 2007 the Library of America published a selection of his novels in three volumes. His work has been translated into more than twenty-five languages.
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Customers find the book amazing, worth reading, and an absolute must-read for science fiction fans. They describe the plot as innovative, intriguing, and forward-thinking. Readers also find the ideas interesting and fascinating. They praise the writing quality as well-written, pacy, and philosophical. Additionally, they mention the book touches on the human spirit and makes them think about how to define life.
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Customers find the book amazing, worth reading, and an absolute must-read for science fiction fans. They say seeing the completed film makes reading the novel all the more interesting. Readers also mention it's one of their favorite pieces of fiction and one of the author's most iconic novels.
"...of PKD's works are better than others, to my mind they are all well worth reading. I would also recommend his short story collections: [..." Read more
"...However, the book is still definitely worth trying; it will make you think." Read more
"...But, it's quite good. Worth a look!" Read more
"...with our 2015 eyes and knowledge, and on that level this book scores very highly...." Read more
Customers find the plot amazing, innovative, and intriguing. They describe the book as a modern fable that incorporates drama into a sci-fi setting.
"...qualities of what makes humanity,done-up in a fantastical,brilliant,modern fable...." Read more
"...Great story, interesting characters, action and ever thought provoking. Multi-faceted as opposed to the film, good though that is." Read more
"Written under the shadow of nuclear armageddon, this story is surprisingly hopeful...." Read more
"...The ending was a bit of a disappointment with Deckard becoming disillusioned...." Read more
Customers find the ideas in the book interesting, fascinating, and inventive. They say it offers a whole new perspective and makes them marvel at the imagination. Readers also mention the book provides valuable background to those addicted to the film Blade Runner.
"...As with all PKD's works this novel makes you marvel at his imagination but also (if you are of a philosophical turn of mind) brings you to question..." Read more
"...heads as to how any human mind could have conceived of such an incredible masterpiece.Such is the greatest of modern arts and literature made." Read more
"...degree, and I love the way Philip K Dick has such brilliant ideas in his books, but he lets himself down slightly in the sense that you know that he..." Read more
"...of humans' efforts to create it in synthetics is explored wonderfully in a test...." Read more
Customers find the writing quality of the book excellent, readable, and enjoyable. They say the author is skillful in developing the plot and inserting subtle changes that transform the story.
"...Such is the greatest of modern arts and literature made." Read more
"...While the novel starts quite slowly, the pace picks up and this was a pacy read, with a lot of interesting reflections on what is the essential..." Read more
"...Not too long not too short. If you enjoyed watching the 1982 Blade Runner you’re guaranteed to enjoy this book. Phillip K Dick was a true artist" Read more
"...This is a philosophical and introspective book. Told with beautifully simple prose, it will hold a resonance with you for a long time afterwards." Read more
Customers find the book thought-provoking. They say it touches on the human spirit and makes them think about how to define life. Readers also mention the book is philosophical and introspective, posing relevant questions regarding humanity, faith, mental health, and artificial life. In addition, they say it's poignant and has a deeper touch to the human and psychological side of the story.
"...However,this is like no sf western,but rather is about love,empathy and the defining qualities of what makes humanity,done-up in a fantastical,..." Read more
"...Great story, interesting characters, action and ever thought provoking. Multi-faceted as opposed to the film, good though that is." Read more
"...these issues, I did enjoy the book and there were interesting ideas to ponder about being alive, what it means to be human and empathy." Read more
"...I loved that it lets is ponder about the nature of empathy and artificial life, something that we might have to do ourselves in several decades." Read more
Customers find the visual style of the book beautiful, thought-provoking, and attractive. They mention the images from the movie certainly helped in understanding it. Readers also appreciate the depiction of a bleak, yet believable future.
"...a lightweight bounty hunter under contract to shoot remarkably authentic-looking androids who are merging with ordinary humans with amazing effect...." Read more
"...His writing is so clever, loaded with detail, that paints a flawless picture in your mind of every scene...." Read more
"...much more about what goes on in the character's heads, while the film's very visual, but I'm a happy reader. But then....I did only pay 99p!..." Read more
"...Dick's writing seems by turns maladroit and effortlessly evocative...." Read more
Customers have mixed opinions about the character development in the book. Some mention it's great, while others say it could have been better developed.
"...The characters are substantially different as well...." Read more
"...Great story, interesting characters, action and ever thought provoking. Multi-faceted as opposed to the film, good though that is." Read more
"...I was a little disappointed with the character interaction - particularly between the protagonist, Rick Deckard and one of the androids from the..." Read more
"...The characterisations of the principal characters are consistent though the film takes some of them on a different journey...." Read more
Customers have mixed opinions about the pacing of the book. Some mention it's fast, while others say it feels slow.
"...While the novel starts quite slowly, the pace picks up and this was a pacy read, with a lot of interesting reflections on what is the essential..." Read more
"...For me, the pacing was off & I didn’t really feel the romance between Deckard & Rachel. Also, in the novel, Deckard is married...." Read more
"Fast paced and snappily written, the story has a lot in common with the original movie...." Read more
"...book but it was quite hard to engage with the style of writing so it felt slow. But fascinating nonetheless and I'm glad to have read it." Read more
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-- from the back cover.
Written in 1966 and published in 1968, Do Androids Dream of Electric Sheep? is Philip K Dick's twenty-third published novel and perhaps his best known, following its big screen adaptation (Blade Runner). PKD's abiding themes were 'What is reality?' and 'What is it to be human?' and, though both these themes are explored, it is perhaps the second that is explored most obviously.
As with all PKD's works this novel makes you marvel at his imagination but also (if you are of a philosophical turn of mind) brings you to question and consider the themes he raises for yourself. PKD also creates characters that I at least find believable. As Ursula Le Guin has said "There are no heroes in Dick's books, but there are heroics. One is reminded of Dickens: what counts is the honesty, constancy, kindness and patience of ordinary people." PKD's characters always strike me as in some way authentic.
Do Androids Dream of Electric Sheep? was a Nebula Award nominee in 1968 and in 1998 was on the Locus Poll Award, All-Time Best SF Novel before 1990 (in 51st place).
Do Androids Dream of Electric Sheep? was filmed as the movie Blade Runner and released in 1982 (the year of Philip K Dick's death). I think this is a great film. However, to my mind it is best taken as a separate entity because as with any adaptation, much is changed and lost in the process.
"[Dick] sees all the sparkling and terrifying possibilities. . . that other authors shy away from."
--Paul Williams, Rolling Stone
"Philip Dick does not lead his critics an easy life, since he does not so much play the part of a guide through his phantasmagoric worlds as give the impression of one lost in their labyrinth."
-- Stanislaw Lem, "Philip K. Dick: A Visionary Among the Charlatans"
If you are new to Philip K Dick's work I would also recommend the following novels (which generally seem to be regarded as among his best):
The Man In The High Castle (S.F. Masterworks)
Ubik (S.F. Masterworks)
A Scanner Darkly (S.F. Masterworks)
The Three Stigmata of Palmer Eldritch (S.F. Masterworks)
Flow My Tears, The Policeman Said (S.F. Masterworks)
That said, though some of PKD's works are better than others, to my mind they are all well worth reading. I would also recommend his short story collections:
Beyond Lies The Wub: Volume One Of The Collected Short Stories
Second Variety: Volume Two Of The Collected Short Stories
The Father-Thing: Volume Three Of The Collected Short Stories
Minority Report: Volume Four Of The Collected Short Stories
We Can Remember It For You Wholesale: Volume Five of The Collected Short Stories
Well, where to begin? As others have pointed out, the book is clearly the inspiration for the film, but the film is clearly not a close adaptation of the book. They are so different that you can really treat them as two separate entities. The world that the book is set in is completely different from that envisaged in the film; it is a dying, decaying place; fit only for the dregs of society; those with nowhere else to go. It is not the glowing, colourful world of the film.
The basic premise of the story remains similar, but virtually everything else changes. The book is more ambiguous, more thoughtful, asks the reader questions without supplying all the answers. The characters are substantially different as well. Deckard is less heroic than in the film, more uncertain, and the androids are altogether simpler beings, almost one-dimensional, and I don't mean by this that they are badly written, I think this was quite deliberate on the author's part.
Overall, the book is a great read. I have to admit that if you have seen the film, you cannot help letting that colour your mind while you are reading. However, the book is still definitely worth trying; it will make you think.
It's difficult to describe a book that's so greatly brilliant that it defies description of the ecstacy that it makes flowing over you.A description of the plot would hardly do it justice,although it concerns a lightweight bounty hunter under contract to shoot remarkably authentic-looking androids who are merging with ordinary humans with amazing effect.However,this is like no sf western,but rather is about love,empathy and the defining qualities of what makes humanity,done-up in a fantastical,brilliant,modern fable.The protagonist even manages to have intimate relations with a female android,even when he knows she an android;thats a feat I think to be achieved by only the greatest literary minds!
Suffice it to say,it's a book that towers over us in awesome magnitude,making us scratch our heads as to how any human mind could have conceived of such an incredible masterpiece.Such is the greatest of modern arts and literature made.
There were sections of the story I enjoyed - the technology & the painted landscape of a world breaking down. For me, the pacing was off & I didn’t really feel the romance between Deckard & Rachel. Also, in the novel, Deckard is married. Him being romantically attached when he meets her, dulled & soured it.
The writing felt jumbled up, it could have been structured better. So Deckard said something & in the same paragraph, his thoughts followed. I had to reread sections several times to fully grasp what was going on.
My favourite part - Deckard’s first meeting with Rachel - dialogue from the empathy test was almost word for word. I can see why scenes from the book were enhanced & other parts were chopped & changed. Some stories don’t work for the page, but when they are transformed for the screen - that’s where they shine.
Top reviews from other countries
It formulated a dark and detailed world that's incredibly immersive and tactile.
‘Philip K. Dick’ (Author, San Francisco) was already my most Fav Sci Fi Author. So many of his stories have been adapted to films.
Decades later the film still holds up as a masterpiece of a visually experience, expansive and yet also at times a claustrophobic World.
After an environmental collapse. Post Appocaliptic San Francisco & LA are so large they've merged into being one city.
Inspired by ‘Phillip K. Dicks’ outstanding ‘Cyberpunk’ book “Do Androids Dream of Electric Sheep” 68’
‘BladeRunner’ Film 82’
Film Adaptation to book
last released in 2007’
It's probably the best Sci Fi written & well worth the Read.





