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Bond Remastered - The Living Daylights (1-disc) [DVD] [1987]

4.5 out of 5 stars 177 customer reviews

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  • Bond Remastered - The Living Daylights (1-disc) [DVD] [1987]
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Product details

  • Actors: Timothy Dalton, Maryam d'Abo, Jeroen Krabbé, Joe Don Baker, Art Malik
  • Directors: John Glen
  • Producers: Albert R. Broccoli, Michael G. Wilson
  • Format: PAL
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 2.35:1
  • Number of discs: 1
  • Classification: PG
  • Studio: Twentieth Century Fox
  • DVD Release Date: 12 Mar. 2007
  • Run Time: 126 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (177 customer reviews)
  • ASIN: B000MR9F6Q
  • Amazon Bestsellers Rank: 28,550 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)
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Product description

Product Description

Timothy Dalton plays James Bond for the first time in this instalment of the 007 franchise. The action this time sees Bond running around various exotic places in pursuit of a couple of seedy dealers in arms, drugs and diamonds.

From Amazon.co.uk

The Living Daylights, new boy Timothy Dalton's first Bond outing, gets off to a rocking start with a pre-credits sequence on Gibraltar, and culminates in a witty final showdown with Joe Don Baker's arms dealer, set on a model battlefield full of toy soldiers. While the Aston Martin model whizzing through the car chase has been updated for the late 1980s--including lethal lasers and other deadly gizmos--the plot is pretty standard issue, maybe a little more cluttered and unfocused than usual, involving arms, drugs and diamond smuggling. Nevertheless, the action-formula firmly in place, this one rehearses the moves with ease and throws in some fine acting. Maryam d'Abo, playing a cellist-cum-spy, is the classy main squeeze for 007 (uncharacteristically chaste for once). Dalton, with his wolfish, intelligent features, was a perfectly serviceable secret agent, but never caught on with the viewers, perhaps because everyone was hoping for a presence as charismatic as Sean Connery's in the franchise's glory days.--Leslie Felperin

On the DVD: Casting the new Bond takes up much of the "making-of" documentary: first Sam Neill was in the running, but vetoed by Cubby Broccoli, who wanted Timothy Dalton and had considered him as far back as On Her Majesty's Secret Service (but Dalton felt he was just too young at the time). When Dalton proved unavailable, Pierce Brosnan was hired. Then, at the last minute, Brosnan's Remington Steele contract was renewed and he had to drop out. Dalton came back in, on the proviso that he could give Bond a harder, more realistic edge after the action-lite of the Roger Moore years. The second documentary attempts to profile the enigmatic Ian Fleming, who was apparently as mysterious and chameleon-like as his alter ego. The commentary is a miscellaneous selection of edited interviews from various members of the cast and crew. There's also Ah-Ha's "Living Daylights" video, and a "making-of" featurette about it. A brief deleted scene (comic relief--wisely dropped) and trailers complete another strong package. --Mark Walker --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Top Customer Reviews

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Clearly the best Bond film of all time! Dalton was ahead of his time and its a great shame that The Living Daylights is often overlooked.

- Bond actually thinks, and the audience is left to figure out the complexities of motives and ideas. I can't think of another Bond film where the intelligence of the audience is respected. For example - when Bond first meets Kara, and Kara explains that Koscov had her help cover his defection as a pretend assassin. In that moment, Bond realises two things - that Koscov had wanted her to die at Bond's sharp shooting, and also that Kara has no idea that he has far less affection for her than she does for him. None of this is explained - but if you've been paying attention, and are thinking, then you can realise these two things at the same time as Bond does - and Dalton acts it brilliantly. I also love how Bond thinks at the country house meeting, being suspicious of Koscovs motives, and at later points in the film where he's trying to suss out what's going on.

- This is a rare Bond film where its actually Bond who is figuring out the mystery and motives rather than being told to investigate someone or some plot. Some criticise the story for not having high enough stakes, but for me its a relief to trade a "take over the world" plot for a thinking man's mystery spy thriller.

- The relationship with the girl is complex. Its very ambiguous in places whether Bond actually likes her, or is just pretending to to get the answers he needs and to keep her close for information. Her irritation is purposeful - she genuinely winds him up - and watching this tension play against him also finding her attractive is fun.
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One of the best James bond films - and Timothy Dalton - his debut - is quite intense, brooding, tough and likable, but I feel he lacks that suaveness of Sir Roger Moore, Pierce Brosnan and Sean Connery - everyone chimes on about Roger Moore being old but forget that he had an excellent comic timing and balance, which mr Dalton lacks. But he's still quite good, atleast in the action end, is likeable, and his chemistry with Maryam D'abo is great. Its got a nice romantic feeling. Great action sequences and a great plot impressed me greatly. Far better than Dalton's 2nd film, License to kill.
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Classic Bond from an actor sadly overlooked. Dalton was the next most sinister Bond to Craig.
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Timothy Daltons best outing as 007.
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The first of Dalton's double-bill as 007 is a merely above-average affair. The one thing that really stops TLD from being a better film is the fact that it's just too tame. This was the last Bond film to be given a PG rating as it was clear that they couldn't appeal to the family audience any longer. With a new Bond should have come a new approach. Yes, it does feel more modern and realistic but since the script was originally designed for Moore they missed a chance at taking advantage of Bond's dark side. Thankfully, they did exactly that in Licence to Kill.

Ian Fleming's story had Bond on a sniping mission, detailing every characteristic and moment of his assignment. Upon spotting the person he's been ordered to kill he discovers it's a beautiful woman and chooses to wound her instead of killing her. Wishing M to fire him for disobeying orders he comments that he must have 'scared the living daylights out of her'. The story ended on this note. The film expands this premise and has Bond escort a defecting Soviet agent from Russia only to disbelieve his story of a Russian General going berserk. Upon investigating further he discovers a plot involving the Mujhadeen and an American Arms dealer. Despite these complications and developments, there's just not enough killing! Without meaning to sound bloodthirsty, I just think that Bond should have laid waste to more bad guys. The script doesn't really give him a chance to. And, as a result, the film seems watered-down and too broad.

Director John Glen stages and frames the action very well, as always but it's John Barry's score (his last involvement with the series) that gives it that extra punch. The Bond theme, so incredibly worn-out and done-to-death, is given a new spin, a faster tempo and more modern feel.
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The item is very good.
the sound and the pictures is very good.
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Brilliant film many thanks for fast delivery
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Very good.
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