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Acme Novelty Library: No. 18 Hardcover – 30 Nov 2007

4.7 out of 5 stars 3 customer reviews

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Product details

  • Hardcover: 56 pages
  • Publisher: Drawn and Quarterly; 01 edition (30 Nov. 2007)
  • Language: English
  • ISBN-10: 1897299176
  • ISBN-13: 978-1897299173
  • Product Dimensions: 21.6 x 1.3 x 26.3 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 1,387,278 in Books (See Top 100 in Books)
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Product description

About the Author

Chris Ware is the author of Jimmy Corrigan-the Smartest Kid on Earth, which received the Guardian First Book Award and was featured in the Whitney Biennial. A regular contributor to The New Yorker and the first cartoonist to be serialized weekly in The New York Times Magazine, he is the editor of the thirteenth issue of McSweeney's Quarterly Concern and the Gasoline Alley archival series Walt & Skeezix. Ware was born in Omaha, Nebraska, in 1967 and currently lives in the Chicago area with his wife, Marnie, and their daughter, Clara.

Customer Reviews

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Top Customer Reviews

By Keris Nine TOP 500 REVIEWER on 22 July 2008
Format: Hardcover
It goes without saying that Chris Ware's latest instalment of his on-going, continually evolving work is as beautifully designed and packaged as ever, as much as it is evident that the tone is the familiar one of almost overwhelming regret and sadness for past mistakes, creating a sense of self-pity that prevents his characters from moving forward or even being able to fully appreciate their present lives.

That sense of past, present and future combined is ambitiously tackled here by Ware in a way that can perhaps only really be accomplished graphically, not just relying on the standard of flashbacks, but having all time periods operating almost simultaneously, and often viewed from the perspective of an apartment building - shown in typical Ware cutaway - where the protagonist, a young woman with one leg amputated below the knee lives. Her life is similarly dissected with surgical graphic precision and laid out in cut-away on the page.

The sense of narrative flow in the first half of the novel (and the work is certainly novelistic in its scope) soon gives way to those temporal experiments in repetition and patterns in the latter half over several overlaid events and their locations. Ambitious though it may be, it doesn't really succeed in adding any greater depth to the situation, but it's remarkable to see an artist even attempting something this original and distinctive within the medium.
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Format: Hardcover Verified Purchase
I consider Chris Ware to be an icon in the art of infographics. Though he hasn't really worked with infographics, his drawings are an example to follow. It's clear, concise and accurate.

The Acme Novelty Library is, as all of his work, rather depressing, but is still a very beautiful book. It should be mandatory in all graphic design, illustration and layout classes. This book is an example of the art of bookbinding. The gold ornaments, the application of different materials and the attention to detail made me re-think my career choice.
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Format: Hardcover
More tender, bleak musings on loneliness from Mr. Ware. Very beautiful to look at, the story unfolds in a very assured, moving way and you begin to get the sense that you're looking at the work of an artist who is about to achieve something truly remarkable.
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Most Helpful Customer Reviews on (beta) (May include reviews from Early Reviewer Rewards Program) 4.8 out of 5 stars 8 reviews
4 of 4 people found the following review helpful
4.0 out of 5 stars Some new ground, some old ground 9 Jun. 2008
By Erik Ketzan - Published on
Format: Hardcover Verified Purchase
A must-read for Ware fans. It's a compelling narrative with the same quality artwork we've come to expect and is reasonably priced for such a beautifully-designed hardcover.

That said, it's a valid criticism that Ware treads too much familiar territory, here and in all his post-Jimmy Corrigan work. Yes, he experiments in this book, but it's in the style he had already carved out by 1995. We see Ware experimenting with different artistic styles in his notebooks, so why never in his comics? Ware's layouts, lettering and unconventional use of panels in this issue are interesting as always, but it's hard to say his style has evolved or grown in the almost fifteen years he's been doing Acme. Artistically, we've seen this all from Ware before.

Thankfully, Ware *is* evolving as a storyteller. Jimmy Corrigan, although inventive, was a bit too much about being Chris Ware, and it's nice that here, in issue #18, Ware is exploring the world of a female protagonist. Certain scenes, particularly the sex scenes, have never been portrayed with this level of damning honesty and accuracy in any other medium. Ever.

Some people decry Ware's perennial exploration of loneliness and depression. The great comic book writer Grant Morrison once said, "I love Chris Ware's work and consider him a formal genius, but... I sometimes feel like slapping him upside the head and telling him to stop moaning about everything. Sorry, but I live in one of the poorest cities in Europe, and when I see privileged Americans whining about how awful everything is in their sunlit world, I have to gag into my porridge. Kill yourself or get over it, buddy." It's hard to disagree, but perhaps we can appreciate Ware as the best and most determined artist exploring a certain type of American... not outcast, exactly, but people with lower social status or perceived value: the chubby girl, the cripple, the socially awkward guy, the uncool kids... People who are rarely represented in the media and who our American culture, which celebrates the beautiful and confident, looks down upon. Ware is their patron saint, of sorts, but presents them with flaws just like the rest of us.

I'd personally like to see Ware loosen up, artistically and thematically, but whatev. This issue is a powerful read.
1 of 2 people found the following review helpful
5.0 out of 5 stars Reader Be Ware 31 Oct. 2008
By Ian Gazarek - Published on
Format: Hardcover Verified Purchase
I've always been a huge fan of Chris Ware, and this latest Acme installment doesn't disappoint. His themes don't often vary, but his richness of style makes up for his monotony of topic. He is also the only comic author and one of the few authors of any type that makes reading about stifling depression and loneliness anything but boring.
8 of 8 people found the following review helpful
5.0 out of 5 stars "Stunning" Masterpiece 22 Jan. 2008
By Rodolfo Jaquez - Published on
Format: Hardcover
With his latest "comic book" offering, Chris Ware has again demonstrated a mastery of the medium uniquely his own. His design sense and technical skill as an illustrator long unquestioned, his writing routinely (and especially here) deserves the same consideration.

Underneath the story's typically apparent theme of alienation (with new characters in the Acme Library, if I'm not mistaken), there is much more at work. Amazingly, over just 56 pages, Ware's finely crafted drawings along with well considered dialogue and occasional stream-of-consciousness narration provide the reader an awful lot to ponder (a good prose writer would need hundreds if not thousands of pages and could still not fully convey the beauty in this slim volume). However, the mind is further boggled when Ware concludes his details-laden enterprise with one very... simple... tiny... wordless... panel. The effect is instant having read it, and I recommend all experience it.

The author describes this as part of an ongoing story, and that may well be. However like all good comics, this story is complete as is. Indeed within the book, certain single page, two page, and especially a few multi-page spreads also constitute complete satisfying stories. Should the reader approach the work with even some of the imagination Ware himself must employ, every single panel is itself can be a complete story. As an illustrator in the truest sense, that may be Ware's intent.

So the "Stunning Masterpiece" title given this review is not to indicate one should ever be surprised when Ware tops even his own earlier triumphs, but rather because the reader may actually be left stunned at the story's conclusion, fair warning given.

There are always great expectations placed on Mr. F.C. Ware, who here delivers devastating inspiration (inspired devastation?) in the calm and measured manner of a master at work. Wow.
5.0 out of 5 stars Visually stunning portrait of a lonely womans life. 4 Jan. 2011
By LMP784 - Published on
Format: Hardcover
I'm a new fan of Ware's, having seen his work in a collection of fiction, "The book of other people" his work stood out amongst the lot.
The thing I love most about his style is the intricacy within it. His drawings are some what scientific, piecing apart a thought or a scene layer by layer. I guess I love character development, so that is why I'm such a fan of his work.
The Acme Novelty Library is just a feast for the eyes, right down to the binding, which is textured and looks like something you'd find on your grandpa's bookshelf - you can tell that Ware has a passion for reading and for book design itself. As he said in a GQ article he wrote about Penguin Classic's 75 anniversary, "It seems to me a book design should be inevitable--a book demands its own shape just as an oak sprouts from an acorn and a pine from a cone. A book is a body in which a story lives and breathes, and, like a body, it has a spine"
The story within is heartbreaking, it chronicles the inner thoughts of a 29 year old disabled girl who lives by herself, and doesn't seem to have any friends to speak of. The opening panel, detailing her thoughts of suicides, and the thoughts connected with such an action (who will find her? her parents? her landlady?) really sets the mood
The female protaganist continues to bring the reader into her thoughts, mainly expressing her lonliness and her feelings of not really belonging anywhere.

If you are after a fairytail ending, you won't get it here, but you will encounter an honest portrayal of a lonely woman, drawn magnificently, and with real heart, which is really better than any fairtail could ever be.
5 of 5 people found the following review helpful
5.0 out of 5 stars Beautifully Rendered, Deeply Affecting 15 Jan. 2008
By K. Dain Ruprecht - Published on
Format: Hardcover
This is a beautifully rendered, deeply affecting work of art. I am not much of a comic reader, but once I started this one I could not put it down. And when I finished, I was crying. Readers of The New York Times Magazine will be familiar with the setting of the old building with feelings and the character of a woman with a prosthetic leg. The story here focuses on her: a lonely, alienated young woman's first experience with love and loss, depression and despair. Told this way, with sensitivity and empathy -- in Chris Ware's tight, tender little drawing style, like I said -- it moved me deeply. Very sad, yes. But beautiful.
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