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Scorpio Rising

Scorpio Rising

17 Sep 2002
4.3 out of 5 stars 18 customer reviews

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Product details

  • Original Release Date: 17 Sept. 2002
  • Release Date: 17 Sept. 2002
  • Label: BMG France/Subdivision
  • Copyright: (P) 2002 BMG UK & Ireland Ltd
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:01:53
  • Genres:
  • ASIN: B001J50CBW
  • Average Customer Review: 4.3 out of 5 stars 18 customer reviews
  • Amazon Bestsellers Rank: 34,722 in Albums (See Top 100 in Albums)
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Customer Reviews

4.3 out of 5 stars
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Top Customer Reviews

Format: Audio CD
Scorpio Rising sees Death In Vegas moving outwards and outwards into new territory musically. The general musical formula is still the same as The Contino Sessions. To be honest, at times this album is definitely cut from the same cloth as TCS, absolutely no bad thing, the abdundance of both male and female guest singers, the arch combination of a full live band and two DJs/soundscapers.
The first two tracks, Leather, and Girls are basically two parts of the same song, inseperable, (you might as well just call them one song, Leather Girls) and DIV have basically laid out the battle plan for the album with these two songs, before moving into the experimental territory.
Hands Around My Throat is a stonker of a song, funky, catchy, simple yet also has just that enough grit about it. Rad.
23 Lies and Killing Knife are both very delicate songs, female vocals, slight indian/eastern influences, which were first heard on a few tracks on TCS and also later heard in the final track.
Only gripes are that the tracks featuring Liam Gallagher (Scorpio Rising) and Paul Weller (the cover of So You Say You've Lost Your Baby) sound exactly like what they are, tired indie. Scorpio Rising basically sounds like it was lifted off one of the last two Oasis albums, and the Weller song just doesn't fit the album! On the upside they do add a bit of variety, which adds to the albums pretty cosmopolitan feel and when i saw them play Scorpio Rising live they played around alot with it and made it sound like a Death In Vegas song basically. Another thing is when i first heard the song Natja, within 30 seconds i knew this would be the best song on the album. To say i was dissapointed that it turned out to be just an instrumental between songs filler would be an understatement!
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Format: Audio CD
When Richard Fearless used to play at Heavenly Social I listened, and loved it. When he started Death in Vegas and released Dead Elvis I loved it. When The Contino Sessions was released I loved it. When Scorpio Rising came out I lo.. no I didn't like it, I thought Fearless has gone crazy, Liam Gallagher? Paul Weller? what the ???? So I thought play Scorpio Rising vs Dead Elvis and do you know what? The more I played it the more I liked it and the more I played it the more I liked it and the more I played it...
It starts of kind of slow and haunting, then launches with the auto-exotic Hands around my throat, eases up with Gallagher and Weller's contributions (In this reviewer's opinion the best tracks these two soap-dodgers have been on). And then ends with the best advice you can get "Help yourself".
No more nocturnal golf on Clapham Common for Fearless.
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Format: Audio CD
Death In Vegas strive to add something a little different to modern music with a combination of Dance, Psychedelia and Rock n Roll. 'The Contion Sessions' earned them a Mercury Music Prize nomination and rightly so. This album never quite reaches the heights of the last album but is still a great listen.
The DJing duo have taken on a more Eastern philosophy with this record, evident from the opening 2 tracks 'Leather' and 'Girls', which are really one long track of whirling guitars coming together to some accompanying sighs. Then comes the stand out track of the album, the first single 'Hands Around My Throat'. Drums and bass lines set the tone while the electronic bleeps accompany a striking female voice (Nicola Kuperus from US Techno group 'Adult'). The fact that this song never enters the same league as 'Dirt', 'Dirge' or 'Aisha' ,though, shows really where the album misses out. You never quite get the killer punch.
'23 Lies' is the other class track on the album. Again taking Eastern roots accompanied by a breathy female singer. Superb.
Much will be said of the title track featuring Liam Gallgher. It's a good track but quite frankly sounds like a Beatles/Oasis B-Side and only delays the real ambition of the album. Paul Weller also makes an appearance but again it appears out of key with the rest of the album and is nothing we havent heard many times before on a Paul Weller album.
the album ends marvellously, however, with 'Help yourself'. 12 minutes of airy female vocals and melodies gradually building to the final orchestral crescendo giving the album to a rousing close.
Overall, a very good album thats full of good tracks but lacking a few killer singles.
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By A Customer on 13 Jan. 2003
Format: Audio CD
It took my a while to fully appreciate this Death in Vegas album. In my opinion it isn't as easy to listen to as their previous two albums, however onnce you get into the feel of the album it proves highly enjoyable!! I enjoyed most of the tracks off the album apart from the collaboration with a certain Paul Weller. My favourite track is the last one on the album, mainly because it reminds me of 'The Chemical Brothers' track; 'the private psychadelic wheel' from the album 'dig your own hole'.
On the whole this album hasn't let me down, and I'd recommend it to anyone who's bought either of div's previous albums, or to someone with an open mind!
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Format: Audio CD
A near modern classic that I feel has been largely ignored. It was the title track that got me into this. A rousing guitar driven electro rocker with Liam Gallagher vocals. I'm not dissing Oasis' work here but I think Liam's voice sounds better over this than just about anything in his former band's catalogue. The only other male vocal on this album comes from Paul Weller on So You Say You Lost Your Body which is used to slightly less effect. All other tracks either use female vocal or are completely instrumental.

There are many different sounds and influences. Every track conjures up a different mood yet, somehow, manages to flow beautifully from the last. The first three sound like Velvet Underground reformed in a Berlin nightclub. The hypnotic 23 Lies sounds like the engine room of this album. It whirrs away producing sparks that dance around in your brain. Help Yourself is a 10 minute long psychedelic dream that closes the album. It is the Indian string in the tail and I wouldn't have minded another 10 minutes. Glorious.
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