- Paperback: 608 pages
- Publisher: Penguin (6 Dec. 2012)
- Language: English
- ISBN-10: 014119913X
- ISBN-13: 978-0141199139
- Product Dimensions: 13 x 2.8 x 20.3 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 375,085 in Books (See Top 100 in Books)
Ivanhoe (The Penguin English Library) Paperback – 6 Dec 2012
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From the Inside Flap
'Fight on, brave knights! Man dies, but glory lives!'
Banished from England for seeking to marry against his father's wishes, Ivanhoe joins Richard the Lion Heart on a crusade in the Holy Land. On his return, his passionate desire is to be reunited with the beautiful but forbidden lady Rowena, but he soon finds himself playing a more dangerous game as he is drawn into a bitter power struggle between the noble King Richard and his evil and scheming brother John. The first of Scott's novels to address a purely English subject, Ivanhoe is set in a highly romanticized medieval world of tournaments and sieges, chivalry and adventure where dispossessed Saxons are pitted against their Norman overlords, and where the historical and fictional seamlessly merge.
About the Author
Walter Scott was born in Edinburgh in 1771, educated at the High School and University there and admitted to the Scottish Bar in 1792. From 1799 until his death he was Sheriff of Selkirkshire, and from 1806 to 1830 he held a well-paid office as a principal clerk to the Court of Session in Edinburgh, the supreme Scottish civil court. From 1805, too, Scott was secretly an investor in, and increasingly controller of, the printing and publishing businesses of his associates, the Ballantyne brothers. Despite crippling polio in infancy, conflict with his Calvinist lawyer father in adolescence, rejection by the woman he loved in his twenties and financial ruin in his fifties, Scott displayed an amazingly productive energy and his personal warmth was attested by almost everybody who met him. His first literary efforts, in the late 1790s, were translations of romantic and historical German poems and plays. In 1805 Scott's first considerable original work, The Lay of the Last Minstrel, began a series of narrative poems that popularized key incidents and settings of early Scottish history and brought him fame and fortune. In 1813 Scott, having declined the poet laureateship and recommended Southey instead, moved towards fiction and devised a new form that was to dominate the early-nineteenth-century novel. Waverley (1814) and its successors draw on the social and cultural contrasts and the religious and political conflicts of recent Scottish history to illustrate the nature and cost of political and cultural change and the relationship between the historical process and the individual. Waverley was published anonymously and, although many people guessed, Scott did not acknowledge authorship of the Waverley novels until 1827. Many of the novels from Ivanhoe (1819) on extended their range to the England and Europe of the Middle Ages and Renaissance. Across the English-speaking world, and by means of innumerable translations throughout Europe, The Waverley novels changed forever the way people constructed their personal and national identities. Scott was created a baronet in 1820. During the financial crisis of 1825-6 Scott, his printer Ballantyne, and his publishers Constable and their London partner became insolvent. Scott chose not to be declared bankrupt, determining instead to work to generate funds to pay his creditors. Despite his failing health he continued to write new novels, to revise and annotate the earlier ones for a new edition, and to write a nine-volume Life of Napoleon and a history of Scotland under the title Tales of a Grandfather. His private thoughts during and after his financial crash are set down in a revealing and moving Journal. Scott died in September 1832; his creditors were finally paid in full in 1833 from the proceeds of his writing.
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Top Customer Reviews
Having said all this it still, nevertheless, remains a ripping yarn, basically, of the return of the `prodigal' son or son's stripe, if we include Richard sneaking home through the back door to escape the notice of his clearly nasty younger brother, John with his equally repellent and sycophantic flunkies. The eponymous `hero' doesn't really make his own appearance till a significant way through the narrative and, when he does, we find him a somewhat proud, vainglorious, patronizing but probably, good looking chap who handles a lance and sword well.
It is the women, Rebecca, Rowena and Edith (Athelstane's mom) who come out of all of this with their integrity intact. Of the men, only the fool, Wamba and the serf, Gurth, have any truly noble qualities despite playing distinctly second rate roles in comparison to the kings, knights and unjustly accused outlaw chiefs they risk their lives to aid.
For those who don't mind breaking into the narrative there is a wealth of notes that give richness and clarity to Scott's (only) occasionally mildly baffling prose.
' Saint George and England!'.