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"Yours Truly, Cellophane Nose"

4.9 out of 5 stars 23 customer reviews

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Product details

  • Audio CD (6 Feb. 2012)
  • Number of Discs: 1
  • Label: Mute
  • ASIN: B0067V72T8
  • Other Editions: Audio CD |  Vinyl |  MP3 Download
  • Average Customer Review: 4.9 out of 5 stars 23 customer reviews
  • Amazon Bestsellers Rank: 20,473 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
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Track Listings

Disc: 1

  1. Sweet Tooth Bird
  2. Humble Digs
  3. Dodecahedron
  4. Atlas
  5. NightSwimmer
  6. The Barely Skinny Tree
  7. Liliputt
  8. Veins
  9. Franklin Benedict
  10. Carousel

Product description

Product Description

Yours Truly, Cellophane Nose introduces one of the most self-assured new artists of the year, a pop polymath whose blend of psychedelia, glam rock and chain gang folk is quite unlike anything else you’re likely to hear in 2012. Like her utterly unique stage outfits, it’s made from disparate individual elements that wouldn’t work on paper, but sing out like a holy choir in the execution. Adding muscle to Beth’s far-ranging vocals are her band The Hooves Of Destiny. Comprising Dav Shiel (drums, vocals samples) Rory Gibson (bass, vocals), Ed Blazey (guitar, trumpet, vocals) and Findlay Macaskill (violin, vocals), they’re a crack unit recruited from Beth’s native North East. Three years in the making, this album was created with producer Ben Hiller (Blur / Elbow / Depeche Mode).

BBC Review

At last, a glamorous Geordie showbiz lass that LA can understand. Twenty-two-year-old Beth Jeans Houghton grew up absorbing albums by Joni Mitchell and the ladies of the canyon and dreamed of decamping to the City of Angels. Quitting school early to fulfil her musical ambitions, by the close of her teens the statuesque blonde with a sophisticated set of pipes – equal parts Imogen Heap, My Brightest Diamond’s Shara Worden and those aforementioned distaff canyon troubadours – was an industry tip for the top with Next Big Thing practically tattooed on her forehand. In fact, Houghton’s hooves of destiny would be slowed to a canter and the shoo-in to stardom failed to materialise, mainly thanks to the protracted recording of this curiously named debut. Now, it seems, her time has finally come.

Brimming with galloping rhythms, vertiginous, hairpin-turn arrangements, baroque string flourishes, brass fanfaronades and soaring choirs, this never less than striking opening salvo exudes artistic confidence, if not downright chutzpah. Typically, opener Sweet Tooth Bird erupts in an explosion of martial drums, parping trumpets and, by turns, towering and witchy vocal descants which make Florence Welch sound like a shrinking violent by comparison. The chimera-like Humble Digs, meanwhile, finds room for banjos, a vocal steal from Talking Heads’ Air and a grand symphonic pop chorus that might have fallen off an Andrew Lloyd Webber musical.

Even when the torrential, kitchen-sink attack abates, as on the delicate, ukulele-strumming intro to Lilliput, the hurtling drums and gilded string phalanxes are soon pouring over the folky barricades, Houghton surfing the music in a delicious formation of immense overdubbed contralto harmonies.

The tag ‘psychedelic’, which is routinely appended to descriptions of BJH’s music, seems somewhat misplaced. Sure, corrida trumpets straight out of Love’s Forever Changes, and vivid, altered state lyrics about ‘boys with eyes of mercury’ abound, but this is music which evinces at least a passing acquaintance with Tin Pan Alley principles, and, for all its art-folk inspirations, it might have been tailored for a contemporary mainstream audience who like their mellifluous pop cut with a dash of vaulting kookiness.

--David Sheppard

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Customer reviews

4.9 out of 5 stars
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on 28 July 2017
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on 1 March 2012
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on 3 November 2012
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HALL OF FAMETOP 500 REVIEWERon 3 September 2012
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on 7 February 2012
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on 30 October 2012
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on 2 September 2012
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