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Used: Very Good | Details
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Comment: Ships from Japan. STANDARD: 3-4 weeks.
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You Can Have What You Want Import

4.3 out of 5 stars 3 customer reviews

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Audio CD, Import, 14 Apr 2009
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Product details

  • Audio CD (14 April 2009)
  • Number of Discs: 1
  • Format: Import
  • Label: Gnomonsong
  • ASIN: B001P5Q6YS
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
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Customer Reviews

4.3 out of 5 stars
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Top Customer Reviews

By Tommy Dooley TOP 50 REVIEWER on 12 Jun. 2009
Format: Audio CD Verified Purchase
This is the first Papercuts album I have bought and I was pleasantly surprised. It is slow smouldering electronica. 'The Machine will tell us so'is my stand out track, but the album seems to run out of steam towards the end despite that it is a pleasant enough trip. It has a quality of not being over produced which adds to the overall charm. I am looking forward to seeing them live.
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Format: Audio CD
Not often getting an album off a band name works, but im really really enjoying this album, its perfectly settling into my spring mood, and every song is still growing on me!

yer!

recomended if you like bands such as beach house.

woop!
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Format: Audio CD Verified Purchase
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Most Helpful Customer Reviews on Amazon.com (beta) (May include reviews from Early Reviewer Rewards Program)

Amazon.com: 4.8 out of 5 stars 4 reviews
3 of 3 people found the following review helpful
5.0 out of 5 stars kinda zombies 30 May 2010
By Howard C. Johnson - Published on Amazon.com
Format: Audio CD Verified Purchase
reminds me of The Zombies, and that could be the best thing ever. simply amazing. it's like the zombies meets ambulance ltd. with the hidden splash of clinic. one of the best things i've ever heard. ever. sometimes peter and gordon-ish.
7 of 7 people found the following review helpful
5.0 out of 5 stars spaced-out 15 April 2009
By Natty Soltesz - Published on Amazon.com
Format: Audio CD
This is Papercuts' third album, and it couldn't do a better job of simultaneously thwarting and exceeding expectations. For one thing, the sound of it is completely different from their last release, "Can't Go Back," and in fact feels like a throwback to their first, "Mockingbird." The vocals are buried in the mix, the arrangements are heavy and hazy, the lyrics darker with an apocalyptic, sci-fi bend.

Then there are the songs. Jason Quever's spooky gift for the perfect melancholy melody only gains momentum here, and if the chorus of "The Machine Will Tell Us So" doesn't give you goosebumps, you're just not listening.
2 of 2 people found the following review helpful
5.0 out of 5 stars Amazing! 25 Aug. 2010
By ShawnD - Published on Amazon.com
Format: Audio CD
This album is amazing. As mentioned in a previous review, it does remind me alot of the Zombies, definetely got a 60s vibe going. The whole album is solid; not a bad song on here. I can't stop listening to it. I can't wait to check out more from this band.
4.0 out of 5 stars Gauzy, elegant, spacy indie-psych 28 Dec. 2015
By Midnight To Six - Published on Amazon.com
Format: Audio CD
**Review originally appeared at https://midnighttosix.wordpress.com

Although the “s” at the end of Papercuts would lead you to believe they’re a band, it’s actually all just Californian Jason Robert Quever and a few guest musicians. Quever has recorded with a ton of indie acts including Devendra Banhart, Vetiver, The Skygreen Leopards and Cass McCombs, but it’s his own work that should be getting him some recognition. The album, his third as Papercuts, reminds me of Grandaddy or Maximillian Hecker, thanks to Quever’s soft almost-falsetto vocals which are wrapped in layers of gauzy synths to the point where they are obscured and lyrics are difficult to pick out (there is a lyric sheet, and the words are actually pretty good). Quaver completely resists urges to turn up the volume and rock out, letting the chamber-like arrangements and weird “summer is almost over” vibe of the music carry on in an intelligent, and even classy, way that hearkens back to the 6’0s pop genius of The Beach Boys, Motown and The Zombies. Given the soft and dreamy nature of the album, it doesn’t always demand your complete and undivided attention but when it does, like on the stunning opener “Once We Walked In The Sunlight”, it’s an absolutely sublime listen and the perfect soundtrack for an afternoon spent floating away in contemplative thought.
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