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Wyrd Sisters: (Discworld Novel 6) (Discworld Novels) Paperback – 11 Oct 2012

4.7 out of 5 stars 223 customer reviews

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Product details

  • Paperback: 368 pages
  • Publisher: Corgi (11 Oct. 2012)
  • Language: English
  • ISBN-10: 0552166642
  • ISBN-13: 978-0552166645
  • Product Dimensions: 12.8 x 2.2 x 19.8 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (223 customer reviews)
  • Amazon Bestsellers Rank: 8,416 in Books (See Top 100 in Books)

Product Description

Review

"'Like Jonathan Swift, Pratchett uses his other world to hold up a distorting mirror to our own, and like Swift, he is a satirist of enormous talent'" (The Times)

"'One of the perennial joys of modern fiction'" (Mail on Sunday)

"'One of the pleasures of the book is the way in which literary classics float effortlessly through them in a way that would be pounced on as inter-textual in another author but is never allowed to become strident or alienating in Pratchett's work'" (Guardian)

Book Description

The sixth Discworld novel.

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Customer Reviews

4.7 out of 5 stars
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Format: Paperback
Parodying Shakespeare is a cottage industry among novelists. Few, however, have the talent to weave sound philosophy within the narrative. Pratchett introduces some thoughtful notions along with his compelling characters. From the introduction of Esme Weatherwax in Equal Rites, he fills out the coven residing in the kingdom of Lancre with her cohorts. Each brings a highly unique style to the craft. Esme, acknowledged but undeclared head witch, is traditional, effective and highly sensitive to what's "good for people". Magrat Garlick, well-read, modern and innocent [if you can reconcile those viewpoints] personifies perfectly the modern "Wiccan" mystic. Nanny Ogg almost oozes practicality - having gone through three husbands and is served, if resentfully, by her phalanx of daughters and daughters-in-law. The story itself, however, concerns another matter - one far more pertinent to today's world.
What is, or should be the role of monarchy in modern society? Pratchett uses the Hamlet example to examine this question in a new and penetrating manner. Kings can rise and fall through many means. Duke Felmet, desirous of disciplined rule, fells the incumbent. According to Pratchett, assassination is a "natural cause" of death for monarchs [as is execution, but that's elsewhere in the series]. The coven, aware that the former King Verence of Lancre has been murdered by a potential usurper, becomes protector of the heir. It "protects" him by shipping him off with a troupe of mummers. Thus Shakespeare as example is supplanted by parody of the playwright and his work. The coven, however, senses what Shakespeare never expressed - monarchy's role in regard to the land and the people.
In Shakespeare's day, Elizabeth, the ruling monarch, expressed her love for "her people" and "the country".
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Format: Paperback
I read this book soon after it was first published 14 years ago, and I have just re-read it.
It's as funny as ever (provided you really know Macbeth), but the really impressive thing is that, even when you have read all the other novels in which the characters have subsequently developed, they remain consistent. Granny Weatherwax is still gloriously herself - never confusing being good with being nice - and Magrat the junior witch is a recognisably immature version of Queen Magrat. The gags never get in the way of the personalities.
The Discworld books may be funny, and they may have started as spoofs on swords-and-sorcery literature (of which I read more than I care to remember when I was an adolescent), but this is *real* literature.
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Format: Paperback
Although we first met Granny Weatherwax in Equal Rites, Wyrd Sisters gives us the three witches-Granny, Nanny Ogg, and Magrat Garlick-in all of their glory. These are my favorite characters in the Discworld, and loud peals of laughter are always to be found when this remarkable coven of witches gets together. The story itself is a thoroughly Pratchett-like concoction of Shakespeare, fairy tales, satire, and infinitely rich comedy. The king of Lancre, much to his surprise, has been murdered by the Macbethian Duke Felmet, and he is not at all happy about this. No one, in fact, is happy, including the very kingdom itself, which physically shows its rage at having a new king who despises his own royal domain. The witches are also not happy, as the Duke works continually to discredit them among the people-Granny Weatherwax just doesn't have any truck with that at all. Of course, in a story such as this, there has to be a long-lost child of the murdered king who will eventually come back to right the wrongs done his father and dethrone the regal malefactor-or something along those lines, anyway. Things are never quite that simple on the Discworld.
The antics of the witches are hilarious. Granny Weatherwax is a stalwart personality who never admits she might be wrong or that there is something she is not familiar with. Nanny Ogg is a rather worldly witch who enjoys nothing more than getting blasted and drunkenly singing about hedgehogs or the fact that a wizard's staff has a knob on the end. Then there is young Magrat, quite plain in appearance, who believes the traditional ways of witchcraft are best and whose sometimes naïve, positive nature often conflicts with the thinking of her older cohorts; you have to love her, really.
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Format: Audio CD
Terry Pratchett has become one of the most popular authors alive today and his popularity is richly deserved. But not even with his fertile mind could ever have envisaged the heights to which his Discworld series would rise. This book was first published in 1988 and is number six in the Discworld novels.

You would think that a fantasy world full of trolls, zombies, witches, vampires would be an alien concept to most readers. Werewolves and dwarves in the Ank Morpork city watch. Wizards running a university. All this born in the mind of one of the funniest minds writing today. Surely this style of writing would have a limited readership? But no the books are loved by anybody and everybody and are read by people who would not normally allow fantasy fiction anywhere near their book shelves. This is the Discworld of Terry Pratchett.

In this episode Granny Weatherwax and her fellow coven members are meddling in politics, the royal kind, which Granny Weatherwax thinks is the worst kind of all. The Wyrd sisters as they are known battle to put the right king on the right throne, at least that's the general idea. After all what are witches for . . .
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