- Audio CD (5 Oct. 2009)
- Number of Discs: 1
- Format: CD
- Label: The Leaf Label
- ASIN: B002ICGD5E
- Other Editions: Audio CD | Vinyl | MP3 Download
- Average Customer Review: 4.3 out of 5 stars See all reviews (6 customer reviews)
- Amazon Bestsellers Rank: 161,421 in Music (See Top 100 in Music)
Other Sellers on Amazon
Wrought Iron CD
|Price:||£9.20 & FREE Delivery in the UK on orders over £20. Details|
AutoRip is available only for eligible CDs and vinyl sold by Amazon EU Sarl (but does not apply to gift orders or PrimeNow orders). See Terms and Conditions for full details, including costs which may apply for the MP3 version in case of order returns or cancellations.
- Choose from over 13,000 locations across the UK
- Prime members get unlimited deliveries at no additional cost
- Find your preferred location and add it to your address book
- Dispatch to this address when you check out
Frequently Bought Together
Customers Who Bought This Item Also Bought
She’s in no hurry, Nancy Elizabeth, and sounds as though she has no need to impress. She talks, in her blurb, of writing this material while in rural parts, away from civilisation, where she was “really listening to the silence, as well as hearing conversations in a completely musical way – to the rhythm of the words”. It’s easy to think this pretentious, until you start listening. It works. It has space, acres of it; space lesser artists would be compelled to fill.
This is a sincere and genuine album of songs devoid of contrivance. The listener almost gets a feeling of illicitly listening in on a private performance. It’s that rare collection where you feel she’d have written and sung and played them exactly that way even if they were never to be recorded, the mood a happily uncompromising one.
The use of her vocals is particularly clever, appearing in Bring on the Hurricane as an unexpected burst of heavy harmony and in Feet of Courage as a rhythmic backing track. As the lead singer, apparently fragile and not always with impeccable intonation, her voice will occasionally take you by surprise as it leaps like a kitten and lands perfectly on the note.
Her arrangements are as inspired as the songs themselves. Her use of repetition is wonderfully mesmerising, directing you to her lyrics – steamy ones, as it happens, in The Act, otherwise just two chords on an electric guitar and a bit of harmonica. But it’s all you need, really, when a song’s as good as this one.
Her instrumentation is also impressive. Most she plays herself – piano, guitar, glockenspiel and vibraphone – and while there’s nothing too fancy on show, everything is carried out with huge assurance.
With this sort of depth and maturity, if she resists the lure of the obscure and panders a little more to the common listener, Nancy Elizabeth should be seen as a beacon for future folkies. --Nick Barraclough
Find more music at the BBC This link will take you off Amazon in a new window
Top Customer Reviews
hailing from Manchester has created a fine piece of
work with her second album 'Wrought Iron'.
The folksy roots of the material belie a strong ability
to think and sing outside of that box. She digs deep with
this collection of 11 songs and delivers something
quite extraordinary in its single-minded vision.
Her voice is an affecting instrument, haunting even.
The sparse arrangements emphasise this somewhat
otherworldly quality. 'Tow The Line', for instance,
with its stark bluesy piano and accordion accompaniment
constructs the perfect frame for the bewitchingly
melancholic vocal line. It is a dark delight.
'Diving' has an almost suffocating intensity. The subtle
brass brings just a little warmth to what might otherwise
have been an entirely desolate experience. Serious stuff.
There is little respite from the oppressive atmosphere.
Even the brief instrumental 'Cat Bells' has an icy chill
running through it. Solemnity, however, is clearly her strength.
'Lay Low' is about as sprightly as things get but only just.
Hand-claps, a pulsing bass, delicate harmonies and that glowing
brass again. Heck (!) things almost get cheerful on this one.
'Ruins' is a perfectly sustained piece of misery, Ms Elizabeth's
voice barely rising above a whisper for its almost 6 minute span.
Final track 'Winter, Baby' grants us a disquieting and disturbing conclusion.
Not since Polly Harvey's 2007 album 'White Chalk' have I heard
such a sustained and almost terrifying vision of sublime disphoria.
I loved every minute of it !!
The music is sparse often just ivory spine , a touch of percussion or bass, a sprinkling of glockenspiel an urging of brass or a quiver of harmonica.. The most striking instrument on this album are the vocals of Nancy Elizabeth herself , a curiously direct thing of intimate beauty , it moves from a right in your ear whisper on "Ruins " to a keening yearn on "Canopy " to a having an playful but faintly chilly bent on "Lay Low ". On " The Act " the real crisp power of her vocal chords comes peeling out the speakers. You could strip Artex off the walls with her voice on this one.
Sparsely arranged as it is, Wrought Iron's is something of a paradox even its open spaces are heavily pregnant with mounting tension and the tease of release. There is incipient drama in this music that reminds me of more celebrated acts . "The Act " starts out like prime Shearwater before inputting some Spirit of Eden Talk Talk atmospherics .This is a folk album , but one with inflections of jazz ( just listen to "Bring On The Hurricane " ) "Feet Of Courage " is an audacious fusing of labyrinthine bass and playful harmonies.Read more ›
Most Recent Customer Reviews
Saw Nancy Elizabeth in Leeds bought her new album with the single 'dancing' on it which I really liked. Read morePublished on 16 Aug. 2013 by Jane E. Marsden
I love this record, it has so much sparse depth and beauty. It works as a complete album, one that should be listened to from beginning to end to correct your mood. Wonderful.Published on 10 Jan. 2011 by Peter