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The Writer's Portable Mentor: A Guide to Art, Craft, and the Writing Life Paperback – 2 Jun. 2011
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£21.95
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- Print length349 pages
- LanguageEnglish
- PublisherLightning Source Inc
- Publication date2 Jun. 2011
- Grade level3 - 4
- Dimensions15.24 x 2.54 x 20.96 cm
- ISBN-100984242104
- ISBN-13978-0984242108
Product details
- Publisher : Lightning Source Inc (2 Jun. 2011)
- Language : English
- Paperback : 349 pages
- ISBN-10 : 0984242104
- ISBN-13 : 978-0984242108
- Dimensions : 15.24 x 2.54 x 20.96 cm
- Best Sellers Rank: 3,320,289 in Books (See Top 100 in Books)
- 59,897 in Words, Language & Grammar (Books)
- Customer reviews:
About the author

Photo by Anne Herman.
Priscilla Long is a Seattle-based writer of poetry, essays, creative nonfictions, fictions, science, and history. Her most recent book is Dancing with the Muse in Old Age (Epicenter / Coffeetown, 2022). Her book Holy Magic won Sally Albiso Poetry Book Award from MoonPath Press. Her how-to-write book is The Writer's Portable Mentor: A Guide to Art, Craft, and the Writing Life (University of New Mexico Press, 2018). Her other books include a collection of linked creative nonfictions titled Fire and Stone: Where Do We Come From? What Are We? Where Are We Going? (University of Georgia Press); Minding the Muse: A Handbook for Painters, Composers, Writers, and Other Creators (Coffeetown Press); and Crossing Over: Poems (University of New Mexico Press). Long is a longtime teacher of writing to developing professional writers.
Her blog-column, Science Frictions, appeared for 92 weeks on The American Scholar website. In Science Frictions science rubs up against the rest of life. The complete set of Science Frictions essays are available here: http://theamericanscholar.org/the-complete-science-frictions/.
"Genome Tome," a literary nonfiction, including science, appeared in The American Scholar. In 2006 it received a National Magazine Award for best feature writing.
She is author of Where the Sun Never Shines: A History of America's Bloody Coal Industry (1989). Christopher Hitchens called this "an intense and accomplished social history" (New York Newsday). Barbara Kingsolver called it "One of those rare works that asks and answers important questions about who we are...as a nation and how we got to that point" (Women's Review of Books). Howard Zinn commented, "As a piece of historical investigation, it is superbly done. But it is more than a history of the coal industry; it illuminates the development of the American corporate economy in the late 19th and early 20th century, and gives a rare picture of intense class conflict in a country often presumed to lack that. Her account of the Colorado coal strike is not only impeccably accurate but recaptures the drama and excitement of that astonishing event with rare skill."
Priscilla's essays, short stories, and poems appear widely in literary journals such as The Southern Review, The Gettysburg Review, Fourth Genre, Southern Poetry Review, Raven Chronicles, North Dakota Quarterly, The American Scholar, Ontario Review, The Seattle Review, Chattahoochee Review, Passages North, Painted Bride Quarterly, Under The Sun, Michigan Quarterly Review, and The Cincinnati Review.
She was a Hedgebrook Writer in Residence in 2012 and a Jack Straw writer in 2009. Her awards also include the Richard Hugo House Founder's Award and awards from the Seattle Arts Commission and the Los Angeles Arts Commission.
She reads her poetry and prose widely, and performed with the Seattle Five Plus One poets during most of the group's existence in the 1990s.
She serves as Founding and Consulting Editor of www.HistoryLink.org, the online encyclopedia of Washington state history.
She graduated from Antioch College in Yellow Springs, Ohio, and has the Master's of Fine Arts (MFA) degree from the University of Washington.
She was born in Bucks County, Pennsylvania, and grew up on a dairy farm on the Eastern Shore of Maryland.
Her grandparents on her mother's side were Pennsylvania Dutch. Her paternal grandmother was Scottish, and her paternal grandfather, Walter Long, was descended from the Winslow family, English farmers who migrated to New England in the 1600s.
Walter Long was a reporter for The Philadelpia Bulletin and his grandfather, Stephen Winslow (1826-1907), edited the Philadelphia Commercial List and was known as "the grand old man in the newspaper life of Philadelphia."
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More than the "what", this book is about the "how". From how to improve observation skills to assignments to acquire habits for a successful writing career, to the craft of sentence strategies and story structure, the book has it covered. Based on twenty years of teaching experience, it's priceless.
I'll also be picking up the new (second) edition as a Kindle format to use as reference anywhere. The second edition is filled with completely new examples. Buy both eds if you are serious about your writing.
Reviewed in India on 17 May 2019
More than the "what", this book is about the "how". From how to improve observation skills to assignments to acquire habits for a successful writing career, to the craft of sentence strategies and story structure, the book has it covered. Based on twenty years of teaching experience, it's priceless.
I'll also be picking up the new (second) edition as a Kindle format to use as reference anywhere. The second edition is filled with completely new examples. Buy both eds if you are serious about your writing.
Well, mediocre was the best I could call it. The ideas were fabulous, the execution - not so much.
Ms. Long's Writer's Portable Mentor was exactly the book I needed to move from meh to compelling. This book is the best book on writing I have ever read, and I've read nearly a hundred books on the craft of writing. Most are books that encourage you and give examples, and I was always left wondering how to apply that to what I was doing. I was missing something. I was missing this book and the tools it provides.
The chapters on word choices made me love language again. Writing stopped being a burden. "Ugh, I hate editing" has become "How can I play with this to make it even better?"
I am keeping a lot of different exercise books and journals, but I am also writing more productively on my stories. My stories aren't word salads, they're thematic, structured gourmet meals. Those exercise books and journals are feeding into my stories, not distractions from them.
Ms. Long's book has also gotten me out of my head and isolation and into the world to do real life observations.My observation and writing venue of choice is the zoo - not only the visitors and zoo employees but the animals provide characters and ideas and actions for improving stories, filling journals with descriptions I can draw on some other time, and providing me with so many quotes and anecdotes. If you're writing about children, there are few places where you can sit quietly in the shade and watch how they behave with their parents, with others, and with their environment from a nice cozy distance. If not for Ms. Long's book and the exercises therein, my world would be a stark place. I would never have considered the zoo as a place to fill an observation journal. Did you know flamingos play Marco Polo? Or that peahens are loving despots?
Even my non-fiction writing has improved dramatically from these exercises. Experienced or novice, the tools Ms. Long generously shares in The Writer's Portable mentor are useful.
I stopped lending my copy out and will now just buy copies to give instead. It's worth every single penny.
If you know you CAN begin a sentence with "because", and make it a true sentence, by adding an independent clause to the dependant one, this book is not likely for you.
I went to school when we parsed sentences by day and dreamed of doing so by night; it was a time we had classes in grammar, spelling and handwriting and teachers were not concerned so much about our self esteem as our learning. That being said, if you are of a similar vintage, this book is redundant.
I considered giving this book a two and a half star rating, because it does have merit - although for an author advertising herself as a mentor, she does dangle an awful lot of participles. I would not recommend this book to a friend; my heart says it deserves only a single star. My two star rating is a compromise.
This is material I review on a continual basis. Ms. Long has packed this book with everything from lessons on productivity, grammar discussions, lessons on diction and syntax, and something I haven't seen in many books: instructions on how to observe the world and turn what we experience into words. Unlike many books which simply address craft elements from the author's perspective, she addresses the topic of reading, urging us all to become closer readers and learn from the masters. She covers topics like the "virtuoso sentence" and discusses how to study the work of writers we admire. Instead of explaining what sells, she urges us to strive for greatness.
The book is practical, she encourages us to use current work, and revise that rather than churn out orphan paragraphs based on arbitrary exercises. To create new work, she offers examples of ways to start new projects, like listing topic sentences or collecting information for a collage essay. With this book I was finally getting a glimpse in to the world of a professional writer.
After she covered the different types of sentences my brain ached-in a good way, like my legs do after a long run. She then covered four types of paragraphs. At the end of the section on paragraphs there is an exercise that asks you to make a list of ten sentences, the topics for your ten paragraphs, and poof- there's a 1,000 word piece.
A blurb on the back of the book states that The Writer's Portable Mentor was a culmination of over twenty years worth of teaching experience. The book is a collection of material she uses in her classes and just now collected for publication. I can't recommend this book highly enough-it is something new- while being wonderfully instructive- it is also inspiring.