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A Writer's Life Paperback – 10 July 2007
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- Print length448 pages
- LanguageEnglish
- PublisherRandom House Publishing Group
- Publication date10 July 2007
- Dimensions13.21 x 2.54 x 20.07 cm
- ISBN-100812977289
- ISBN-13978-0812977288
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Excerpt. © Reprinted by permission. All rights reserved.
Product details
- Publisher : Random House Publishing Group; Reprint edition (10 July 2007)
- Language : English
- Paperback : 448 pages
- ISBN-10 : 0812977289
- ISBN-13 : 978-0812977288
- Dimensions : 13.21 x 2.54 x 20.07 cm
- Best Sellers Rank: 1,947,410 in Books (See Top 100 in Books)
- 15,135 in Biographies on Novelist & Playwrights
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Later, as we cruise through various and vaguely related topics, borne along by the flow of his mellifluous prose, Talese is again frank and fun enough to offer up his pitches, and the responses of N.Y.C. literary illuminati, such as Tina Brown.
Even with queries referring back to his big,"Honor Thy Father," "Unto the Sons" -bestsellers - the writer is subjected to rejection with such lines as, "At your level, we need a book with a very large sales potential. I don't think this is it."
(An editor named Jonathan Segal)
So it is a writer's life, as the title proclaims, and Talese makes use of the large and copious files he maintained over the years while flailing from subject-to-subject, trying to generate a book that he confesses to having been "blocked" on.
Still cookin', but old enough to have witnessed things rendered ancient history by 24-hour news cycles, Talese deftly ties his times to his failed proposals that included stories about a cursed building that served as a graveyard for expensive restaurants in his Upper East Side neighborhood, the castration case of Lorena Bobbitt, the peculiar historical saga of Selma, Alabama, or the plight of an ill-starred member of the Chinese national womens soccer team.
The author takes you through these projects of his, shedding light thanks to his low-key, but persistent way of gaining access to people, leveraging his writer's celebrity as well as possible, hanging around making observations both detailed and general in nature.
highwayscribery's familiarity with Talese dates back, and is limited, to his reading of "Unto the Sons," which the scribe's dad gave to him. Get it? "Unto to the Sons?" It was a charming and in-depth story focusing upon life in Talese's East Coast, Italian-American family, and their forebears in Calabria, Italy.
The paternal half of the scribe's pedigree traces back to Calabria and so the book was a kind of family tree done with another family, but which provided a good idea regarding this unique province of origin.
The cover jacket of "A Writers Life" features a b&w photo of Talese captured in a thin-lipped half-smile the scribe's old man possesses, and which will one day (too soon) be passed onto the highway scribe.
So, anyway, there is an interest in Talese that propelled highwayscribery through this collection of anecdotes by a man of his times.
Among the interesting and unexpected turns in Talese's life was a stint down in Alabama, where he went to university. Years later, in the heat of the civil rights confrontation in the Deep South, this familiarity netted him a plum assignment covering the famed March on Selma, which led to a rather public and televised bloodletting.
In addition to his eye-witness account of what happened, not only at the fateful "bridge" but elsewhere in town beyond the camera's eye, Talese provides ample coverage of a return trip to gauge the progress between races in Selma. His cautious eyes sees improvements in some places, but subtle retreats elsewhere.
In this section of "A Writer's Life" Talese is at his best, using what he refers to as secondary characters to render the true portrait of a subject.
Talese is the king of digression, starting with an Italian waiter at Elaine's in New York, telling you about Elaine, about the waiter, some about the waiter's father, about the new restaurant the waiter was planning to open, about the waiter's wife's sneaking suspicion the place is cursed (she was right), something about her life, before fishtailing off into a history about the building in which the restaurant was to be lodged.
But we say master because it all works as Talese weaves the impulses and energies of distant and disparate occurrences into one another, seeing chains of events and people affecting one another's lives without wanting or even intending to; oft times never knowing.
Although the writer and the book travel well, "A Writer's Life" has a distinctly New York cast to it. Talese enjoyed fame throughout his career and therefore had access to some of Gotham's tonier haunts and denizens. At time it's got a definite "Vanity Fair" feel to it, a touch of the Dominique Dunne, recounting the names of hoo-hahs at fancy schmanzy eateries, but good for him.
And, in the end, that may say something about the change in publishing and what the market deemed doable in this particular writer's life.
He bombards us with trivia about his office, the kind of paper he writes on, the computers he owns and even where he used to park his cars in New York. He goes off on long verbal rambles describing people and incidents but failing to explain their significance. Reading this collection is like being buttonholed by a stranger who has no idea that he is boring you stiff and feels you are interested in anything and everything he says.
At times, he comes over as almost weird. The book starts with him watching the women's world cup final in 1999 between China and the US which was settled by a penalty shoot out. The US won when a Chinese player missed her shot and Talese wanted to write a story about her. No magazine was interested but he made a number of trips to China to track her down and get her side of the story. Since she did not speak English and he could not get a proper interpreter you can't help but wonder what was going on. He devotes chapters to this baffling episode.
He also devoted years to trying to write something on the famous case of an American whose wife cut off his penis as he slept after an argument. He is obsessed about a building in New York and describes how it has developed over the last century including a case-by-case account of 10 restaurants which opened and closed over a 20-year period. Again we have reams of material going nowhere.
There actually are some interesting parts amidst this ragbag and Talese comes over as quite an agreeable character who does not try to hide his faults and failures but the book should have been slashed in half and the material presented in a more organized way.
Take my advice and give it a miss.
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Phil Jacobs
Pana, Illinois







