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A World on Fire: An Epic History of Two Nations Divided Hardcover – 4 Nov. 2010
- Print length1040 pages
- LanguageEnglish
- PublisherAllen Lane
- Publication date4 Nov. 2010
- Dimensions16.5 x 6.4 x 24 cm
- ISBN-101846142040
- ISBN-13978-1846142048
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Product description
Review
It rolls along with the ragged grandeur of one of Ulysses S. Grant's infantry battalions. If you've an appetite for serious history, you'll be in hog-heaven. (Sam Leith Spectator)
'A World on Fire is an achievement as enjoyable as it is impressive. As in a great nineteenth-century novel, a teeming cast propels this epic - the gallant and the craven, scoundrels and lovers, diplomats and freebooters - some helplessly caught in the gale, others with their hands firmly on the levers of power. Charles Dickens appears in this book; had he been an historian he might well have written it.' (Richard Snow, Editor American Heritage, 1990-2007)
A World on Fire is a staggering achievement. (Christopher Silvester Daily Express)
Here is an iridescent book; vivid like a rainbow but rather more substantial...The book is like Gone With The Wind but with the true history inserted, and even more importantly, it is a biography of two people at an epic moment in their shared history. Anger, resentment, sympathy, loyalty, all the emotions that characterise Anglo-American relations today, can be traced back to this period. (Antonia Fraser Mail on Sunday)
From the Publisher
A few of the comments refer to unspecified errors that others have supposedly detected, and one or two even claim there are profound - though uncatagorised - mistakes, attacking the book's 'academic accuracy' without giving a single example as reference. Only one reviewer here actually points to anything which might qualify as a mistake - a footnote error on page 797.
There are always differences of opinion and emphasis among historians, which are just that - differences of opinion and emphasis, not 'mistakes'. And despite our best efforts all history books, especially long ones, contain typos and even occasionally minor editing errors which we will generally correct for the paperback; I am always grateful to hear from anyone who has spotted any such errors. But it does pain me when the open forum of Amazon is used to repeat - perhaps innocently, but certainly unfairly - unsubstantiated criticism. For the true professionals' opinions of this extraordinarily engaging, highly original and astonishingly researched book, please look at the reviews posted nearby.
From the Inside Flap
'No two nations have ever existed on the face of the earth which could do each other so much good or so much harm'
President Buchanan, State of the Nation Address, 1859
A World on Fire tells, with extraordinary sweep, one of the least known great stories of British and American history.
As America descended into Civil War, British loyalties were torn between support for the North, which was against slavery, and defending the South, which portrayed itself as bravely fighting for its independence. Rallying to their respective causes, thousands of Britons went to America as soldiers - fighting for both Union and Confederacy - racing ships through the Northern blockades, and as observers, nurses, adventurers, guerillas and spies.
At the heart of this international conflict lay a complicated and at times tortuous relationship between four individuals: Lord Lyons, the painfully shy British Ambassador in Washington; William Seward, the blustering US Secretary of State; Charles Francis Adams, the dry but fiercely patriotic US ambassador in London; and the restless and abrasive Foreign Secretary Lord John Russell. Despite their efforts, and sometimes as a result of them, America and Britain came within a whisker of declaring war on each other twice in four years.
The diplomatic story is only one element in this gloriously multifaceted book. Using a wealth of previously unpublished letters and journals, Amanda Foreman gives fresh accounts of Civil War battles by seeing them through the eyes of British journalists and myriad soldiers on both sides, from flamboyant cavalry commanders to forcibly conscripted private soldiers. She also shows how the War took place in England, from the Confederacy's secret ship-building programme in Liverpool to the desperate efforts of its propagandists and emissaries - male and female - to influence British public opinion. One of the most famous set-piece naval encounters of the War was fought, remarkably, in the English Channel.
Foreman tells this epic yet intimate story of enormous personalities, tense diplomacy and torn loyalties as history in the round, captivating her readers with the experience of total immersion in this titanic conflict.
About the Author
Product details
- Publisher : Allen Lane; First Edition (4 Nov. 2010)
- Language : English
- Hardcover : 1040 pages
- ISBN-10 : 1846142040
- ISBN-13 : 978-1846142048
- Dimensions : 16.5 x 6.4 x 24 cm
- Best Sellers Rank: 900,205 in Books (See Top 100 in Books)
- 1,435 in 19th Century U.S. History
- 174,878 in Children's Books
- Customer reviews:
About the author

Amanda Foreman is the author of the award-winning best seller, ‘Georgiana, Duchess of Devonshire' (HarperCollins UK; Random House US), and 'A World on Fire: A Epic History of Two Nations Divided' (Allen Lane UK; Random House US). She lives in New York with her husband and five children.
She is the daughter of Carl Foreman, the Oscar-winning screen writer of many film classics including The Bridge on the River Kwai, High Noon, and The Guns of Navarone.
Amanda was born in London, brought up in Los Angeles, and educated in England. She attended Sarah Lawrence College and Columbia University in New York. She received her doctorate in Eighteenth-Century British History from Oxford University in 1998.
‘Georgiana, Duchess of Devonshire’ was a number one best seller in England, and best seller for many weeks in the United States. It has been translated into French, German, Italian, Spanish, Portuguese, Danish, Hungarian, Romanian, Croatian, Turkish, Korean and Mandarin Chinese. The book was nominated for several awards and won the Whitbread Prize for Best Biography in 1999. It has inspired a television documentary, a radio play starring Dame Judi Dench; and a movie, titled ‘The Duchess’, starring Keira Knightly and Ralph Fiennes.
In addition to regularly writing and reviewing for newspapers and magazines, Amanda Foreman has also served on a number of juries including The Orange Prize, the Guardian First Book Prize and the National Book Awards.
'A World on Fire' has been optioned by BBC Worldwide.
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Learn more how customers reviews work on AmazonReviewed in the United Kingdom on 29 August 2015
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This is a great big book (9 ½ inches by 6 ½ inches by 2 ½ inches weighing about 3 ¾ lbs.) so, if prospective purchasers don't fancy great big books, would they please stop reading this review now.
On the other hand, if prospective purchasers can cope with a great big book, this one (as I have stated in my 'interim review') is a work or rare genius, and I would go so far as to say that, for general historical readers and for 'Civil War' buffs in particular, 'A World On Fire' is a must-have and the book of the decade. It is wonderfully written and a really great read.
One of the most insightful quotations in Amanda Foreman's masterpiece is by the British writer, William Michael Rosetti (brother of the artist Dante Gabriel Rosetti), who said that, during the war, expressions such as "'I am a Northerner," and "I am a Southerner"' were 'as common on Englishmen's lips as "I am a Liberal" or "I am a Conservative."' The partisan nature of the terrible strife was as much a part of the then British psyche and political scene as it was in America.
Though I am British, I have known since I was a child that I was a Southerner and I recall as if it were yesterday the day I first set foot in Virginia. I was in my spiritual home. It just felt right. I have never felt the need nor the desire to change my attitude and preference.
My guess is that the author is a Northerner in sympathy, but I absolve her of all partisan feelings as she has done her best to present the respective Northern and Southern causes in a fair light. Moreover, she shows an exceptional understanding of the sympathies of both British and American people, not only those who participated but also those who were interested but powerless bystanders like the hundreds of thousands of cotton workers thrown out of work by what was going on over the ocean.
It has been suggested that Ms. Foreman's work should have been better edited. Editing implies correction or cutting. I see no need for correction - other than the three typographical errors that I twigged - and certainly no need for cutting, for, if anything, the book leaves much out and isn't long enough. I could have coped with another 1,000 pages at least.
I was proud to read of distant relatives of both my wife and myself who had played parts on both sides (North and South) and on both sides of the ocean. Abraham Lincoln and William Henry Seward are studied thoroughly and it is again clear to me that Seward, as a drunk, was no credit to the State Department whilst Lincoln can never be absolved from the prime charge of the people of the South, namely, that he raised a great army to invade their states. That army burned houses and destroyed farms wherever it went, right from the start. Poor Virginia, indeed. Incidentally, the book's title is probably derived from the words of the drunken and irresponsible Seward - 'We will wrap the whole world in flames' (page 189).
An unexpected (to me) Southern hero was the British war artist and correspondent Frank Vizetelly (1830 - 1883), whose drawings graced the pages of the Illustrated London News. I had seen some of them before but I had not known what an important part this man had played, being on hand almost throughout and at the end of President Davis's doomed leadership of the equally doomed Confederate States. The book, already a magnum opus, is made better still by the inclusion of much of Mr Vizetelly's marvellous work.
Hundreds of books have been written about the American 'Civil War' (or 'War of Northern Aggression' or 'War for Southern Independence') and all bar a few describe the bitter divisions between peoples of similar blood and the almost indescribable suffering, especially of those in the invaded South. This superlative and stupendous tome succeeds as well as any other because it includes so many first-hand (and, in some cases, new) accounts of individual participants and on-the-spot observers.
The book's greatest strength - and its primary purpose - is its success in showing how important was the attitude of Great Britain and the British people. There were many occasions when British intervention could (and should?) have ensured the ending of the slaughter and there were more occasions than I knew of when Great Britain and the Lincoln regime might have found themselves at war. The then future of Canada was at stake, as was the governance of Mexico, for which France yearned.
Aside from Frank Vizetelly and many others who are mentioned and quoted at length, two more Southern heroes were Swiss-born Henry Hotze (1833 - 1887), a master of propaganda who worked with my Cambridgeshire-born cousin, John George Witt (1836 - 1906), and James Dunwoody Bulloch (1823 - 1901), uncle of Teddy Roosevelt and one of the Confederacy's principal agents in Great Britain. I have read of both previously, thanks to Amazon. Intriguingly, one of the Amazon critics of 'A World On Fire' is one James Bulloch. If the latter Mr Bulloch is a relative of the former Mr Bulloch, I forgive his criticisms and defer to his knowledge. If he is not, I hope that potential purchasers will give more weight to my remarks and buy this magnificent book that is enormously impressive in both scale and scope.
The book is long, detailed (mostly) and professionally comprehensive. It explodes yet another legend of American historiography. The raison d'etre was morally reprehensible, the loss of life among the soldiery was appalling, the suffering of the South and of Britain was nasty, the generalship (in the cold hard light of day) was amateurish and the political leadership was childish. In short this whole episode, regardless from which side of the Atlantic you root for, is nothing short of seedy. This strong impression is the result of Foreman's outstanding scholarship and talent for wordplay. Amanda presents an even-balanced view of British (official and unofficial) involvement in a war concerning genetically related races. She utilizes a significant amount of hitherto fore unknown primary sources which adds color and a deep texture to the story.
Did I like it? Did I enjoy it? I have to say that I lost interest about half way through on account of the veil of majesty (given from childhood) of the (2nd) US Civil War being rent asunder; the whole war lacks honor and heroics because the moral cause was not espoused until well into the war (and even then given under pressure). Lincoln did not fully commit to the emancipation until late in the game, which makes him out to be, not the mythologized hero, but a plodder who recognized political opportunism. The story is incredibly complex which Foreman readily admits to but she has done a sterling job in trying to achieve here aims, namely to tell the story of the (2nd) US Civil War through the eyes of Britons in America and Americans in Briton. Reading the book, one gets strong impressions of certain personalities and factions at certain points in history which then fade into the background at other moments. For example, at the beginning of the book, Seaward is described in forceful detail and yet as events progress his personality fades from the stage to become a scantily referenced caricature in later sections. The story of Seward's conversion from Lincoln's enemy to supporter is not convincing nor is his antipathy towards Lyons and later conversion to friend and supporter. Lincoln and Davis are similarly two dimensional; Lee, Grant and Sherman etc are but names on a page. This is the impression from one who knows nothing about these personalities except through skewed childhood history.
At the end of the 816 pages I was as weary as any American combatant and fully came away with the impression, like I had done recently about the Crimean War, that it was all a fruitless waste of resources (man, beast and material) and in this impression, Foreman has triumphed. War is hell and should never be resorted to lightly. This is an impressive work and should be recognized as such but overall I feel that the subject is beyond any one person's ability to tell in a positive, refractory light. The (2nd) US Civil War was a dirty, underhanded, dishonorable business, but Foreman's sympathetic work has allowed the ghosts of the war to be rightfully honored. Lest We Forget!
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