Within And Without CD
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Recorded with acclaimed producer Ben Allen (who has previously worked on great records such as Animal Collective's 'Merriweather Post Pavillion', Gnarls Barkley's 'St. Elsewhere' and 'Halcyon Digest' by Deerhunter) 'Within And Without' is a full realisation of the excitement Greene stoked with his first release, 2009's 'Life Of Leisure' EP (Mexican Summer). That record saw Greene catapulted from his quiet, reclusive life in rural Georgia to blog darling status almost over night - scoring highly in many end of year polls and inspiring innumerable imitators in thrall to the organic way in which it immersed its big-hearted, anthemic pop songs in a deeply psychedelic, genre-defying dance energy.
The very name that Ernest Greene chose as his recording and performance alias - Washed Out - came to define the aching, sun-bleached, hazy aesthetic of the style of music variously known as chillwave, glo-fi and hypnagogic pop. He emerged in 2009, roughly coinciding with Memory Tapes, Neon Indian, Toro Y Moi and all the other purveyors of this distinctive keyboard-based sound, and already by 2010 their music was being dismissed in some quarters as a passing fad, a sepia snapshot of a musical era that was itself about capturing fading memories. For others, though, it remains one of the great pop genres of recent times, and never mind the jibes that it's mere muzak for hipsters.
The question advanced by their first releases, however, was whether these mainly solo American laptop boys could improve on their unimpeachable debuts. Whatever you thought of their work, they pretty much did it to perfection. And so this year has seen a spate of follow-ups evincing shifts of emphasis: on Underneath the Pine, for example, Toro Y Moi pursued a more performance-led direction.
And what of Greene? Did he peak with Belong, those two minutes and 55 seconds of languid bliss from his 2009 High Times EP? Reading between the lines of the pre-release blather, the suggestion was that Within and Without, mixed by Ben Allen - who co-produced Animal Collective's Merriweather Post Pavillion - would be less sample- and loop-based, featuring more developed songwriting and a fuller, almost orchestral pop sound. Ironically, if anything, the nine tracks here are even less 'song-like' than the already gorgeous-yet-slight constructions of 2009's Life of Leisure EP.
The muffled vocals are still present and correct; as is, via the titles (Amor Fati, Far Away), the lexicon of longing. The tenor is one of budget luxuriance, the atmosphere one of sadness that life can't always be summerdazeforever. Opener Eyes Be Closed features the usual soft, sibilant, susurrating synths and an almost reggae-ish lilt, only smothered in a blanket of warm electronica. It feels a bit rote, as does Echoes, Greene's voice, as ever, just another part of the blend, the lyrics hard to discern amid the amniotic synths and bubbling beats. Amor Fati has the downcast air of a Duran Duran ballad and as such hardly represents an advance. Soft is probably the highlight, but not for any dramatic reasons: simply, the chord changes are most affecting on this one. The rhythm is repetitive but sounds played rather than sequenced, offering the idea that Within and Without is less synthetic, more 'real', an unnecessary development considering how moving those early Washed Out tunes were, while production-wise the new material is actually a less punchy version of Greene's pristine melancholia, more waffly and wan.
With the same torpid tempo throughout, Within and Without is an invitation to soporific surrender, and strikes a sombre, samey mood when Belong was quite strikingly seductive, a new form of synthed-up dream-pop. Etiolation and enervation were always key to chillwave/glo-fi's appeal, but this is just too pallid, too washed-out.
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Top Customer Reviews
Reminiscent of Panda Bear and Animal Collective, who ashamedly I have to admit I only discovered earlier this year, Within and Without is simply beautiful. Shimmery & sublime tunes to the highest standard and a beautiful soundtrack to a summers day, and even more so, owing to it's balaeric sound, an album sure to be played throughout Ibiza and the likes this summer and soundtracking many a sunset / sunrise in beachfront bars.
The single Eyes Be Closed is just a perfect opener to the album and deservedly is still being hammered across radio stations. Other stand out tracks include Echoes & Amor Fati, which both could easily pass as singles. The album flows beautifully and at no point does Washed out fall victim to any 'fillers'. However the truly stand out tune has to be A Dedication, which closes the almost euphoric and dreamlike sounding album in the most beautiful and fragile manor.
Hyped up and too cool for school one might say, but who cares. It lives up to the hype in my opinion and I'd urge all to check it out.
initially ok then after a while slightly irritating. Which is a real shame as the music is breath taking at times.
my message to the artist is instead of washed out it should be 'washed in'
a remix album with proper vocals
then you would have a major hit on your hands.
Hope you get the message.
However, it sounds modern and whilst there might not be the out and out killer track here there is enough to distract you long enough to enjoy this for what it is. A throwback album of relaxing grooves. There are good tracks that being said and Amor Fati, Within and without and A Dedication seem to have impressed the most to this listener. You will be hearing this for some time to come.
Overall it isn't quite as good as it could be. There are some good tunes here but not enough to propel this into album of the year territory. Chillwave has arrived though and this is a good indication of what it can sound like at its best so far.
Most Recent Customer Reviews
The Vinyl cover looks better than the image here. Text is relief rather than in white. Music is good ofcPublished on 25 Feb. 2014 by Jakob Ryngen
Sound is cleaner here than its previous releases, great dreamy atmospheric pop. Amor Fati is a killer song. Love this recordPublished on 4 Dec. 2011 by gospelyeye