White Light / White Heat Original recording reissued, Original recording remastered
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The proto-punk rock revolution that VU sparked reached its pinnacle right here. Feedback frenzies and narcotic odes abound as you behold Here She Comes Now; I Heard Her Call My Name ; the title cut; the mind-blowing epic Sister Ray , and more!
Nothing in their debut could really have prepared fans for the sonic assault the Velvets unleashed in White Light/White Heat. Freed from Andy Warhol's patronage (and Nico's vocals), Lou Reed and company strip production values to a minimum and turn out a primitive rock & roll masterpiece: Everything on this record sounds distorted and abrasive. Depending on how you feel about these sorts of things, this makes it either their best or their worst record. Of course, underneath it all are some of Reed's greatest songs, from the title track to the wistful "Here She Comes Now". It all culminates on side two with the raucously joyous "I Heard Her Call My Name" ("And then my mind split open," Reed sings and his guitar lets you know just about how that would feel) and the epic "Sister Ray"--10 minutes of transcendent, pounding fuzz as Reed searches for his "mainline." --Percy Keegan
Top Customer Reviews
But there the resemblance ends. Firstly, it contains only 3 CDs as opposed to 6 - the relatively small difference in price between the two indicates that you're mostly paying for the book, but while this is beautifully produced as with the VU&N, it's considerably slimmer - 56 pp as against 88 - and 5 of those pages are occupied by large print quotes lifted from elsewhere in the text (as opposed to only 1 with VU&N). While much of the content is similar - an essay, photos and gig posters - there's much less of it, and unlike the VU&N you don't get the lyrics. With regard to the photos, which are excellent as far as they go, this is not surprising - during the VU&N era they were part of Warhol's Factory milieu and far more regularly photographed. By the time they recorded WL/WH they'd cut their ties with Warhol and were on their own. The essay (by David Fricke) is not only much shorter than Richie Unterberger's in the VU&N but told me a lot less that I didn't already know, though it contains a lot of good quotes of the band members.
However, now we come to the musical contents. There are 5 considerations for the fan who already has a relatively recently mastered version of the stereo mix on CD:
1. The mastering
2. The mono mix
3. The studio extras
4. The live recording
5. The amount of previously unheard content
Is fine.Read more ›
The title track is a short, snappy slice of distorted rock'n'roll which you could imagine being recorded by Jerry Lee Lewis or Little Richard - although it would sound very different. Then they slow down for The Gift, with the band jamming grungily away on 3 chords in one channel while John Cale, with his marvellously deadpan Welsh voice, recites an amusing and macabre short story Lou Reed wrote while studying English in the early 1960s. This is followed by the two quietest tracks on the album, Lady Godiva's Operation and Here She Comes Now. The former is sung mostly by Cale, with sudden interjections from Reed, and is another macabre little tale over a quite unique droney background with the only appearance of Cale's viola on this album. The latter is by far the most "pleasant" piece of music on the album, a prettily hypnotic little ditty wondering whether a girl will come.
What was side 2 of the original lp begins with probably the most extreme track, I Heard Her Call My Name.Read more ›
The blueprint for loads of subsequent stuff, from early punk (Cale helped the Stooges out on their debut) and Can ('Hallelujah' is really just a funky 'Sister Ray') right up to the whole grunge thing (Check out Nirvana's version of Here she comes now, if you can find it). The most outstanding tracks are the more extreme - Cale narrating the horrifically funny 'The Gift', the maddest guitar I have ever heard on 'I Heard her call my name' and of course 'Sister Ray' - over 17 minutes of amp abuse that just wears you out.
Dark, disturbing but just so cool. The sound all young guitar based bands want, but never really achieve. This album is the best reason in the world to go deaf!
AGAIN FOR THOSE DON'T KNOW THERE IS NO VIDEO CONTENT ON THIS BLU RAY AND THERE IS NO 5.1 MIX . JUST A STRAIGHT STEREO TRANSFER!!
Most Recent Customer Reviews
Five stars for the brilliant 'Sister Ray'.....a jam but what a jam. In 1968 I was 'blown away' by the 'shock of the new' of this album.Published 1 month ago by Mr.Jif [AC] Smart
When the recent DELUXE and SUPER DELUXE versions of 'THE VELVET UNDERGROUND AND NICO' and 'WHITE LIGHT/WHITE HEAT' were first announced I was fairly disgusted with the price of the... Read morePublished 4 months ago by John H. McCarthy
I wasn't a great fan of this album when I first bought it in 1973, when I first became a Lou Reed fan, but over the years I have become to love it almost as much as "VU and... Read morePublished 7 months ago by Cornishpasty
good to find out how the alternate takes and versions sound.Published 14 months ago by Milton J. Mcgrath
Though not as important as The Velvet Undergrand and Nico, it is a 'must' for the fans of this group.Published 15 months ago by ipjackie