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When the Machine Made Art: The Troubled History of Computer Art (International Texts in Critical Media Aesthetics) Hardcover – 5 Jun 2014

5.0 out of 5 stars 2 customer reviews

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Product details

  • Hardcover: 352 pages
  • Publisher: Continuum Publishing Corporation (5 Jun. 2014)
  • Language: English
  • ISBN-10: 1623567955
  • ISBN-13: 978-1623567958
  • Product Dimensions: 14.5 x 3 x 21.8 cm
  • Average Customer Review: 5.0 out of 5 stars 2 customer reviews
  • Amazon Bestsellers Rank: 2,735,123 in Books (See Top 100 in Books)
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Review

How astonishing that the pioneers of computer, digital, algorithmic, programming, and mash-up art are largely unknown at the very moment when the computer, or more specifically its handheld, lap bound, or otherwise omnipresent progeny are transforming virtually every aspect of existence! I read this, fascinated by the continued relevance of the artists (and their disputes) and delighted to know that finally, with this publication, there exists a portrait of an evolving movement that has worked assiduously at the boundaries of the art world for fifty years. --Hannah B Higgins, Professor of Art History, University of Illinois Chicago, USA

Although computer-generated art was largely ignored by the art establishment in the 1960s and 70s, it's now viewed in a very different light. Grant Taylor's book provides an excellent - and much needed -overview of the beginnings of digital art and design. --Douglas Dodds, Senior Curator, Victoria and Albert Museum, UK

By questioning the reasons for which art critics, artists and curators rejected computer-generated artefacts during the 1960s, 1970s and 1980s, Grant Taylor makes a significant contribution to the historiography of 20th century culture. --Margit Rosen, Researcher and Curator, ZKM | Center for Art and Media Karlsruhe, Germany

About the Author

Grant D. Taylor is Associate Professor of Art History at Lebanon Valley College, Pennsylvania, USA. He most recent article, "The Soulless Usurper: The Reception and Criticism of Early Computer-Generated Art", is published in Mainframe Experimentalism, edited by Douglas Kahn and Hannah Higgins.


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