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What Matters in Jane Austen?: Twenty Crucial Puzzles Solved Paperback – 17 Jan 2013

4.5 out of 5 stars 54 customer reviews

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Product details

  • Paperback: 352 pages
  • Publisher: Bloomsbury Paperbacks (17 Jan. 2013)
  • Language: English
  • ISBN-10: 1408831694
  • ISBN-13: 978-1408831694
  • Product Dimensions: 12.9 x 2.2 x 19.8 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (54 customer reviews)
  • Amazon Bestsellers Rank: 43,125 in Books (See Top 100 in Books)

Product Description


There is plenty to enjoy in this parade of Austen micro-knowledge (Evening Standard)

Highly entertaining ... reveals a quite unexpected aspect to the novelist and her books (Daily Mail)

Any new book on Jane Austen raises the urgent question, Would I get more pleasure from reading this than from re-reading my favourite Jane Austen novel? If you decide to give What Matters in Jane Austen a chance you'll know after a few pages that you've made the right choice (John Carey, Sunday Times)

[A] fine collection of essays ... Like all good literary critics, he has the happy knack of making you read even familiar works with fresh eyes, and the essays in this book are among the best of their kind (Daily Telegraph)

A detailed primer on Jane Austen's attitudes to sex, money, class and even the weather (Sunday Times Must Reads)

Fascinating ... If you love Jane Austen, you'll love this book too - it's almost as good as finding an unpublished novel (The Lady)

Book Description

From 'Is there Sex Before Marriage in Austen?' to 'Which important Austen characters never speak?' the Guardian Book Club columnist answers 21 apparently trivial questions that reveal deep and hidden truths about Jane Austen's fictional world

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Customer Reviews

Top Customer Reviews

By Isobel Henry-Rufus TOP 1000 REVIEWERVINE VOICE on 10 Jun. 2012
Format: Kindle Edition Verified Purchase
When I was a student there was a furious debate about whether art, literature and music should be judged purely in terms of their own merit or whether they should be looked at in the context of the time and conditions in which they were created. This book is weighty evidence in favour of the latter argument.

Because of the clarity and simplicity of her prose style, Jane Austen's books are very accessible to us. We read and understand the stories, we appreciate her jokes and can empathise with her characters. What John Mullan's book does is illuminate all the social nuances that modern readers miss, such as the significance of using a person's Christian name (not just an indication of how well you know someone) or what going to the seaside can entail. The result is like wiping clean a familiar but grimy picture, the story is the same but it glows with a colour and life missing before.

This is not a dry book fit only for serious students of Eng. Lit. It is amusing and witty and slips down very easily with the added benefit of seriously improving your knowledge and appreciation of Jane Austen and her time.
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By Damaskcat HALL OF FAMETOP 500 REVIEWERVINE VOICE on 11 Jun. 2012
Format: Kindle Edition Verified Purchase
Jane Austen's novels are some of my favourite books to re-read regularly and I also enjoy reading books about Jane Austen's work. This book is a marvellous read for any Jane Austen fans. It provides the answers to some fascinating questions such as which characters never speak in the novels but still play a very large part in the plots. The author explains how significant it is when characters call each other by their Christian names in an age when even husbands and wives would not use them to each other.

Modern readers are apt to think that there is no sex in Jane Austen because the writing is subtle. Anyone who has read the scene between Elizabeth and Darcy when he proposes to her for the first time can be left in no doubt about the sexually charged frisson between them. It is not overtly described but it is still there in the way they both behave and in what they say. Characters in the novels marry and have babies - Mrs Weston in Emma and Charlotte Palmer in Sense and Sensibility not to speak of Colonel Brandon's sister-in-law, Eliza not to speak of Charlotte Collins in Pride and Prejudice who is pregnant by the time the novel ends.

Characters die in the novels - most notably Mrs Churchill in Emma who is also one of the powerful non-speaking characters. Jealousy, envy, snobbery and hatred all make an appearance in the novels as of course do pride and prejudice. Jane Austen does not gloss over the less pleasant aspects of life in early nineteenth century England especially for women or over the less pleasant aspects of human nature.

I found this book an absolutely fascinating read and it is written in an easy approachable style. In my opinion it can only add to anyone's pleasure in reading Jane Austen's novels. There are plenty of notes on the text and a bibliography which will give the interested reader plenty of other texts to study.
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Format: Hardcover
The interest in Jane Austen never seems to wane and books proliferate each year with sign of diminishing in any way whatever. One does wonder if authors will ever exhaust what can be said or discovered about her, but while they continue to write I am a happy bunny and not complaining. The full title of this book is What Matters in Jane Austen - Twenty Crucial Puzzles solved. Now I am not sure that the word crucial is applicable here - none of the chapters deal with a matter that would worry us too unduly or cause us sleepless nights, but they were hugely interesting and entertaining and here is a sample of a couple:

How much does Age matter? "She was fully satisfied of being still quite as handsome as ever, but she felt her approach to the years of danger" This is, of course, Elizabeth Eliot in Persuasion who is in her late twenties and by contemporary standards, getting on a bit. The author opens this chapter by pointing out how much TV and cinema adaptations of the novels have fixed character's ages in our minds. Mrs Bennett cannot be much more than 40 and that it is likely she married early. Mr Collins is viewed by many readers as being middle-aged, but he is a 'tall, heavy-looking young man of five and twenty' though played by David Bamber in THE TV series, who is in his mid forties. In Sense and Sensibility Elinor Dashwood is played by Emma Thompson, then aged 36 but Elinor is nineteen. We must also remember that Marianne, when marrying Colonel Brandon, can only been about 17 and he is 35, but the point being made is that Marianne has been aged, metaphorically speaking, by her heartbreak and experience.

What do Characters call each other? "in the whole of the sentence, in his manner of pronouncing it and his addressing her sister by her Christian name.......
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Format: Hardcover Verified Purchase
As well as his day job as a professor of English at University College London, John Mullan writes a very entertaining column about contemporary fiction in the Saturday edition of 'The Guardian'. This formed the basis of his earlier book, 'How Novels Work'. With his latest book, John Mullan takes a detailed look at Jane Austen's prose fiction. As he mentions in the 'Acknowledgements' section at the end of the book, Professor Mullan road tested a lot of this material in a series of lectures to various branches of the Jane Austen Society. I was present at the Quaker Meeting House in York, when Professor Mullan gave a talk for the North of England branch of the Jane Austen Society, in which he previewed material which I now recognise in the chapters 'What do characters call each other?' and 'Which important characters never speak in the novels?'

The book is subtitled '20 crucial puzzles solved', and these twenty puzzles provide the basis for the book's twenty chapters. Despite her cosy and genteel image, as Professor Mullan shows, in her own day, Jane Austen was a cutting edge literary pioneer. Whilst her contemporaries, like Mary Brunton ('Self Control'), preferred perfect heroines, Jane Austen wrote about very flawed protagonists such as Miss Woodhouse in 'Emma'. Furthermore, as Professor Mullan demonstrates in his chapter on Jane Austen as an experimental novelist, Austen virtually invented the free indirect style, and 'Emma' the novel is a bravura display of technical brilliance in its extensive use of free indirect discourse.

In conclusion, this book is an interesting study of the Austen canon which helps to provide the reader with several insights about Jane Austen's six novels. It was almost as entertaining as reading the novels themselves.
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