What Dreams May Come 
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Chris Neilson (Robin Williams) is robbed of his blissful life with his wife Annie (Annabella Sciorra) when he dies in a car crash. His ghost is allowed to keep in touch with Annie by residing in one of her paintings, but both parties remain frustrated by the mortal divide between them. When Annie kills herself, however, she is not allowed to join her husband, as all suicides go to hell. Chris determines to rescue his loved one from eternal damnation, enlisting the help of the Tracker (Max von Sydow) and Albert (Cuba Gooding Jr) to do so.
Robin Williams and Annabella Sciorra star in this visually stunning metaphysical tale of life after death. Neurologist Chris and artist Annie had the perfect life until they lost their children in an auto accident; they're just starting to recover when Chris meets an untimely death himself. He's met by a messenger named Albert (Cuba Gooding Jr.) and taken to his own personal afterlife--a freshly drawn world reminiscent of Annie's own artwork, still dripping and wet with paint. Meanwhile a depressed Annie takes her own life, compelling Chris to traverse heaven and hell to save Annie from an eternity of despair.
The multitextured visuals seem to have been created from a lost fairy tale. Heaven recalls the landscape paintings of Thomas Cole and Renaissance architecture complete with floating cherubs, while hell is a massive shipwreck, an upside-down cathedral overgrown with thorns and a sea of groaning faces popping out of the ground (one of those faces is German director Werner Herzog). Williams is the perfect actor to play against the imaginative computer-generated imagery--he himself is a human special effect. But the lack of chemistry between Williams and Sciorra is painfully apparent, and the flashback plot structure flattens the story's impact despite its deeply felt examinations of the heart and the spirit. Still, there's no denying Eugenio Zanetti's triumphant production design and the Oscar-winning special effects, which create a fully formed universe that is at once beautiful, eerie, and a unique example of movie magic. --Shannon Gee
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Have seen this film on TV several times so got it to watch with the wife. Cried my eyes out as usual - this is to me one of his saddest and happiest films, lots of special effects and some poignant moments, plenty of dialogue and some extreme fantasy. The characters you see are not the characters you think they are or that indeed that the main actor thinks they are. All will become clear when you watch it.
Wife cried too - it just has those kind of moments.
Would recommend buying a box of tissues. This is to me one of his very best films, more involved than his comedy films and more thoughtful. His talent for acting sure comes out.
It has a few very corny bits in it and it could've executed its story almost entirely without bringing any particular religion into it but it still manages to be a beautiful experience.
And, of course, it has the late, great and beloved Robin Williams as a lead.
A love story to remember.
I recommend having a pen and paper ready...simply because some of the lines in this film are sooo worth writing down.
Fantastic writing and incredible visuals!