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We've Come for You All CD
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We've come for you all
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You'll find no rap-metal or nu-metal on We've Come for You All--just Anthrax's inimitable thrash-metal melded with contemporary melodies, dynamics and booming, arena-worthy production. Two way-cool guests--Roger Daltrey and Pantera guitar mastermind Dimebag Darrell--are under-utilised on their respective songs, but with machine-gun, heart-pounding double-bass drums and vocalist John Bush's convincing snarl, it hardly matters. Bush, who has been in Anthrax since the early 1990s, has been part of much of the group's best and most mature (if not most commercially successful) material. The dynamic "Superhero" is a winner, as is the radio-ready, not-too-heavy "Safe Home", while "Nobody Knows Anything" and "Strap It On" are the best of the heaviest entries. Effective acoustic moments, Scott Ian's guitar work, smart lyrics and a seven-minute-plus title track that never drags prove that Anthrax may not be metal du jour, but they're consistently superior. --Katherine Turman
Top customer reviews
After the album's intro, "What Doesn't Die" gets the album off to a thrash-tastic start, which a track that is Thrash Metal in typical old-school Anthrax style. Big riffage layered with some fantastic double bass drumming and John Bush's great vocals combine to make a song that grabs you by the balls, slaps you about the face and says: "THIS IS THE NEW ANTHRAX ALBUM. NOW SHUT UP AND JUST LISTEN!".
Anthrax have no pretensions - if you know Anthrax you'll already know this; this album isn't a flowing, progressive masterpiece, or anything of a suitably arty nature, it's an old-school band and an old-school style album in the truest sense - a collection of excellent, kick-arse songs. There is little need to run off a superfluous detailed track-by-track rundown. Everybody will have their own favourites after listening to "We've Come For You All"; but the important thing is the album doesn't let up on quality, and with some variety the album never gets boring (*ahem* 'One Kill Wonder' anybody?).
Along with the opening track, "Think About An End" and "Anyplace But Here" provide the expected thrashers. "Superhero" has a cool heavy groove, and "Cadillac Rock Box" is just funky. With it's heavy riffing and tight blastbeats, "Black Dahlia" is by far the heaviest song on the album. Changing the pace some what, "Safe Home" and "Taking The Music Back" are highly melodic, perhaps crossing into AOR territory a little. The catchy, anthemic choruses must surely make these potential live favourites.
The musicianship throughout is tight, but particular mention must be made to the drumming which is awesome throughout, especially on "Nobody Knows Anything" with it's complex patterns and cross-rhythms.
"We've Come For You All" is an album Anthrax can be proud of; a huge middle finger to anybody who wants to dismiss the band as "no longer relevant". If you are a young rock/metal fan and have never got the chance to hear Anthrax before - pick this up. If you are a long-time fan, why are you reading this? You should be out buying it already. You won't be disappointed.
I don't know a person that's heard Safe Home that doesn't like it. And I'm talking about both versions as well.
Cadilac Rock Box is probably my fave track on the album. The Boys of Anthrax combining with Dimebag Darell yet again. An excellent combination that never fails.
Black Dahilia is a track that really suprised me. Sounds a lot like Slayer and I would love to hear this track live.
This album doesn't miss a beat and I suggest anyone bored with metal music today go out and buy it if you haven't already.
This album is fantastic! "Superhero" is on a par with anything 'Thrax have ever done, and "Safe Home" (Anthrax' first love song, according to Scott Ian) is a contender for best ever. "Cadillac Rock Box" is just... funky. "Refuse To Be Denied" has a point to make about patriotism being used as a weapon.
It's 19 years since the first Anthrax album, and this one, their ninth, is their best yet.
It kicks off in deceptive style - Contact is a short, soft instrumental which in no way prepares you for the monumental riffs and typically gruff vocals that have been the 'Thrax trademark since John Bush joined the band. Jumping on bandwagons has never been their style and they are not about to start now - if you've been together for over 20 years, why should you? There are no nods towards nu-metal (thank Christ) and every track manages to combine both a ferocious intensity with melody. Had Safe Home been recorded by, dare I say, a more 'packaged' band, we would be talking about a rock/metal anthem for years to come...
Still, that should not cloud your enjoyment of what is a superb record. As they say, Anthrax have changed by staying the same - true to their beliefs and musical sensibilities. I wonder if we can be saying the same about Linkin Park and their ilk in 2013...
The inlay card is nicely illustrated and there's plenty to read there while you are listening to the CD. It does annoy me when bands release albums and don't put any thought into the inlay card!!
If you liked Stomp and Volume 8 you'll love this.
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