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Wennakoski:Soie [Dima Slobodeniouk, Kersten Mccall; Finish Radio Symphony Orchestra] [ONDINE : ODE 1259-2]

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Wennäkoski: Soie, Hava & Amor omnia Suite
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Product details

  • Conductor: Dima Slobodeniouk
  • Composer: Lotta Wennakoski
  • Audio CD (1 Jun. 2015)
  • Number of Discs: 1
  • Label: Ondine
  • Other Editions: Audio CD |  MP3 Download
  • Average Customer Review: 3.0 out of 5 stars 1 customer review
  • Amazon Bestsellers Rank: 449,492 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
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This new recording on Ondine includes new orchestral works by Lotta Wennäkoski (b. 1970). Wennäkoski's works are characterised by a rich and colourful sound world that often incorporates unconventional playing techniques and noise. In recent years her range of expression has become gradually broader, deeper and more powerful.

Soie is a concertante work commissioned by the Finnish Radio Symphony Orchestra for flute and orchestra in three movements and placed on the list of recommended works at the UNESCO International Rostrum of Composers. The soloist of the work is Kersten McCall, the principal flutist of the Royal Concertgebouw Orchestra.


Finnish composer Lotta Wennäkoski has made a major addition to the flute concerto repertoire with Soie (2009). Its three movements are named after fabrics, and the music both evokes and rubs up against their textures. Voile has the billowing, tumbling flute played with fluttering and note-bending effects, echoed and egged on by the rest of the orchestra. Roughness and weight are less given to being evoked by this instrument, but in Lin Gros (rough linen), Wennäkoski manages it, with flautist Kersten McCall pushing his instrument to the edge; the title movement is a darkly atmospheric finale. The restless orchestral work Hava comes from a similar sound-world. There is also a suite adapted from the score Wennäkoski wrote to be played alongside the tragic 1922 silent film Amor Omnia. Dima Slobodeniouk and the Finnish Radio Symphony Orchestra are persuasive advocates for a composer with ideas and a distinctive way of voicing them.**** --Guardian, 11/06/15

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on 13 December 2015
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