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Watercolours from scratch: Art Workshop with Paul Taggart Paperback – 1 July 2006

4.4 4.4 out of 5 stars 12 ratings

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From the Inside Flap

In this From Scratch series, professional fine artist Paul Taggart enthusiastically guides those new to painting or painters switching from another medium.
Tutorials in Watercolours From Scratch demonstrate what can be achieved with a basic kit of six paints, a few brushes, and a palette and watercolour paper.
A successful introduction to watercolour painting can only be achieved through understanding the basics of these materials, putting them into practice and exploiting their characteristics.
Discover how scuffs and scumbles on a textured surface help to establish the rhythms of a lively landscape.
Learn to exploit subtle and powerful mixes of colour to achieve the contrast and vibrancy of a vase full of flowers.
Observe how a beached boat on still waters relies on brush-strokes to capture reflections in the water and patterns on the shoreline.
Note the play of light across a wild holly tree – attained through exploiting the transparency of watercolour paints.
I conceived this From Scratch series to provide the grounding people should have when starting out in painting and each book is based on the questions most frequently asked of me.
Which Paints Do I Need?
Many painters are not able to get the proper advice early on and consequently find themselves with inappropriate paints.
Why Do I Need A Brush?
I return to basics and look at what the most common shapes do best, what the brushes should be made of and why.
Why Do I Need A Palette?
This simple piece of equipment is as important a tool as brushes and paints and when fully exploited will definitely enrich any painting experience.
What is so special about Watercolour paper?
Should the wrong paper be used, no matter how well the techniques of watercolour painting have been mastered, the artist will run into trouble.
Paul Taggart
Artist & Author


Which paints do I need?
What are pastels?
Why do I need a brush?
Why do I need a palette?
What is so special about a painting surface?
Why should I bother with colour mixing?
With over thirty years experience of working with people who paint for pleasure, professional fine artist Paul Taggart makes no assumptions on behalf of those approaching him for guidance.
Seemingly very basic, these questions are, in fact, amongst those most frequently put to him and form the basis of this series of books, where Paul starts From Scratch.
As always, Paul Taggart demonstrates the subject from a different angle, knowing that the best way to help someone learn a new skill, is through alternative approaches. Each book tackles the basic materials, putting them into practice, getting to grips with colour and colour mixing, before moving onto a series of projects.
Through his unique Artstrips©, Paul Taggart is able to impart detailed instructions on materials and demonstrate the most basic of techniques, as well as those that can only be passed on visually. When combined with exercises and stage-by-stage compositions these amount to substantial tutorials.

Product details

  • Publisher ‏ : ‎ Sandcastle Books Ltd (1 July 2006)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 96 pages
  • ISBN-10 ‏ : ‎ 0955247802
  • ISBN-13 ‏ : ‎ 978-0955247804
  • Customer reviews:
    4.4 4.4 out of 5 stars 12 ratings

About the author

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Scottish Highlands-based professional Fine Artist & Author, Paul Taggart has a passion for painting - his life's work - with more than thirty five years as a practising Professional Fine Artist to his name. Having regularly exhibited in commercial and public galleries in his earlier years, he turned to private sales some twenty years ago and enjoys a dedicated following.

for his principal selling collection, mainly comprising paintings in oil; Taggart specialises in traditional techniques that exploit a range of processes.

"Whilst I have developed my own method of working, the 'craft' of my painting owes everything to a repertoire of processes rooted in an established heritage of traditional methods. Without the specialist knowledge passed down from artists through the centuries, it would not be possible for me to work in the style that I have carefully nurtured and developed over my professional life as an artist.

It is a method that requires an unhurried approach, with each oil painting built layer upon layer, to capture the very heart of the subject. I use a complex range of bold and subtle heritage techniques to create depth, in order to produce a seemingly three-dimensional space filled with light, space, mood and movement.

There is nothing to surpass the sheer richness of oil painting. In oil painting we have a medium that can be opaque or transparent; thick or thin in its application; where the surface of the painting, being physical, affects light falling on it. The use of traditional techniques such as glazing and tinting, enriches and enhances the surface quality of the paint and I use these traditional techniques extensively to achieve the quality I seek.

My goal - to capture the very essence of a moment in time - one that will evoke a memory, or an emotional reaction."

For his various Masterworks collections, Paul Taggart has traditionally worked on dedicated projects that focus on his signature feature -

the importance of light and its influence within a composition.

His work covers a wide variety of genre, including landscapes, figurative pieces, conversation works and most especially, 'living studies'. Working in collections, he has, amongst other projects, chronicled the changing face of cityscapes and portrayed five years in the life of a young people's theatre company - most recently capturing the nature of Highland life and its traditions.

Art Workshop with Paul Taggart

Paul's enthusiasm for painting and for others enjoying it as a pursuit is reflected in his popularity as a tutor. He hosts art courses, workshops, paintings weekends and painting holidays. Having developed a step-by-step method of teaching, through fully narrated demonstrations, these were translated into the published word in the form of unique 'artstrips©' the basis of Paul's fourteen books and published tutorials on the subject of learning to paint.

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