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The War Poems Paperback – 14 Mar 1983

4.5 out of 5 stars 28 customer reviews

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Product details

  • Paperback: 160 pages
  • Publisher: Faber and Faber; Fifteenth Reprint edition (14 Mar. 1983)
  • Language: English
  • ISBN-10: 0571130151
  • ISBN-13: 978-0571130153
  • Product Dimensions: 13.2 x 1.3 x 19.9 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (28 customer reviews)
  • Amazon Bestsellers Rank: 547,473 in Books (See Top 100 in Books)

Product Description

Amazon Review

Sassoon, who lived through Word War One and who died in 1967, was, as the introduction to this book tells us, irritated in his later years at always being thought of as a "war poet". Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (" ... fighting for our freedom, we are free") to the anguish and anger of the later work (where "hope, with furtive eyes and grappling fists / Flounders in mud ... "), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting.

Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those " ... old men who died / Slow, natural deaths--old men with ugly souls") were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not "the war to end all wars": the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: "Grant us the power to prove, by poison gases, / The needlessness of shedding human blood." Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --Burhan Tufail --This text refers to an out of print or unavailable edition of this title.

Review

In later years, when Siegfried Sassoon had written much else in prose and verse, he was annoyed at always being referred to simply as a war poet, but it was the Great War that turned him into a poet of international fame, and I feel sure that his ghost will forgive me for thus bringing together these magnificently scarifying poems. "Rupert Hart-Davis, from his Introduction""

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Format: Paperback
I did not care for the items we had to read at school that is until I came across Siegfried Sassoon. He explains clearly with passion and experance what WAR truely is. In an age of mass media and what appears to be new wars every other day, he so the true cost of war not in pound or dollors.
To read his work even one at two of his poems will show you the horrors of war better than any Hollywood movie.
Reading his work is like talking to the man, and he has given you excess to every private though in him . He is a true great.
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I enjoyed reading this book, despite not generally reading much poetry unless forced. I also liked the footnotes which gave brief autobiographical notes, giving an insight into the timing and mood of the author.

What particulary stood out for me was the parallels to the modern experience of soldiers and attitudes to the wars in Iraq and Afghanistan. Not only did the poems tell of the true horrors of war, they also reflected the cold indifference and misunderstanding of civilians back home. My favorite is "Hero" which encapsulates a number of these themes.

I think it a good book - the 4 stars reflects only that, in this genre, I prefer Owen and Brooke.
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At that . moment when war raged around him, Sassoon wrote poems which bring it close to us. A good opportunity to remind
ourselves of how ghastly it was. Along with the poems of Wilfrid Owen, we step briefly into the squelchy mud and horrific sights,
breathe the gas and hope to survive...
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I read this as part of my English Literture work, but throughly enjoyed it on another level altogether. Sassoon's writing is like stepping into a hot shower, it is short, angry and to the point, but so close to the skin, so direct to the reader, that you can almost hear Sassoon behind the words. Aside of which, arguably my favourite war poem of all time, The General, is in this book, so I just had to have it.
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This was a book I wanted to read for some time because over the years I have heard how this poet is held in high regard. I would recommend this book to those who like poetry and who have an interest in this tragic time in our history.
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By M. Dowden HALL OF FAMETOP 50 REVIEWERVINE VOICE on 29 Dec. 2009
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Siegfried Sassoon was a gentleman of leisure who wanted to be a poet, and indeed he did have a limited success before the outbreak of World War 1. It is however his war poetry that made him become noticed and has gained him legions of fans since. Nowadays we are all accustomed to the horrors of war, after all we can see it virtually any day on the news, but back in World War 1 the propaganda machine was in heavy use. The war would all be over by Christmas, we were winning, indeed people may have been led into believing that it was all a slightly dangerous game of football, where you may get killed. Sassoon upset the Establishment by depicting the real horrors of war and they tried to supress what he wrote. Sassoon started out quite optimistic but over the war period he obviously became disillusioned, and you see that subtle shift coming through in what he wrote.

Sassoon was a great friend of Robert Graves, who did have an influence on what Sassoon wrote, rather like how Sassoon had an effect on Wilfred Owen. Although Sassoon wrote in a more traditional style, indeed this is probably better than a more modernist approach and is more powerful when it comes to war he did have an influence on the Modernist Movement in that he described the gritty and hard truth.

To me Sassoon brings the life in the trenches to life, and he writes to the common man, no arty-farty nonsense here. He writes what we can all feel and understand and to my mind is a great help if you are studying that period in history. And lest we forget, the man was a hero himself, after all he was awarded the Military Cross. So, even if you don't normally read poetry but are interested in the First World War then I would strongly urge you to read this book.
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I bought this book for my friend. She has a son who served in Afghanistan and loved the book. Anyone who is interested in Military history should read these poems. I have read the poems myself. The words really capture how awful it was.
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It maybe that there are better WW1 poets, but Sassoon is for me the most modern, the one who speaks most clearly to us. His poems are more direct, less "poetic" than those of his contemporaries, and his blistering anger controlled by a caustic wit cuts right through the manners of his age to the human truth of war. He was a man full of contradictions a war hero who became a pacifist, a deeply religious man, and a homosexual, a literary man who was also a keen sportsman, and some of the internal conflicts these caused are reflected in the poetry here, but in short for me he makes the reality of WW1 more vivid than any other poet. Terrific stuff.
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