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A Very English Hero: The Making of Frank Thompson Hardcover – 2 Aug. 2012
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Gentle, modest and handsome, a fine poet, proficient in nine languages, eccentric Englishman Frank Thompson made an unlikely soldier. The elder of two sons of a formidable family of writers (his brother would become the radical historian E. P. Thompson), lover of Iris Murdoch, he was an intellectual idealist, a rare combination of brilliant mind and enormous heart.
Despite his mother's best efforts, and the Communist Party line (Iris had herself recruited him), in September 1939 Frank enlisted. Serving first with the Royal Artillery, then Phantom, finally moving to SOE to escape the 'long littleness of life', he documented his wartime experiences. He wrote prodigiously, letters, diaries and poetry, the best of which, the much anthologised 'An Epitaph for my Friends' - for many the landmark poem of the Second World War - gives a taste of what English poetry may have lost when in June 1944, aged twenty-three, Frank was captured, tortured and executed in Litakovo, Bulgaria; a sense of his ability to touch the reader, to speak for his generation, to bear witness to their lost youth. A dictionary he was carrying once stopped an enemy bullet and saved his life; a volume of the great Roman poet Catullus was found on him after his death: Frank fought a 'poet's war'.
Frank's letters still read fresh and alive today, his journals retain a startling intimacy - and it's from these that Peter J. Conradi brings vividly to life a brilliantly attractive and courageous personality, a soldier-poet or scholar-soldier of principle and integrity: a very English hero from a very different era.
- Print length432 pages
- LanguageEnglish
- PublisherBloomsbury Publishing
- Publication date2 Aug. 2012
- Dimensions16.13 x 3.65 x 24.13 cm
- ISBN-101408802430
- ISBN-13978-1408802434
Product description
Review
Intensely absorbing, steeped in human interest and peppered with outlandish characters ... Thomson's niece is quoted as saying that this account of his death unites him more firmly with the common stream of humanity, "where people are still being shot in ditches every day". Conradi's inspiring book persuades us that its unassuming, generous-hearted hero might have agreed (The Sunday Times)
Impeccably researched ... A fine description of the biographer's role, and generous quotations from Frank Thompson's letter and poems recreate his bulky, restless, energetic presence. But it is Conradi's own more subtle presence that locks the reader into the narrative ... A pensive, moving and very personal book (Frances Wilson, Observer)
An elegy for a lost generation, and a fascinating social and political history of a peculiar period in our recent past ... it's impossible to put down Conradi's impressive and moving account of Thompson's life without a feeling of regret. The figure who emerges from these pages is engaging, passionate and noble ... he was the epitome of a rare and precious type of distinctly English hero **** (Simon Griffith, Mail on Sunday)
[An] excellent, absorbing biography ... Mr Conradi tells the true story, movingly and well ... He convincingly portrays an attractive, brilliant and courageous personality, an intellectual with a heart who loved laughter, an idealist who merits the title of this book (Economist)
[A] magnificent and tragic biography (Jewish Chronicle)
Moving and gripping, told with great lucidity and sympathy ... a story of heroic times and hopes (Margaret Drabble)
He has painted a compelling portrait of a generation that is slipping from memory into history as irreversibly as that which went into the war in 1914 ... a generous and perceptive rescue of a personality and talent that Thompson's friends could never forget ... [a] moving portrait (Spectator)
Inspiring (The Sunday Times ‘Must Reads’)
Excellent (Independent)
Frank Thompson's life is extraordinarily well documented in his voluminous correspondence, poetry and diaries and in those of his family and friends. With his habitual diligence, Peter Conradi creates a vivid image of his world, at home, at Oxford and at war (Jane Shilling, Scotsman)
Conradi writes well and gives is a judicious and balanced portrait of the age. Frank Thompson would have appreciated that (Literary Review)
Book Description
About the Author
Peter J. Conradi became interested in Frank Thompson while researching his critically acclaimed Iris Murdoch: A Life, the authorised biography. He is also the author of The Saint and the Artist, a study of her novels and thought; of critical studies of Dostoevsky, Angus Wilson and John Fowles; and, most recently, Going Buddhist and At the Bright Hem of God. He lives in London and Radnorshire where he gardens, walks, edits the Radnorshire Transactions and chairs the Bleddfa Trust. He was elected FRSL in 2011.
peterjconradi.co.uk
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Product details
- Publisher : Bloomsbury Publishing; First Edition (2 Aug. 2012)
- Language : English
- Hardcover : 432 pages
- ISBN-10 : 1408802430
- ISBN-13 : 978-1408802434
- Dimensions : 16.13 x 3.65 x 24.13 cm
- Best Sellers Rank: 646,341 in Books (See Top 100 in Books)
- Customer reviews:
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The first section is a traditional family history of the Thompsons. Father, EJ, a missionary, author and poet, in India, who meets Theodosia Jessup, the bright, independent minded daughter of US missionaries in Syria during his Great War service. Both sides of the family appear to have gone native, personally close to the pioneers of national independence: whether TE Lawrence, or the Nobel Prize poet, Rabindranath Tagore, Gandhi, and Nehru. Their two sons, WF or Frank, the principal protagonist, and EP (known until his father's death by his second name Palmer - later became a Marxist historian and author of the classic study The Making of the English Working class The Making of the English Working Class (Penguin History) ) carrying on the flame of rebellion, were furthermore strongly influenced by modern ideas and the events of the 1920s and 30s; both were attracted by the underdog.
The largest and core part covers Frank Thompson's brief stay at Oxford; his great political activity during the post Munich by-election, in 1939; his entry into the CP - claimed by his new flame, Iris Murdoch, to have been by her own making, though her latest biographer Iris Murdoch: A Life: The Authorized Biography , Peter J. Conradi demonstrates that over the previous three years Wykehamists like Frank were moving naturally in droves into Moscow's orbit without needing the nudge of a clever, and very literate Molly Malone; as well as covering his war service in two private armies: first in Phantom, and from 1943 in SOE.
The author highlights the difficulties involved in CP membership in the British Army, that the Party occasionally carried out special practices to permit certain members to continue to operate during their army service, but says nothing what it did, if at all for Frank, who at least until the Nazi invasion of the Soviet Union in June 1941 kept his head down and tried to appear solely involved in preparing for his next military mission. In 1943 while in the Lebanon he took a more active part in CP activities, at a personal private level. He witnessed the changing views over time towards Poland, in particular with regards the Katyn massacres, and unlike his younger brother or Eric Hobsbawn, he showed his permanent independent line.
The author hints a regular poetic correspondence between Frank and his "Irushka", and a two way influence; though because of his tragic death, especially with regards the courageous role of soldiers in war, rather than the more doctrinaire line on imperialism, the influence appears more lasting on Murdoch post-war literary output. Had he survived the War it is possible the Party may have tried to use Frank as an informer, a stooge, but Conradi feels he was already too independent to have gone along with it even if threatened by scandal and public disclosure of Party activity in wartime; perhaps indeed I suggest it is equally likely that he may have influenced his brother towards different ideological conclusions after Krushchev's damning secret speech of Stalin at the 20th Soviet Party Congress and in the wake of the Hungarian Uprising of 1956. On the other hand the author admits that, unlike the two spies Kim Philby or Guy Burgess, he did not have a cover story, and so it is unlikely that he would have been used by the Party should he have been hired in a Government department.
The most important section deals with Frank's period in Bulgaria, his execution by local Fascists in June 1944, and the different myths that emerged thereafter, leading him to become the second most eminent Englishman in Bulgaria after Gladstone: national decorations were awarded posthumously, a railway station near Sofia, as well as a kindergarten being named after him, while nursery rhymes are still sung about his adventures in order to ensure the memory and cult of a folk hero lives on.
The author insists that his protagonist when living in the field had an instant change of heart towards the brave heart image of the Slavs, seeing the Bulgar partisans very unprepared, undisciplined, over-excited, who loved to blow their own trumpet about their might in numbers and power. Little did he know precisely that he was arriving at a time when SOE based in Cairo, and Moscow were pursuing very distinct post-war policies. The former were less enthusiastic to support a movement which after Yalta would be part of Moscow's Europe; the latter, in contrast, wished to be seen to represent the true spirit of resistance, with as much free Western firepower and gold sovereigns, but not laden down with the presence of capitalist imperialist Britain's special forces, even with the occasional good brave comrade. The Bulgarian Communist leader Georgi Dimitrov, in Moscow, may have had concocted a calculated plan of action for resistors to gone in the foray, make a few local dead heroes, and remove evidence of a Western presence, which within a year became the general call and justification to liquidate any opponents as "spies, collaborators, and bourgeois hyenas".
Conradi emphasizes that Frank death naturally was felt more deeply by those closer to him. Just before his entry into Bulgaria from his base in eastern Serbia he was said to have been distressed to learn that Murdoch had given herself to his best friend MRD Foot (the future historian of the SOE and Resistance Memories of an SOE Historian ), and presumably in her opinion, in his pain he chose to take unnecessary reckless risks for a noble just cause. Perhaps; or was that a feeling of self remorse and admission after the event that she had behaved too selfishly.
The wild romantic and chivalrous idea going back to Lord Byron and Rupert Brooke was next hinted by scholars when citing EJ's play Atonement (1924) when it was restaged in wartime. It was said to contain a new contemporary message that Frank's gallant gesture was of having acted as a sacrificed lamb on the altar of the Balkans for the sins of the politics of British leaders, an idea which became refreshingly novel and gallant following the fall of the Berlin Wall in 1989, when all states in Eastern and South Eastern Europe tried to rediscover new national histories to give them a uniquely positive, honourable vision vis a vis the great past Powers.
Finally, for EP, or Edward as he was better known in the post-War period, together with the Thompson family, the sadness of Frank's death never could go away. His final publication Beyond the Frontier: Politics of a Failed Mission - Bulgaria, 1944 even hinted in the late 1980s that by re-interpreting history backwards -a very ahistorical practice by a professional historian, Frank might be considered the first international Cold War hero and of the New Left, who incredibly gave his life simultaneously in a fight against a capitalist British Empire, for which he was still serving, and against a Stalinist Russian Empire by his being a non-doctrinaire CP member. In other words, he was acting as a divided self, the first signs of brilliance or insanity. It seems in death, like in life, everyone now wishes to own a piece of Frank Thompson, for their own, their causes and their institute's own website - described by a school friend as "a brilliant mind, and an enormous heart."
Peter Conradi was the sole person to present everyone with a honest life story of this newly rediscovered English hero. His product is entertaining, well researched, and profoundly well argued, but always keeping a critical eye on all his sources. It adds another piece to the jigsaw of radical middle class intellectuals who were inspired towards different human causes throughout history, which did not end once that cause was eventually achieved; like any scientist they were eager to mount towards the next life/death challenge. If Bulgaria is proud to claim Frank Thompson as their second best Englishman, Conradi should be thanked for having given their own son back to Britain, by allowing the English-speaking world now be more fully aware of one of its lesser known heroes.
The only exception to this is when we come to his life as a soldier and the final mission that led to his death. That details were scare is understandable but only leads to the feeling of imbalance in the book. Similarly, basic errors in this section makes it feel rushed as if Conradi was solely reliant on first hand sources throughout this section rather than referring to and leaning on more specific histories.
Finally matters aren't help by awkward disjoints in the prose that suggests the book needed a careful editing and at least another draft.
A disappointing read.
and not much about his career
Frank Thompson was a complex character: with effortless charm, a brilliant linguist, often hopelessly drunk so that it was feared that he was heading towards alcoholism, intellectually gifted but all too easily taken in by the fashionable communist line of the time, his outstanding quality was his determination to experience and enjoy life to the full. If he had survived the war, would he in fact have married Iris Murdoch? An explosive combination.
Conradi's moving and sympathetic portrait of Frank amounts, however, to only a fraction of the book. He also gives us entrancing portraits of Frank's extraordinary parents, brilliant brother, bizarre family life and many other colourful characters of the Oxford of the time: and recreates vividly those forcing-houses of the intelligentsia in the 1930s, Oxford's Dragon School, then Winchester College with its philistinism but covert encouragement of individualists to think for themselves, and the inevitable New College Oxford. Add to this lively descriptions of Frank's relations with, and influence on, Iris Murdoch during his life and after his death, and his colourful career in the Army, including the mysterious "private armies", Phantom and SOE, and the reader has to concede that he has been provided with more than his money's worth.