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Our product to treat is a regular product. There is not the imitation. From Japan by the surface mail because is sent out, take it until arrival as 7-14 day. Thank you for you seeing it.
Top Customer Reviews
Eg anda, or 'I Breathe' is airy, joyful and acts as a warm invitation for the listener to enter into Sigur Ros' beautiful world. Ekki Mukk is a more melancholy and resigned expression yet just as immaculately delivered and produced. Varud is the most familiar and exciting track, offering a climax similar to the days of Glosili, the first true spine-tingling, hair raising moment of the LP.
The final five tracks are where Valtari really plunges into the darkest depths of human emotion, from ecstasy and elation to dark depression. Rembihnútur is a personal favourite, showcasing the bands' instrumental mastery before releasing into a more conventional but nonetheless beautiful chorus. Dauðalogn is angelic and graceful, taking inspiration I believe from music of the church. Varðeldur is a continuation of this; a come down from the elation experienced in its predecessor.Read more ›
'Riceboy Sleeps' is one of my favourite records, and upon hearing Valtari's first promotional single, Ekki múkk, I had high hopes that the new album would capture the extremely emotive atmosphere of the former CD. Thankfully, it did. As album opener, Ég anda, begins, Jónsi's trademark howling takes you away from the everyday, and inside yourself- in to an introspective trance fueled by the music. Strings, guitar, and what sounds like ringing bells all emerge from the silence, and the sounds of waves lapping and the beat of the drum which gets faster and faster all wash over you, and then you know; Sigur Rós are here.
The track melts abruptly in to discordant electronic droning, before it re-emerges with a crackle, as Ekki múkk. Strings stir and Jónsi mews in a pleading tone; the vocal swirling around the violin, creating a sense of space and weight despite the frugality on display. Then the piano rains down, and Jónsi's voice soars, and your heart-strings are well and truly pulled. Ekki múkk effectively utilizes Jónsi's voice in the most devastating way; he sounds like a wounded animal, or a whale, or a plaintive man crying out to the sky. Ekki múkk slowly dies down again as quiet as it came- with only the languid piano strokes, expertly timed, left to keep you company.Read more ›
Their latest offering however, has been a little different.
I would class it as a 'grower'.
Upon a first listen, Valtari seems completely unlike any previous Sigur Ros albums - although the major ingredients are all there (Jón Þór Birgisson's haunting falsetto, beautiful string sections etc.) they seem to have been mixed differently. The result is not the slap-in-the-face attack on the senses that previous albums provided. Rather, it just hums a little, tingling away at the back of your mind. It is initially not distasteful or unpleasant, it just is not what you expect. However, with perseverance and repeated listening (my preference is when I am alone in the car) you hear little snippets of what makes Sigur Ros music so great, and when you piece them all together it begins to make sense.
There is none of the bombastic, orchestral Post Rock-ness found in ( ) or Með suð í eyrum við spilum endalaust, and there are no hum-alongs like Hoppipolla or Sæglópur.
But it grows and grows and grows. And you eventually find that you can't help falling in love with their music once again.
They may have changed direction slightly but it is under no circumstances a wrong turn.
It challenges you as a listener unlike any other Sigur Ros album, but like a difficult jigsaw, when you place the pieces in the right order, it is so satisfying.
Once again I find myself eager for their next commercial release, curious as to what they will provide their audience with this time.
(A note on Amazon delivery - once again they provided a good service. A price that can't be beaten, particularly as I live in Luxembourg. Good job all round)
Most Recent Customer Reviews
Not a big fan of Sigur Ros yet thoroughly enjoyed this album. Maybe it's some Scandinavian other worldness , relaxing rhythms or a combination of both. Read morePublished 15 months ago by Andrew Foulds