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The Unpierced Heart Paperback – 13 Sep 2012

3.8 out of 5 stars 68 customer reviews

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Product details

  • Paperback: 352 pages
  • Publisher: Penguin (13 Sept. 2012)
  • Language: English
  • ISBN-10: 0241954223
  • ISBN-13: 978-0241954225
  • Product Dimensions: 12.9 x 2.5 x 19.8 cm
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (68 customer reviews)
  • Amazon Bestsellers Rank: 503,623 in Books (See Top 100 in Books)

Product Description

Review

A compelling tale of death, despair and obsession . . . Wildly and knowingly melodramatic but done with such energy and ingenuity that it's also tremendous fun (Sunday Times)

Richly atmospheric and rattling away in fine style, it conjures 19th century high society and its sordid underbelly with verve and flair . . . Darby knows how to write a cracking novel . . . Darkly enjoyable (Metro)

This book really is a thing of beauty - and that's before you even open the cover . . . The illusion is maintained inside, because the debut novelist Katy Darby has wrought a truly gothic little gem that could almost have fallen through a wormhole, 125 years ago... Darby manages to retain the flavour of the authors she so obviously admires - Wilkie Collins, Arthur Conan Doyle - but at the same time establishes her own voice and creates a contemporary narrative . . . a rare achievement (Independent on Sunday)

A consistently engaging and suspenseful Gothic melodrama (Herald)

Thrilling gothic romance (Daily Express)

About the Author

Katy Darby studied English Literature at Somerville College, Oxford, and Creative Writing at U.E.A. where she received the David Higham Award. Her fiction has been read on BBC Radio, and she has published stories in Slice, Mslexia and The London Magazine, as well as winning prizes in several international fiction competitions. She teaches writing at City University, edits the short story magazine Litro (www.litro.co.uk) and co-runs the monthly live fiction event Liars' League (www.liarsleague.com). She lives in London.


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Customer Reviews

Top Customer Reviews

Format: Paperback
Edward Fraser is, in spite of his youth, something of a dry old stick so when his closest friend at Oxford University, Stephen Chapman, lets his medical studies take second place to his volunteer work at a shelter for fallen women Edward is understandably concerned. Even worse, the main attraction in this line of work for Stephen appears to be the lady who runs the shelter - Diana Pelham - someone Edward suspects, with very strong reason, of having a rather shady past herself. The thing is, are Edward's fears for his friend justified or does he simply want to keep Stephen to himself and away from the lures of attractive females? Where exactly do his interests and motives lie? Edward isn't quite the straight-forward narrator he seems and while Diana Pelham clearly has a secret to hide is she wicked or merely misunderstood?

The Whores' Asylum is the first novel by Katy Darby and all in all it has quite a lot going for it. The action sequences, and the moments which have a touch of the macabre and the surreal in particular are all well handled. The book features an enraged bear dressed in a sort of harlequin outfit and kept prisoner in a cellar; it has scenes of shabby well-to-do men wearing masks and making free with ladies of the night in plush, velvet-draped rooms and it has, best of all to my mind, a description of a duel taking place one foggy morning which packs a real emotional punch; but where, for me, the book suffers slightly is with the pacing. I suspect the novel could lose twenty pages or so and would, if some of the descriptions of what the characters were thinking and feeling emotionally were slightly pared back, rattle along all the better for it.
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Format: Paperback
I was utterly fascinated by this book, could barely put it down and was looking for excuses where possible to find more time to read.

A book written in five parts, each part giving additional angles to the underlying story, but from a different protagonist. In every part of the book you feel sympathetic to the current protagonist, you share their opinion and heartache, trouble, worries, fear. It's an amazing example of how the same story can appear completely different depending on who tell it. But each part doesn't just repeat the same story over and over again but gives more depth to the reader's understanding of motives, history etc.

Truly amazing book that will stay on my bookshelf and that I will no doubt read again!
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Format: Paperback
I read this gripping novel almost in one sitting; I curled upon a wet winter Sunday and disappeared into Ms Darby's world. And it's not a comfortable world, full of vice, disease, betrayal and not-so-righteous anger, shot through with veiled horror.

I really enjoyed the way the story unfolded piece by piece, one contradictory narrative following another so that the reader is drawn in to make judgements, piecing together the full picture from clues and hints.

It's a wonderfully dark story, richly evocative of the seedy Victorian underworld. I particularly admired the way Ms Darby dissects her characters' outmoded attitudes and mores without ever judging them by 21st century standards. She leaves the reader to do that, and the impact of the story is much stronger because of it.
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Format: Paperback Vine Customer Review of Free Product ( What's this? )
This is a compelling story set mostly in the wrong side of Victorian Oxford. One of our main viewpoints through which the story is told is a rather prudish academic priest, and his voice is convincing enough that I found myself utterly involved in the story and somewhat genuinely annoyed with some of the characters - it's not often a book draws me in so well. It's not necessarily a light read ... many sections are rather exacting in their detail ... but I never felt like the story dragged. If you've enjoyed stories like Sarah Walter's Fingersmith, Conan Doyle's Sherlock Holmes, or Gormenghast, then I highly recommend this. An easy five stars.
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By Welsh Annie TOP 500 REVIEWERVINE VOICE on 4 Mar. 2012
Format: Paperback Vine Customer Review of Free Product ( What's this? )
Uncritical maybe, but there really was nothing I didn't like about this one - read it in a couple of sittings and was totally absorbed by Kate Darby's brilliant portrayal of the seamier side of Victorian life. I thought the structure worked really well - I liked the separate stories revealing part of the narrative through writings left behind. I thought Edward Fraser was a wonderful character, and a distinctive voice, with his absolute sense of moral rectitude justifying every action. There's enough mystery and melodrama to keep you turning the pages, boo-hiss villains, hopeless love and tarts with a heart to satisfy anyone - and you can smell the streets and feel the damp, the writing's of a very high quality. Fans of Sarah Waters will love this one, an accomplished debut.
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By marcoscu TOP 500 REVIEWER on 11 April 2012
Format: Paperback Vine Customer Review of Free Product ( What's this? )
It looks so pretty but the contents... are not egregiously bad, but they're not very good, either. The Whore's Asylum tries awfully hard but the plot is thin and the necessary padding not up to the mark.

The first half is the best. Fraser and Chapman are decently-drawn characters, and though the laboured style does its best to kill the thing, it rolls along at a steady pace. The epistolary, exposition-packed second half seemed dreadfully long and so slow and tedious, it took every ounce of energy in me to keep turning the pages.

The relationship between Fraser and Chapman - that is the very heart of the tale - failed to convince me. Their growth of their friendship is dealt with so quickly - as if the author was bored by this very necessary scene-setting, only wanting to get on to the fraught tale of Diana - it just didn't develop at all for me, and it is so central to the plot! I feel it would have made for a much better tale if more of the time that was spent on those dreadful dreary letters at the end was given to developing the details of their friendship, and because I wasn't persuaded that Fraser and Chapman had grown so close, it made Fraser's violent reaction to his friend's engagement seem ludicrous, and Chapman's response completely over the top.

At least Fraser and Chapman were solid, workmanlike characters, Diana was not, she was, throughout, a device. Lord `Lucky' was just ridiculous; an evilly-chortling, moustache-twirling Dick Dastardly (and not in a good way!). His melodramatic dénouement was especially absurd, certainly worthy of the purplest of Victorian prose. Maybe that was the point? But if it was intended as a clever parody, it didn't work; it made me giggle uncontrollably, which I'm pretty sure was not the intention.
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