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TWO-LANE BLACKTOP (Masters of Cinema)(BLU-RAY) [1971]
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| Genre | Action & Adventure |
| Format | PAL, Blu-ray |
| Contributor | James Taylor, Laurie Bird, Monte Hellman, Warren Oates, Dennis Wilson |
| Language | English |
| Runtime | 1 hour and 43 minutes |
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![TWO-LANE BLACKTOP (Masters of Cinema)(BLU-RAY) [1971]](https://images-eu.ssl-images-amazon.com/images/I/71Dy5h2J3qS._AC_UL116_SR116,116_.jpg)
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Product description
With the melancholy open-road epic Two-Lane Blacktop, American auteur Monte Hellman (The Shooting, Cockfighter, and the recent Road to Nowhere) poeticised the beautiful, terrible rootlessness of his nation in the era of Vietnam. Funded by Universal in a bid to recreate the success of Easy Rider by giving a number of filmmakers $1m and final cut Hellman's effort is now regarded as one of the key films of the New Hollywood renaissance of the early 1970s.
While driving eastward on Route 66, two rival car owners The Driver (singer-songwriter James Taylor) and The Mechanic (Dennis Wilson of The Beach Boys) in a souped-up, drag-racing '55 Chevy, and a middle-aged braggart (Warren Oates) in a gleaming GTO begin to race for each other's "pink slips" and the affections of the listless female hitchhiker (Laurie Bird) who joins them on the road.
Scripted by esteemed novelist Rudy Wurlitzer, and featuring the only screen performances of Taylor and Wilson, Two-Lane Blacktop remains a timeless, existential portrait of lives in transit and of a country questioning its identity.
Two-Lane Blacktop is one of the most popular car-fetishist / petrolhead movies ever made and listed as one of the 50 greatest independent films of all time by Empire Magazine. The Masters of Cinema Series is proud to present Hellman's iconic film on blu-ray for the first time ever anywhere in the world on its 40th birthday, released on 23 January 2012.
SPECIAL DIRECTOR-APPROVED BLU-RAY FEATURES:
- New restored high-definition master, supervised and approved by Monte Hellman
- Original mono soundtrack and optional newly remastered 5.1 mix
- Optional English subtitles for the deaf and hearing-impaired
- Audio commentary by Monte Hellman and associate producer Gary Kurtz
- On The Road Again: Two-Lane Blacktop Revisited, a 43-minute video piece in which Monte Hellman revisits the film's locations
- Somewhere Near Salinas, a 28-minute interview by Monte Hellman with singer-songwriter Kris Kristofferson
- Sure Did Talk To You, a 24-minute video piece by Monte Hellman, interviewing producer Michael Laughlin, production manager Walter Coblenz, and the director's son Jared Hellman
- Rare archival screen-test footage of James Taylor and Laurie Bird
- Original theatrical trailer
- Optional music and effects track
- A lavish 36-page booklet featuring rare production imagery, the words of Monte Hellman, and more!
Product details
- Aspect Ratio : 16:9 - 2.35:1
- Is Discontinued By Manufacturer : No
- Language : English
- Package Dimensions : 17.02 x 13.46 x 1.52 cm; 100 Grams
- Item model number : EKA70044
- Director : Monte Hellman
- Media Format : PAL, Blu-ray
- Run time : 1 hour and 43 minutes
- Release date : 23 Jan. 2012
- Actors : James Taylor, Dennis Wilson, Warren Oates, Laurie Bird
- Dubbed: : English
- Subtitles: : English
- Language : English (Dolby Digital 2.0)
- Studio : Eureka Entertainment
- ASIN : B005SDDE2K
- Country of origin : United Kingdom
- Number of discs : 1
- Best Sellers Rank: 10,891 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)
- 2,256 in Action & Adventure (DVD & Blu-ray)
- 3,477 in Drama (DVD & Blu-ray)
- 3,522 in Blu-ray
- Customer reviews:
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you have 3 choices.
*DTS HD 5.1
*Original mono
*Music & effects track
The DTS HD 5.1 just sounds like the original recording, and not restored at all as far as I can tell.
The original mono is not something I've tried yet but I think tis safe to assume little difference.
The Music effects track is just stock sounds of engines and various bits of music added on and removal of the voices of all the characters, its completely pointless.
in summary, great film, great moments of high res in the daylight films (for a film made in the 70's without a big budget), awful nighttime grain and dissapointing sound.
The beauty of it for me is that the scenes are not all jammed up with boring attention grabbing shock tactics, but allow the viewer some space to get absorbed into it,so after a while you end up on the road with the movie itself which is ultimately more engaging and satisfying than being force fed visual adrenalin.
To sum up if you prefer deft characterisations,roaring V8 engines and entertaining realism this is a movie for you, if you've got a digitally reduced attention span you'll probably miss the point.
Modeled on Easy Rider, it drifts along,and nothing really happens,but its a good excuse to watch the late Warren Oates.
Mildly enjoyable.
This re-defined for me what film making can be. It's not like anything else I've seen (including films made after it), although directors like Jarmusch obviously share some of Hellman's values.
It was on my "must see before I die" list for years, and I was prepared for it to fail to meet the hype. In fact, I think it far exceeds it: a classic, a milestone, a must for everyone with a serious interest (whatever that is) in film.
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