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Turandot Original recording remastered

4.0 out of 5 stars 1 customer review

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Only 1 left in stock.
Dispatched from and sold by Smaller World Future.
£51.53 Only 1 left in stock. Dispatched from and sold by Smaller World Future.

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Product details

  • Audio CD (11 Mar. 2008)
  • Number of Discs: 2
  • Format: Original recording remastered
  • Label: Emi Divested
  • ASIN: B0013FSVC0
  • Other Editions: Audio CD
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 1,365,299 in Music (See Top 100 in Music)

Track Listings

Disc: 1

  1. Turandot: Act 1 - Popolo di Pekino!
  2. Turandot: Act 1 - Padre! Mio padre!
  3. Turandot: Act 1 - Perduta la battaglia
  4. Turandot: Act 1 - Gira la cote! Gira!
  5. Turandot: Act 1 - Perche tarda la luna?
  6. Turandot: Act 1 - La, sui monti dell'est
  7. Turandot: Act 1 - O gionvienetto!
  8. Turandot: Act 1 - Figlio, che fai?
  9. Turandot: Act 1 - Fermo! che fai? T'arresta!
  10. Turandot: Act 1 - Silenzio, ola!
  11. Turandot: Act 1 - Guardalo, Pong!
  12. Turandot: Act 1 - Non indugiare!
  13. Turandot: Act 1 - Signore, ascolta!
  14. Turandot: Act 1 - Non piangere, Liu!
  15. Turandot: Act 1 - Ah! per l'ultima volta!
  16. Turandot: Act 2 - Scene 1 - Ola, Pang! Ola, Pong!
  17. Turandot: Act 2 - Scene 1 - O Cina, o Cina
  18. Turnadot: Act 2 - Scene 1 - Ho una casa nell'Honan
  19. Turandot: Act 2 - Scene 1 - O mondo, pieno di pazzi innamorati!
  20. Turandot: Act 2 - Scene 1 - Addio, amore!
  21. Turandot: Act 2 - Scene 1 - Noi si sogna
  22. Turandot: Act 2 - Scene 2 - Gravi, enormi ed imponenti
  23. Turandot: Act 2 - Scene 2 - Un giuramento atroce mi costringe
  24. Turandot: Act 2 - Scene 2 - Diecimila anni ai nostro Imperatore!
  25. Turandot: Act 2 - Scene 2 - In questa reggia
  26. Turandot: Act 2 - Scene 2 - Straniero, ascolta! Nella cupa notte
  27. Turandot: Act 2 - Scene 2 - Guizza al pari di fiamma
  28. Turandot: Act 2 - Scene 2 - Gelo che ti da foco
  29. Turandot: Act 2 - Scene 2 - Gloria, o vincitore!
  30. Turandot: Act 2 - Scene 2 - Figlio del cielo!
  31. Turandot: Act 2 - Scene 2 - Tre enigmi m'hai proposto!
  32. Turandot: Act 2 - Scene 2 - Ai tuoi piedi ci prostriam

Disc: 2

  1. Turandot: Act 3 - Scene 1 - Cosi comanda Turandot
  2. Turandot: Act 3 - Scene 1 - Nessun dorma!
  3. Turandot: Act 3 - Scene 1 - Tu che guardi le stelle
  4. Turandot: Act 3 - Scene 1 - Principessa divina!
  5. Turandot: Act 3 - Scene 1 - Quel nome!
  6. Turandot: Act 3 - Scene 1 - L'amore?....Tanto amore, segreto e inconfessato
  7. Turandot: Act 3 - Scene 1 - Tu, che di gel sei cinta
  8. Turandot: Act 3 - Scene 1 - Liu...bonta!
  9. Turandot: Act 3 - Scene 1 - Principessa di morte!
  10. Turandot: Act 3 - Scene 1 - Che e mai di me? Perduta!
  11. Turandot: Act 3 - Scene 1 - Del primo pianto, si...lLa mia gloria e il tuo amplesso!
  12. Turandot: Act 3 - Scene 2 - Diecimila anni al nostro Imperatore!

Product Description

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Top Customer Reviews

Format: Audio CD
N.B. This is now available at super-budget price in an excellent Naxos re-engineering.

Having just reviewed the Callas "Bohème" from the previous year, I found myself pre-disposed to re-discover another classic performance in this "Turandot"; as it turned out, that was not quite the case.

To clear the decks, let me say unequivocally that as much as I admire Callas and applaud her extraordinary versatility, her voice never completely encompassed the demands of this most exacting of Puccini roles. She sang it twenty-one times in the first two years of her career in Italy because she could, and voices able to do so were - and remain - rare, but she dropped it as soon as possible, revisiting it only for the purposes of this recording where she presumably thought she could get away with it. Yet the strain is still apparent. She does not sound to be in best voice at this time, despite - or perhaps because of? - having already successfully recorded both "Il barbiere di Siviglia" in London the previous February and then, in March, "La Sonnambula", in Milan. "Turandot" requires a big, bold, brassy sing by a dramatic soprano who can maintain a steady, steely emission of tone and belt out fearless, gleaming top C's and B's at will. Callas cannot do this and everything from G upwards tends to flap or harden. Given that Turandot herself does not appear for almost an hour into the opera, she really has to make an impact of the right kind; Callas' difficulties make one wish for Nilsson. Predictably, her best moments come in the last fifteen minutes of the opera when the ice-princess melts; she brings great tenderness to "Del primo pianto".
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0x98afbbf4) out of 5 stars 4 reviews
1 of 1 people found the following review helpful
HASH(0x96cf8d2c) out of 5 stars Good but not vintage Callas 8 Feb. 2009
By Ralph Moore - Published on Amazon.com
Format: Audio CD
N.B. This is now available at super-budget price in an excellent Naxos re-engineering.

Having just reviewed the Callas "Bohème" from the previous year, I found myself pre-disposed to re-discover another classic performance in this "Turandot"; as it turned out, that was not quite the case.

To clear the decks, let me say unequivocally that as much as I admire Callas and applaud her extraordinary versatility, her voice never completely encompassed the demands of this most exacting of Puccini roles. She sang it twenty-one times in the first two years of her career in Italy because she could, and voices able to do so were - and remain - rare, but she dropped it as soon as possible, revisiting it only for the purposes of this recording where she presumably thought she could get away with it. Yet the strain is still apparent. She does not sound to be in best voice at this time, despite - or perhaps because of? - having already successfully recorded both "Il barbiere di Siviglia" in London the previous February and then, in March, "La Sonnambula", in Milan. "Turandot" requires a big, bold, brassy sing by a dramatic soprano who can maintain a steady, steely emission of tone and belt out fearless, gleaming top C's and B's at will. Callas cannot do this and everything from G upwards tends to flap or harden. Given that Turandot herself does not appear for almost an hour into the opera, she really has to make an impact of the right kind; Callas' difficulties make one wish for Nilsson. Predictably, her best moments come in the last fifteen minutes of the opera when the ice-princess melts; she brings great tenderness to "Del primo pianto". I do not want to belittle her achievement in bringing Turandot to life; she makes telling use of her biting lower register and brings her customary insight into interpretation of text. I am not the first to suggest that the turmoil of her own emotional life informed her characterisation of Turandot, who emerges as a complex, detailed, touching creation; but the performance as a whole does not display Callas' best vocal gifts.

The recording is in clean, clear, slightly boxy mono, expertly restored, as ever, by Mark Obert-Thorn. The pity of it is that the aforementioned "Barbiere" was stereo and Decca had already made a stereo "Turandot" two years previously. So much of this music consists of grand crowd scenes and ensembles punctuated by brass and timpani, but the overall aural effect here is rather cramped. It's a pleasure to encounter immediately as the Mandarin so firm-voiced a bass as "Giulio Mauri" - apparently a sobriquet for Nicola Zaccaria, doing a mitzvah for an inadequate colleague on the understanding that he would still get paid. Given his imposing and distinctive tone, in combination with the characteristic little lisp, I wonder that anyone thought he could get away with it undetected - not that it matters.

The casting of Schwarzkopf as Liù was controversial. Reactions to her voice are always very personal. I find her somewhat shrill, breathy and tremulous and miss the floating line of Caballé; for me, she is guilty of her besetting fault of mauling the text and injecting too many little gulps and swells for emotive effect. She produces a lovely pianissimo B-flat on "m'hai sorriso"; less so for the same note in "Ah pieta". Ultimately, I find her too inclined to apply or manufacture intensity; I just want the part beautifully sung by Tebaldi or Caballé, who both have the right vocal personality and thus move me much more readily.

Eugenio Fernandi, while not a star name, is more than adequate. He sings a forthright, virile Calaf but I miss the clarion heft of Corelli or the squillo of Björling, and his top C only just passes. He certainly holds his own in the "anything you can sing, I can sing louder" match with Callas during the riddles.

The rest of the cast is very fine. The Ministers are perfect, displaying expert comic timing and vocal acting; the chorus - albeit rather distanced from the microphone - is responsive and energised; the orchestral playing is skilfully paced by the veteran Serafin, who conducted performances of "Turandot" in the year of its première. Another pleasing link with 1926 is that Giuseppe Nessi, who sings the Emperor here, sang the first Pong. The sheer barbarism of this rather nasty opera and the exotic innovation of Puccini's chinoiserie emerge triumphant.

So for me this "Turandot" does not take its place in the Pantheon of indispensable Callas recordings, though fans of La Divina will want it whatever I say. Almost everything and everyone on this recording is surpassed in another recorded version and first choice remains with the Mehta set, in rich, spacious stereo and featuring two great divas in Sutherland and Caballé, and Pavarotti matching his benchmark performances as a Puccini tenor par excellence in the Karajan "La Bohème" and "Madama Butterfly". Others might gravitate towards either of the Nilsson assumptions, paired with Björling or Corelli, but the RCA set conducted by Leinsdorf suffers from scrawny sound and not everyone warms to Corelli's taking liberties in the EMI version conducted by Molinari-Pradelli. Personally, I want all three but must consign this interesting Serafin set to the curiosity category; its fate is a classic proof of the old adage that "the best is the enemy of the good".
1 of 1 people found the following review helpful
HASH(0x96cf8d8c) out of 5 stars Callas Summons Turandot 30 Jan. 2014
By Great Faulkner's Ghost - Published on Amazon.com
Format: Audio CD
Made eight years after Callas had given up the role on stage, the Serafin recording is still immensely valuable for Callas' psychological insights into the psyche of her lead character, even though the tone of her voice by this late stage in her illustrious career had now taken on an austere quality on high notes. Callas genius finds eloquent expression in Turandot's great solo on her entrance. Callas finds the source of Turnadot's vengeful mission in a her deep tenderness and vulnerability due to the sorrows of a distant past. Callas still has the necessary power and penetration on the highs to summon immense emotion, even if some element of feminine beauty in its timbre has been lost. . The recording shows that she could summon up all the powers of her art, which she does.
6 of 9 people found the following review helpful
HASH(0x9bead1e0) out of 5 stars Not the best Turandot 20 April 2008
By Dag Kyndel - Published on Amazon.com
Format: Audio CD Verified Purchase
Callas, ( I am an extreme admirer of her and consider her the greatest femal singing actress of all time, I also have hundreds of her records) sang a little more than 20 Turandots at the start of her career. She did not like the role itself, and felt that it could damage her voice. This is not a role we identify as typical for her. It seems me very strange indeed that EMI has chosen her recording in their Great Recordings of the Century Series. Not even Schwarzkopf is an ideal Liu, she is not known for belcanto at all. It should have been the Nilsson/Corelli/Molinari-Pradelli version. Sorry also that EMI with this Turandot has overgiven their very handsome paper box around the "jewel box". Why? Economic reasons?
4 of 12 people found the following review helpful
HASH(0x9bead1c8) out of 5 stars Callas does the best singing here. 2 July 2008
By Amazon Customer - Published on Amazon.com
Format: Audio CD
Except for Callas, who has never given a dull performance, the rest of this cast is not worthy of mention. EMI had such great opportunities to record Callas in her greatest Bel Canto roles instead they did this, Manon, Boheme, Cav and Pag. and don't forget Butterfly. It's no wonder listeners of opera have been scurrying around for those great live performances for 2 generations. Her studio Puritani is however superb.
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