Have one to sell?
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

The Tree of Meaning: Language, Mind and Ecology Hardcover – 17 Jan 2008

4.8 out of 5 stars 4 customer reviews

See all formats and editions Hide other formats and editions
Amazon Price
New from Used from
"Please retry"
£64.32 £35.45
click to open popover

Special Offers and Product Promotions

Enter your mobile number below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
Getting the download link through email is temporarily not available. Please check back later.

  • Apple
  • Android
  • Windows Phone

To get the free app, enter your mobile phone number.

Product details

  • Hardcover: 329 pages
  • Publisher: Shoemaker & Hoard, Div of Avalon Publishing Group Inc (17 Jan. 2008)
  • Language: English
  • ISBN-10: 1593761791
  • ISBN-13: 978-1593761790
  • Product Dimensions: 3.8 x 14 x 22.2 cm
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 1,288,978 in Books (See Top 100 in Books)

Product Description


"[Bringhurst] is part MIT and part California ashram; when reading him one has the unusual sense that the writer, even without his writing, would be an interesting guy." --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

Customer Reviews

4.8 out of 5 stars
5 star
4 star
3 star
2 star
1 star
See all 4 customer reviews
Share your thoughts with other customers

Top Customer Reviews

Format: Paperback Verified Purchase
A Story as Sharp as a Knife (Masterworks of the Classical Haida Mythtellers) was the first book of Robert Bringhurst's that I read and I found it so interesting I began to look around for others. The Tree of Meaning is a collection of essays, which were given as lectures on the subjects of language, mind and ecology. Margaret Atwood wrote that `it's one of those works that rearranges the inside of your head - a profound mediation on the nature of oral poetry and myth, and on the habits of thought and feeling that inform them.' It's also about how we use language to make sense of the world, and how we can learn the language of the universe and develop a sustainable relationship with it.

Robert Bringhurst is known for his work on the mythology and literature of the Haida nation. When challenged about why he spends so much time learning and researching `extinct' languages, he responds that they are of great practical value to us. `They are the legacy, after all, of peoples who knew how to live in this land for thousands of years without wrecking it.'

Like fossils in rock, these languages tell us a lot about ourselves as well as the people who used them and are a cautionary tale for the present. `A language is a life-form, like a species of plant or animal. Once extinct, it is gone forever. And as each one dies, the intellectual gene pool of the human species shrinks.' We lose knowledge that can't be replaced; we lose diversity and progress further and further towards monoculture. `The structure of meaning,' Bringhurst asserts, `is polyphonic' - the more voices we lose, the nearer we get to monotony.
Read more ›
Comment One person found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback Verified Purchase
I've only discovered Robert Bringhurst's writing for myself in the last year, but already I'm aghast at how many other readers of contemporary poetry don't appear to know his work. Firmly in the tradition of Ezra Pound, with the lucidity of language and the breadth of cultural reference that goes with that, though happily, without the occasional obscurantist craziness that marred that venimous master. Don't know Bringhurst? Buy!
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Hardcover Verified Purchase
Poetic and precise, this is a beautiful collection of lectures which are as easy to read as they are beautiful. Bringhurst is answering questions around how to preserve the vitality of culture and even how language can have any real meaning.

This really is a perfect book and will be loved by anyone who loves language and is determined to preserve (create) a diverse and rich culture.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback Verified Purchase
Very good
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0x9d6b099c) out of 5 stars 4 reviews
21 of 22 people found the following review helpful
HASH(0x961c1f00) out of 5 stars Need More Stars 27 April 2009
By Jerry Larsoni - Published on Amazon.com
Format: Hardcover
I don't actually feel qualified to review this book, but it's hard to resist "no customer reviews, be the first", especially when the book's been out for a while and hasn't been reviewed; it would be a shame for this book not to be reviewed. I think I see why no one has yet; it's not easy, you have to pick your battle.

I'm reading it for the second time, and frankly, I didn't really get it the first time. I mean, I UNDERSTOOD it; I wasn't baffled by it or anything, but I just didn't get how great it is, I wasn't as moved by it as this time.

"The Tree of Meaning: Language, Mind and Ecology"-- what the heck does all that mean? Well, I can't explain it, or certainly not in this short space, but I can say that after reading the book (well, one and a half times), I get the title; I see the relationships there, and that's what the book is about. Once you get the title, you don't need the book any more (but you can still enjoy it).

I can't quite make out what Bringhurst does; like the book, he doesn't fit any categories. He's a poet; I don't know if he's an anthropologist or linguist or not, but he seems to know a lot about those fields; and he's an expert on typesetting. The book is a collection of talks he's given, and one of the themes of the book is how various artistic modalities (painting, carving, written literature, oral literature) fulfill the same function (and by the way, I'm choosing my words very carefully, but still not satisfied; you just need to read the book, maybe twice, and if I get that across I've succeeded)-- and how each such modality has its own integrity. The book has its own integrity too, even though it's a diverse collection of originally spoken pieces. You have to read several of these diverse pieces before you start to get the common theme-- which I can't summarize.

Here's a quote, and I won't attempt to set it up; I just want to give this quote because it's beautiful, and exemplary. Speaking of how in the twentieth century, many great, previously unknown North American literary traditions were written down even as their languages and cultures disappeared, he says "The museum full of stuffed and mounted stories is now huge, but the forest where languages nest and literatures breed has been mercilessly cut".

He talks about how some European paintings, and some Haida carved plates, convey myths. One I really didn't get before is about a Velasquez painting where there's a realistic painting, almost a still life, of a kitchen maid in her kitchen, with a minimalist drawing of the risen Christ dining with friends at Emmaus, stuck off in a corner, looks like a mistake, and actually it was painted over for hundreds of years; but when you get it, that drawing illuminates the world of the other painting. I'm clear that that's what Velasquez intended too, not just Bringhurst's sophisticated idea. It's about the myth in the drawing stuck off in the corner, and how it illuminates the prosaic world of the rest of the painting. Similar disquistions on other Renaissance paintings, Native American carvings, written and oral literature, and how they all convey myth, gave me a sense-- not just an idea-- of how those disparate artforms are indeed all the same thing.

I hope that's enough to get your interest.
8 of 8 people found the following review helpful
HASH(0x961c1f60) out of 5 stars A Restorative 25 Feb. 2011
By Althea - Published on Amazon.com
Format: Paperback Verified Purchase
If you occasionally despair about the condition of the world, it might seem strange to seek out the curative powers of a linguist rather than an analyst, but that's my advice. This book will cost you less than ten minutes of therapy and will have a more lasting effect. Wherever you start to read among these lectures, you'll be restored to a world full of mystery and beauty.

Jim Harrison, in his introduction, says that Robert Bringhurst's prose "...tends to push at the confines of whatever room you are reading in so that the four corners seem to be much further away than normal." He is exactly right. And often the four corners fall away altogether. Bringhurst reveals a landscape that is luminous, deeply symbolic and saturated with meaning. It is not only the natural world it is--surprise!--your own consciousness joined with it. Consciousness, that fine and rich field that has been so depleted by the stupidity of modern life, suddenly stretches away freely in all directions.

Creativity once again opens outward, and the natural world once again speaks inwardly. Nothing has really changed except your way of perception, but sometimes that means that everything is irrevocably changed. The shift was so slight and so deft that you don't even know by what magic this happiness was achieved.

One of the lectures, called Poetry and Thinking, is so rich with ideas that you will find yourself staring out the window, lost in thought, after almost every paragraph. It's not that the ideas are difficult or dazzlingly intellectual; it's that they are so simple and true and so worthy of contemplation. You stare into space, and space stares back. Space is nothing you will want to take for granted.

In the final essay, Bringhurst says: "Poetry is the breathing hole in the ice of identity." It's not a beautiful metaphor, and I don't know why it has stayed with me instead of one of his other remarkable phrases. Maybe because is it so uncomfortable, and so effective, as imagery. The entrapment beneath the layers of self, the desperation to escape, with only the most tenuous of openings. Being, vital and resonant, flourishes on the other side of the ice, but how do we access it? Poetry?!? Yes, poetry. The last open conduit. Is there an opportunity to expand the breathing hole--to break through the ice of identity altogether? Yes. It requires poetic thinking. Thinking that includes deep valuation of solitude; a humble interaction with wild places and wild creatures; a respect for otherness; a slow reading of human and inhuman signals; and profound awareness of language as the medium of our experiences.

In this book, language is working through the agency of one who knows its subtlety and power. The richest aspects of art, self and nature are explored. There are marvelous passages on almost every page. It's a restorative experience to enter Bringhurst's world. His thoughts greatly expanded the dimensions of my own.
8 of 9 people found the following review helpful
HASH(0x9a020af8) out of 5 stars Beautiful 29 April 2010
By Ana Kritis - Published on Amazon.com
Format: Paperback Verified Purchase
Absolutely exquisite. Like poetry in the way it is written. Understanding how our language influences what we can see and value.
4 of 4 people found the following review helpful
By lauriecacao - Published on Amazon.com
Format: Paperback Verified Purchase
Bringhurst's writing is thickly layered, exquisitely crafted, sobering, humorous, compassionate, dismissive, succinct, essential, humble and humbling. As earlier reviewers have said, it seems impossible to actually write about, only to point towards, as in Zen (at least for we unprofessional writers).
I've read most of his published work and can't come up with a complaint that he doesn't undo with some other piece. I suppose he may never be Mainstream, at least in his lifetime, if that can be considered a flaw.
Were these reviews helpful? Let us know