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Traveller of the Century Paperback – 9 Jan. 2013
Purchase options and add-ons
- Print length592 pages
- LanguageEnglish
- PublisherPushkin Press
- Publication date9 Jan. 2013
- Dimensions13.3 x 3.7 x 19.9 cm
- ISBN-101908968389
- ISBN-13978-1908968388
Product description
Review
A big, utterly captivating murder mystery and love story, full of history and politics and the hottest sex in contemporary fiction --Telegraph
I was swept up immediately, not just by a story that spans numerous genres - is it epistolary, historical, or a murder mystery? - but by Neuman s ability to populate the town with an array of truly alive characters that I never wanted to leave. --Justin Alvarez, Paris Review
About the Author
Product details
- Publisher : Pushkin Press
- Publication date : 9 Jan. 2013
- Edition : New
- Language : English
- Print length : 592 pages
- ISBN-10 : 1908968389
- ISBN-13 : 978-1908968388
- Item weight : 476 g
- Dimensions : 13.3 x 3.7 x 19.9 cm
- Best Sellers Rank: 812,703 in Books (See Top 100 in Books)
- 43,891 in Travel & Tourism (Books)
- 44,386 in Contemporary Fiction (Books)
- 48,429 in Literary Fiction (Books)
- Customer reviews:
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Learn more how customers reviews work on AmazonCustomers say
Customers praise the book's pacing, with one noting how characters literally jump from the page. However, the plot receives mixed reactions. Moreover, the readability is also mixed, with several customers finding it difficult to read.
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Customers appreciate the pacing of the book, with one mentioning how characters literally jump from the page, while another notes the ample space provided for them.
"...its C19th forebears, the novel develops slowly and provides its characters with ample space to discuss the history of ideas in the context of..." Read more
"...Sophie is one of the most alluring characters in fiction, and the relationship with Hans stands out as being supremely well observed, even within..." Read more
"...'s course; the lovers, certainly, but also a whole host of finely-drawn supporting actors, most notably the barrel-organ grinder (and his dog)...." Read more
"Neuman writes dialogs like no-one else, and his characters literally jump from the page. Really recommended for the Summer reads." Read more
Customers have mixed opinions about the plot of the book, with some finding it seductive and vibrant, while others describe it as tedious and ponderous.
"...Consequently, this is a vibrant and stimulating novel...." Read more
"...Certainly as a novel it bored me rigid with it's slow pace and tedious deliberations between the fictious characters on various subject matters that..." Read more
"...it means it's not for everyone, but if you love indulgently long, beautiful books this couldn't be more perfect...." Read more
"I found this a tedious book which I did not finish which is very unusual for me...." Read more
Customers have mixed opinions about the book's readability, with some finding it difficult to read.
"...The milieu is ideal as they speak with articulation and breadth of knowledge that it would seem ludicrous outside of the rarefied formality of the..." Read more
"...I found it difficult to read. A very poor quality translation and reproduction for Kindle." Read more
"Andres Neuman is a terrific writer and this is the best book he has written." Read more
Top reviews from United Kingdom
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- Reviewed in the United Kingdom on 6 November 2013An itinerant translator, Hans, makes an unplanned stop in the (fictional) German city state of Wandernburg at some point in the 1820s. Although he only plans to stay for a single night, Hans keeps finding himself delayed, at first by the oddity of the town and his burgeoning friendship with a vagrant organ grinder and latterly by his flirtation -and eventual affair- with the proto-feminist, Sophie.
Of course, no-one who lives in Wandernburg is quite what they appear. Almost every character exhibits some degree of duplicity and it is the exposure of these secrets and misdirections that drive the story. Even the town itself is an enigma to Hans; the streets seem to shuffle of their own volition, its inhabitants are contrary and its Catholic conformity seems odd when it is encircled by Protestant neighbours. The plot, of course, is merely the vehicle through which the author can explore his real interests; philosophy, literature, history, politics, human relationships and the way in which meaning in these things are expressed, interpreted and translated.
Neuman sets out to illustrate that the process of translation mediates every aspect of human existence whether that involves reading, coquetry, criminal detection or arguments about the political power structures of continental Europe. Translation for Nueman, however, is never transparent; rather it is a negotiation with plenty of scope for misunderstanding and invention. This is somewhat ironic given that Traveller of the Century has been translated (very effectively) from Spanish into English. To translate such a dense book with such deft use of language must be a huge challenge and Caistor and Garcia's work must be on a par with William Weaver's translations of Umberto Eco.
Neuman's weighty book uses the structure and language of C19th novels but injects the unguarded eroticism, informality and intertextuality of the C21st. At times this makes for a powerful mix. For example, the staid environment of Sophie's salon is electrified by Hans' republican and romantic philosophies. His arguments, however, are driven as much by passion for Sophie as they are for any political cause. They are conducted concurrently through the language of hidden flirtation as well as rousing argument and are designed to win Sophie more than the debate.
In keeping with its C19th forebears, the novel develops slowly and provides its characters with ample space to discuss the history of ideas in the context of revolutionary Europe and German confederation. The milieu is ideal as they speak with articulation and breadth of knowledge that it would seem ludicrous outside of the rarefied formality of the 1800s novel. The abstract treatment of knowledge is essential though, as it acts as the readers' guide to the underlying meaning of the character based sub-plots.
The trepidations of the Wandernburgers, of course, echo through the centuries and Neuman constantly uses the modernity of his characters to remind us that so many of their concerns remain common currency today. He touches on personal and national identity, the relationship of wealth and worth and even the extent of state power. Consequently, this is a vibrant and stimulating novel. Being so heavily influenced by the novels of the 1800s, it shares some of the characteristics of many of those weighty tomes. At times it is ponderous and is unafraid to wallow in the author's research but it rarely gets boring as it is struck through with a very modern seam of sensuality, violence and individualism.
- Reviewed in the United Kingdom on 13 December 2013I thought this book was mesmerisingly good. Possibly the weirdness of it means it's not for everyone, but if you love indulgently long, beautiful books this couldn't be more perfect. Lots of passages consist of the long meandering conversations of a literary salon, which manage to effortlessly combine very serious and engaging discussion with razor-sharp social comedy. Sophie is one of the most alluring characters in fiction, and the relationship with Hans stands out as being supremely well observed, even within the slightly magical world of the novel. For what it's worth, there's also some really interesting ideas about the similarities between love and translation, but they're only one of many bonus points in a book that's already comfortably earned its five stars
- Reviewed in the United Kingdom on 14 May 2013Andrés Neuman has written a large and large-spirited, encyclopedic novel exploring the linkage between sexual desire and literary translation in a spectral town in Germany in the nineteenth century. I came to this book knowing nothing about it and was drawn in at first by its seductive plotting. But it's the characters who sustain you through the book's course; the lovers, certainly, but also a whole host of finely-drawn supporting actors, most notably the barrel-organ grinder (and his dog). The ending is at once enigmatic and wholly satisfying, and very moving too. A rare combination and a rare book.
- Reviewed in the United Kingdom on 26 August 2014another Lezard tip - not bad, not at all essential, reminds us how untouchably great GG Marquez was; a pity it will be most remembered for some of the best sex writing. an inapt title.
this is the kind of novel, however accomplished, which makes me think of fiction writing as inherently lazy - imagining extraordinary things without stretching a muscle, when a year or three's hard work in libraries and in the field can uncover truly extraordinary people and events that really matter.
- Reviewed in the United Kingdom on 25 June 2021Andres Neuman is a terrific writer and this is the best book he has written.
- Reviewed in the United Kingdom on 10 April 2014This is a shameful pseudo-Kafka novel, with a lost protagonist in a familiar, yet unrecognizable land, he wanders from character to character with no clear purpose or meaning. I found it, unlike Kafka's brilliant and politically-existentially engaged and engaging work, to be a boring word-fest with uninteresting characters, rambling both physically and verbally about pseudo-intelligent topics. A massive waste of time, until I gave up after about 200 pages (a generous endeavour as it bored me to death). Another example of an overhyped writer.
- Reviewed in the United Kingdom on 14 October 2019Love the book
- Reviewed in the United Kingdom on 30 January 2013I bought this book having read excellent reviews from both the media and other purchasers. The book description seemed to offer something different from the usual type of novel I would normally read.
However in total contrast to these reviews, I struggled with it right from the first few pages.Is it a philosophy book? Is it a history book? Certainly as a novel it bored me rigid with it's slow pace and tedious deliberations between the fictious characters on various subject matters that were relevant 200 years ago.
If there are any interesting/exciting parts then I missed them as I gave up reading the book about a quarter of the way in. I think its appeal is probably very "niche" and possibly for readers more literate or philosophically minded than myself.
Sorry, but it didn't do it for me !
Top reviews from other countries
Daniel MyersReviewed in the United States on 3 August 20135.0 out of 5 stars Breezy Abandon
I am full aware that attempting to encapsulate this grand novel in an Amazon review - any review, really - is a somewhat futile endeavour. Ergo, I shall simply put forth my experience of reading the novel. The first thing the prospective reader will want to know, I suspect, after reading all the superlative plaudits which the book has received is, "Come now, what is this book all about?" I should say, categorically: Wandernburg, the curious 19th Century city where everything herein takes place and which defies cartography. But this is question-begging: "What then is Wandernburg?". To quote from Neuman's text:
"Looked at from the sky, the city is like a candle floating on water. At its centre, the wick, is the gaslit glow of the market square. Beyond the square, darkness gains ground in an ever-widening circle. Threads of light spread out like a pattern of nerves along the remaining streets. Rising from the walls like pale creepers, the oil lamps scarcely illuminate the ground beneath them. Night in Wandernburg is not as black as the wolf's mouth - it is what the avid wolf devours."
Or would that be avid reader? The curious experience of reading the work, for me, was that, despite the central characters in the novel being Hans and Sophie and the central narrative that of their amour, there was a certain transparency to it all, the atmosphere of Wandernburg, which imbued me with a certain sense of floating above or around their love. I felt distanced, somehow displaced from their supposed deep emotions, just as I was by the arid discussion of German philosophers in Sophie's salon whom nobody takes seriously anymore, for good reason, but who were de rigueur in the 19th Century.
This brings me to what for me is the great motif of the novel: You, voracious reader are the voracious wolf who ravenously devours this 19th Century idyll. You are, like Hans or, it turns out, Sophie, spun by the winds to keep travelling to different places in different times in the different books you read and digest. As Hans puts it, tellingly:
"And he who knows that no place can be his homeland is invincible."
This book. then, is ultimately a paean to all readers of the book and other books that transport them for 550+ pages to a different time and place, and live there whilst reading it, impervious to the outer world.
The wind of another place, another time is continually yes, buffeting you, but more importantly, blowing through you via the medium of poetry, translated or not, and literature. You, as the residents of Wandernburg are wont, are constantly gazing at the "Tower of Winds", and finding, as the last chapter of the book has it, that: THE WIND IS USEFUL.
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SpielSpaßReviewed in Germany on 30 March 20142.0 out of 5 stars So lala...
So sehr ich spanischsprachige Autoren auch mag, muss ich in diesem Fall leider sagen, dass der Roman "Traveller of the Century" (oder im Original "Viajero del siglo") mir nicht sonderlich gut gefallen hat. Ich persönlich kann mit historischen Romanen wenig anfangen, wenn man das Gefühl hat, dass die Geschichte auch genauso gut in der heutigen Zeit hätte spielen können und der historische Rahmen frei austauschbar gewesen wäre. Die Charaktere bleiben merkwürdig fremd und ihre Schicksale berühren kaum. Ein Großteil der Handlung spielt sich in einem Salon ab, in dem Wortgefechte ausgetragen werden und über die zeitgenössische Politik und Kultur diskutiert wird; alles schön und gut, nur leider nicht unbedingt das perfekte Mittel, um Spannung aufzubauen. Die einzige wirklich tolle Idee des Buches wurde nicht ausgenutzt, sondern nur peripher gestreift, was ich sehr schade finde, denn wenn der Autor sich mehr auf die Stadt selbst mit ihren sich stetig verändernden Gassen konzentriert hätte, wäre das sicher ein schöner Roman geworden.
arielReviewed in Canada on 21 January 20155.0 out of 5 stars Five Stars
Excellent. Be prepared for a long but worthwhile read.
Kindle CustomerReviewed in the United States on 10 June 20154.0 out of 5 stars Even effete intellectuals can fall in love
This is an enjoyable, though quite lengthy novel. The author writes well and the translation from Spanish to English is good. His characters are fascinating and nicely developed throughout the text. I found some of the philosophical discussions a bit tedious. They reminded me of a bunch of college sophomores staying up all night to smoke pot and pontificate about the meaning of life. The love story was quite compelling and psychologically complex and convincing. It was definitely worth reading.
Frances KanabeReviewed in the United States on 28 April 20145.0 out of 5 stars wonderful
This book is one of the best novels I have read in a long time. Intelligent, well written and
full of ideas and images which capture the imagination.