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In A Time Lapse
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In A Time Lapse

21 Jan. 2013 | Format: MP3

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Product details

  • Original Release Date: 1 Jan. 2013
  • Release Date: 21 Jan. 2013
  • Label: Decca (UMO)
  • Copyright: (C) 2013 Ludovico Einaudi, under exclusive licence to Decca, a division of Universal Music Operations Ltd
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:06:16
  • Genres:
  • Average Customer Review: 4.6 out of 5 stars 246 customer reviews
  • Amazon Bestsellers Rank: 4,186 in Albums (See Top 100 in Albums)

Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
Einaudi first caught my attention after a friend recommended his album Divenire, which I think was probably my favouite albums of his. I wasn't blown away by Nightbook, and had high hopes for In A Time Lapse. My hopes were met and surpassed.

In A Time Lapse is, like his previous works, dominated by piano and is a delight. This album seems to have slightly more accompaniment by strings and other very unobtrusive electronic/synths, but they never form the backbone of any of the tracks. There's little point in doing a track by track analysis of the album because it is simply stunning from start to finish. I did particularly like "In A Time Lapse" (Track 2) and "Brothers" (Track 7), just because I particularly liked the melody and rhythm of these tracks. The rest are all sublime as well!

The album runs for just short of 1 hour 7 minutes, and the sound quality is brilliant like in previous releases.

One thing I should say is that I disagree somewhat with the previous reviewer Big Jim who said this sounds more ambient than classical. I would say that it is classical, albeit minimalist like his previous works. I guess it's just semantics, but I would associate ambient music with elongated chord sequences that lacks a huge degree of melody and movement. On the contrary, I have always thought Einaudi has had an excellent sense of both melody and rhythm. Sure, this isn't Hollywood blockbuster soundtrack music, nor is it classical music written for a full orchestra. But one of Einaudi's strengths is getting the emotion across with what is a fairly sparse accompaniment.
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Format: Audio CD Verified Purchase
I'm always disappointed the first time I listen to a new Einaudi CD - all the tracks merge and nothing stands out, nothing seems special, nothing is catchy or immediately likable. There's a feeling of wanting the CD to sound like the previous one (because I always love the previous one) and of course, it never does....quite.
But then, after a while, after several listens, certain moments tend to stand out, magical moments that I hadn't noticed before. And then whole tracks stand out, ones that I keep returning to, listening to over and over again.....
"In A Time Lapse" works just this way: the initial disappointment, nothing as strong or as hypnotic as "Nightbook," nothing that stands out, nothing that catches - and then such RELIEF when suddenly I was snagged. It was the track "Newton's Cradle" that got me first, then "Experience," both of which I just want to listen to again and again until they are seared into my mind. Now I can't get enough of the CD and I haven't even received it yet - I've been listening to it on Cloud Player.
This is quite brilliant: everything I want from an Einaudi CD. It's hypnotic and dreamy, just a little edgier than "Nightbook," more complex than "Divenire." It's also taken years so arrive as "Islands" was yet another compilation. A new Einaudi CD is always an event and it seems the longer it takes me to like it, the more wondrous it is. "In a Time Lapse" is truly wondrous.
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Format: Audio CD Verified Purchase
This album is exquisite. The beautiful yet simplistic orchestration for strings enhances what is, for me, a truly unique listening experience, because the tracks on this album, although unmistakably in Einaudi's characteristic style, are somewhat 'different' to what has gone before. For me the music of Ludovico Einaudi is always satisfyingly pleasurable to listen to at any time of the day, but this album in particular is now one that I play when going to sleep at night, because many tracks possess a certain 'dreamlike' quality which is very lovely and can be sleep-inducing. For me, 'Corale' 'Discovery at Night' 'Two Trees' 'Waterways' and 'Experience' stand out in this respect, although every track on this CD simply flows with the quintessential beauty of its own harmony and melodic form.
In the last track 'Burning' Ludovico gives us a glorious finale to this album, with its soul-stirring crescendos of divine melody as the piece progresses, and harmonies that, whenever I listen to this track, generate such a deep feeling of ecstasy that I never fail to find myself covered in goose bumps! I adore this album and there is not one single aspect of it that is not totally pleasing to me, even down to the photographs of the beautiful Autumn trees on the cover.
'In A Time Lapse' has to be one of, if not the best album Ludovico Einaudi has produced to date, and is something everyone who loves music that is guaranteed to touch the inner depth of their emotions should hear. Congratulations and heartfelt gratitude to Ludovico for yet another great and inspiring gift to the world of the music of our time.
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Format: Audio CD
Ludovico Einaudi has always refused to be constrained by semantic boundaries, and his music continues to defy categorisation; however, both pop and classical camps can and do argue that he is or isn't in their particular tent. To the listener this is of no consequence: flick that button and such considerations dissipate under the ensuing emotional tide which is simply *music*.

A gifted young composer, Einuadi became a pupil of the great Luciano Berio and it was Berio who freed him from the idea that pop and classical should never meet; the scores to films ensued, and as his music spread so did his increasing popularity.

In a Time Lapse - as in previous albums - features the piano prominently, though here the music gradually grows out into rich orchestral sonorities; this feels like an entirely natural living process, as the colours transform, out of stasis and into bloom. Always though the piano underpins the advancement and again and again we return to that calm and inner sanctum which is Einaudi's own voice: those gossamer-like piano chords.

I Virtuosi Italiani are joined by violinist Daniel Hope Spheres - Einaudi, Glass, Nyman, Pärt, Richter [+digital booklet], augmented at times by synthesisers and electronica for what is a mesmeric and at times hypnotic journey.
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