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Third: Ltd Edition USB, Double Vinyl and Etched 12" Box Set [VINYL] Limited Edition, Import, Box set

3.8 out of 5 stars 130 customer reviews

Price: £80.72 & FREE Delivery in the UK. Details
Only 2 left in stock - order soon.
Dispatched and sold by Amazon in certified Frustration-Free Packaging. Gift-wrap available.
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£80.72 & FREE Delivery in the UK. Details Only 2 left in stock - order soon. Dispatched and sold by Amazon in certified Frustration-Free Packaging. Gift-wrap available.
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Frequently Bought Together

  • Third: Ltd Edition USB, Double Vinyl and Etched 12" Box Set [VINYL]
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  • Dummy [Vinyl]
Total price: £98.62
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Product Features

  • Ships in Certified Frustration-Free Packaging

Product details

  • Vinyl (20 Jun. 2008)
  • Number of Discs: 4
  • Format: Limited Edition, Import, Box set
  • Label: Universal / Island
  • ASIN: B0015LBIZO
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (130 customer reviews)
  • Amazon Bestsellers Rank: 335,959 in Music (See Top 100 in Music)

Track Listings

Disc: 1

  1. Machine Gun
  2. Hunter
  3. Nylon Smile
  4. The Rip
  5. Plastic
  6. We Carry On

Disc: 2

  1. Deep Water
  2. Machine Gun
  3. Small
  4. Magic Doors
  5. Threads

Disc: 3

  1. Silence
  2. Hunter
  3. Nylon Smile
  4. The Rip
  5. Plastic
  6. We Carry On
  7. Deep Water
  8. Machine Gun
  9. Small
  10. Magic Doors
  11. Threads
  12. Ade's House, Machine Gun
  13. The Rip
  14. We Carry On
  15. The Truly Spectacular Universal Conference Film

Product Description

THIS IS A VERY LIMITED SECOND PRESSING!! Super-limited deluxe version of the new album, contains the double LP, the 12" of "Machine Gun", a P-Shaped USB of the entire album, and an "art cell" by Nick Uff!

Customer Reviews

Top Customer Reviews

Format: Audio CD
Portishead's eponymous second album sounded like they'd spent the years since their debut listening to their own music, and as such, was an often chilling and minimalistic exercise in distillation and refinement. By the same token, it also made any further venture in their distinctive style artistically redundant.

As a result, Third is necessarily a different animal. The sound is at once broader and more claustrophobic. Gone is the scratching and heavy sampling, but still with us (thankfully) is the distinctive and imaginitive percussion work. Dark grooves are rendered uncomfortable listening with the addition of high sustained synth tones. Gibbons's vocals are as ever full of shame, doubt and regret at things she's done or not done, but occasionally a little more upbeat and direct. The album in general is uneasy listening, often beautiful, often noisy, often obtusely changing direction at mid-point or ending suddenly - "Silence", for example, cleverly clips out just as its proggish coda starts to get self-indulgent.

There is even comedy here, too. Yet the ukulele-led (yes really) "Deep Water" is possibly the most disturbing song on the album - hearing Gibbons sing about not being afraid makes one wonder who she's trying to convince, and she comes across as tragically deluded. The song works as a palate-clearer too: the deliciously torturous drumming of "Machine Gun" is all the more punishing for following such whimsy, and its despondent Morricone-esque synth coda is a welcome surprise. "Threads" is a perfect ender, with that enormous, plaintive bass pulse radiating across the landscape like the cry of some wounded Lovecraftian leviathan.
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Format: Audio CD
A decade in the making. So, we were expecting big things: and did it deliver?

Mention the name Portishead and you immediately associate the seductively haunting vocals of Beth Gibbons and a mix of music, known as Trip Hop or "The Bristol Sound" and you have 2 albums, both of a similar vein in the form of Dummy and Portishead.

So was Third more of the same?

No, and I'm delighted to say that, as even more repetition would have meant me wasting money on this album. Instead, we were treated to an album which could be compared to marmite itself. Loved by some, hated by others.

This album has gone for absolutely no middle ground whatsoever, almost making it sound as though the team have taken their every whim and put it into this album. At times we are given prog rock (Small), other times a riff that could have come straight out of the BBC Radiophonics Workshop, Pythonesque halting of tracks, and a track which as you listen to first sounds simply bizarre yet fast becomes addictive (Machine Gun). In between this can be found the familiarly haunting voice of Ms Gibbons and the trademark stylistic of the band.

If you are looking for a clone of Dummy (as some fans almost seem to have been hoping for) then you will be sorely disappointed.

It is a new century, and overall Portishead have introduced several new sounds to their repertoire: they are even more raw, edgy, and once you get over the initial surprise of the change, an absolute delight.

On my first listen I wasn't convinced, I thought that they had aimed too much at a niche. On my second it began to grow on me and I realised that it really is a very cleverly written album. Now it is an essential album in my collection.
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Format: Audio CD
Reading the one star reviews, two things struck me:
1. Lots of them have listened to the album once (some not even once all the way through). Like all the great albums, this is a grower.
2. Why do they want more of the same? Frankly, 'Portishead' was an insipid rehash of 'Dummy'. 'Third' is a massive leap forward.

Album of the year.
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Format: Audio CD
Having waited eleven years to return with such a highly anticipated third album, one could be forgiven for thinking that Portishead's 'Third' would be anything other than a shattering disappointment. For many of the band's dedicated following, questions as to how relevant Portishead could be in 2008 were sure to be raised. Furthermore, doubt was also bound to be cast over the possibility that they mightn't be able to recapture the essence of what made them such a unique band in the first place. With expectations of unprecedented scope, Portishead have somehow managed to create an album of such staggering brilliance as to render any preconceived doubts, ridiculous. 'Third' displays a significant development in Portishead's sound, whilst maintaining the underlying elements at the heart of their two previous albums. A concoction of electronic experimentation, tribal drum beats and Beth Gibbons' hauntingly fragile vocals, make for Portishead's darkest, most tension-fuelled album to date. Opener `Silence' sets the tone with a repetitive drum section and sparse bass allowing Gibbons to take full focus with typically introspective lyrics and delicate delivery. `We Carry On', arguably one of the band's finest achievements yet, adopts a similar approach, utilising tribal sounding drums to create almost unbearable tension, before reaching an epic, guitar-led chorus. `Machine Gun' shows Portishead at their most experimental. Centred on a menacing electronic drum beat, the track provides one of 'Third's' most distinctive moments, producing an atmosphere quite unlike anything they have previously released.Read more ›
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