- Paperback: 336 pages
- Publisher: Delmar; 1 Pap/Cdr edition (2 May 2008)
- Language: English
- ISBN-10: 1598635034
- ISBN-13: 978-1598635034
- Product Dimensions: 2.5 x 18.4 x 22.9 cm
- Average Customer Review: 4.5 out of 5 stars See all reviews (30 customer reviews)
- Amazon Bestsellers Rank: 176,945 in Books (See Top 100 in Books)
- See Complete Table of Contents
Music Theory for Computer Musicians Paperback – 2 May 2008
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Introduction Chapter 1: Musical Sound Chapter 2: The Notes Chapter 3: The Major Scale Chapter 4: Rhythm, Tempo and Note Lengths Chapter 5: Score Editing Chapter 6: Intervals Chapter 7: Meter Chapter 8: Chords Chapter 9: The Natural Minor Scale Chapter 10: Melody and Motives Chapter 11: The Harmonic and Melodic Minor Scales Chapter 12: Augmented and Diminished Intervals and Interval Inversions Chapter 13: Chordal Inversions, Octave Doubling, and Spacing Chapter 14: Additive Rhythms Chapter 15: Expanding Your Knowledge of Keys Chapter 16: the Pentatonic Scale Chapter 17: Major, Minor, Augmented, and Diminished Triads Chapter 18: Chord Progressions and Root Movement Chapter 19: The Cycle of Fifths Chapter 20: The Seven Diatonic Modes Chapter 21: Chords of the Seventh Chapter 22: Exotic Scales Chapter 23: Complex Harmony Chapter 24: Arpeggiation Chapter 25: Intonation Chapter 26: Conclusion Appendix A: Scales Appendix B: Audio CD and Accompanying Text Sidebars
About the Author
Dr. Michael Hewitt was born in South Wales in the United Kingdom. He earned his bachelor of music degree at London University and a master's degree and doctorate at the University of Bangor, where he specialized in musical composition. He is a classically trained musician, a composer, a lecturer, and an author on musical subjects. Working to commission, he writes classical scores as well as soundtracks for various television productions, both at home and abroad. He is currently working as a music technology tutor at Coleg Harlech, North Wales.
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Top Customer Reviews
We all know when something we've written 'doesn't sound quite right' but without knowledge of the principles underlying musical composition it can be difficult to pinpoint the exact reason why. All the books I've seen on the subject however are exclusively geared to the classical / academic musician, and such books can be heavy-going and hard to understand.
This comprehensive gem of a book addresses that gap in clear, accessible language, enabling everyone to improve their composition skills. The examples and short exercises given are easy and enjoyable to follow, and the illustrations - using modern composing software that will be familiar to readers - are excellent. The book also comes with a CD of interesting musical examples of information given in the text.
A real must-have for all aspiring computer musicians, whether college students or home producers.
It is not a magic wand that will have you know all angles of an extremely complicated subject, from one glance, but it does however teach you many helpful tips and breaks the complicated stuff into smaller chunks and with a small amount of persistance, it all weaves into a understanding
the accompayin cd is really helpful, and if you are not theory minded like me, Id say just keep at it ,and dont try and learn all concepts of theory in one read of a book, use it as a guide and use the c.d
after a few weeks I now have a firm understanding of chords, scales, rythm and intervals , with only the first half of the book (im not ready for thre more complicated stuff just yet- but that is all included for when i have progressed)
so overall this book is everything you could need as a aspiring computer musician, if you have this book, and read it , and play with the concepts explained, you WILL begin to grasp this ridiculously complex subject
few months on and you will have opened up a whole new angle to make music from, and not feel boxed in with limited knowledge
if you cant learn from the teachings in this book then you are trying to grasp too much to easily, face it music theory is world in itself and with persistance and actually carrying out the concepts and experimenting, you WILL grasp it progressively
top book, more helpful for bedroom producers than any other theory book ive read -and ive read many
Because of the above I have at least a bit of grounding in music theory, albeit sub-consciously, as well as experience of the alternative to music notation that is used by music software (ie. midi, piano roll, grids etc).
Most other music theory books are likely to rely on the reader's ability to read music, making the subject inpenetrable to self-taught musicians. So, for someone at a similar level to me (I'm sure a couple of years of music experience as opposed to 20 will be enough), this book is fantastic and I couldn't recommend it enough.
I have learnt loads and loads, and understand a hell of a lot more, in just two weeks. It's very well written, clear, concise and holds your hand throughout. It's very well broken down into the different subjects, so once you've read it all (and most likely been overwhelmed - which can't be helped seeing as it's a big subject), you can go back and re-read the sections you are unclear on. I can vouch that re-reading chapters has really worked for me. I am completely unacademic, so if I can get it, then you can too!
My only small gripe is that there is at least one mistake in the exercises at the end of each chapter (I think!), but it's not going to affect my 5/5 rating as it's improved my understanding of music immeasurably.
One last thing in reference to a couple of the lower-rated reviews. This book is not about synthesis and doesn't purport to be. You won't learn about oscillators or using DAWs etc.Read more ›
Music Theory for Computer Musicians is a large book with a lot of useful information.
However, the big minus is that the key points (facts, lessons) are not easy to distinguish from the irrelevant ones.
The author does go in depth about many interesting parts of music theory, and there is definitely a lot to learn from this book, but while reading this I couldn't shake the feeling of mild confusion and irritation. I've had to re-read several parts because I simply could not comprehend what the author was trying to get across. This is mainly due to a lack of focused effort; the text contains banal and sometimes misleading information.
The reason I'm being harsh is that when I switched to "Understanding Music Theory" (http://www.amazon.co.uk/gp/product/0711986711) my learning experience became much more smooth and I felt comfortable. I quickly grasped concepts that seemed impenetrable.
In conclusion, this book is okay if you're familiar with basic music theory, and would like some filler/background information on the concepts.
However, the book is currently £17.83 - it is not worth more than 10 pounds.
Most Recent Customer Reviews
As some reviewer said, this book is filled with mistakes. However, they don't impact the teaching, which is overall of good quality.Published 1 month ago by Sergi
Very helpful book in the usual Michael Hewitt style, recommended if you want to learn music theory easily understoodPublished 7 months ago by G M Glanville
Overall I have really enjoyed working through this book. I am fortunate to have been classically trained in Western music with its 4/4 timing and major/minor key system. Read morePublished 16 months ago by Alan M
Brilliant book. I'm half way thru and I recommend it. It is helping me lots as I never really had music theory in school before to understand the basics and move further with my... Read morePublished 20 months ago by Vinicius Honorio
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