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Theorem (DVD + Blu-ray) 
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Theorem (DVD + Blu-ray)
A film by Pier Paolo Pasolini
A handsome, enigmatic stranger (Terence Stamp) arrives at a bourgeois household in Milan and successively seduces each family member, not forgetting the maid. Then, as abruptly and mysteriously as he arrived, he departs, leaving the members of the household to make what sense they can of their lives in the void of his absence.
In this cool, richly complex and provocative political allegory, Pasolini uses his schematic plot to explore family dynamics, the intersection of class and sex, and the nature of different sexualities. After winning a prize at the Venice Film Festival, Theorem was subsequently banned on an obscenity charge, but Pasolini later won an acquittal on the grounds of the films 'high artistic value'.
Theorem is visually ravishing, with superb performances from its international cast and a brilliantly eclectic soundtrack featuring music by composers ranging from Mozart and Morricone.
- Presented in both High Definition and Standard Definition
- Optional alternative English language soundtrack
- Audio commentary by Italian film expert Robert Gordon
- An Interview with Terence Stamp (2007, 34 mins, DVD only)
- 2013 theatrical release trailer
- Fully illustrated booklet with essay by Geoffrey Nowell-Smith, review by Philip Strick and biographies of Pasolini and Stamp
Italy | 1968 | colour, and tinted black & white | Italian language, with optional English subtitles | 94 minutes | Original aspect ratio 1.85:1
Disc 1: BD50 | 1080p | 24fps | PCM mono audio (48k/24-bit)
Disc 2: DVD9 | PAL | Dolby Digital audio (320kbps)
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Theorem, however is a vivid, imaginative, excellent and ground - breaking film examining emotional and sexual repression, human desires and the facade of the privileged echelons of society living blissful satisfied lives. I thoroughly enjoyed this film.
The legendary Terence Stamp a great Sixties icon at the time the film was made is superb as the stranger from England sexually and emotionally liberating each member of a bourgeoisie family exposing the angst, frustration and disatisfation in themselves and with their lives.
With Italian movie legend Sylvana Mangano as the family matriarch Pasolini in Theorem provides a fascinating insight into Italian bourgeoisie society. Theorem won a special award at the Venice film Festival from the International Catholic film office only later to have it withdrawn when the Vatican protested.
A true Pasolini Masterpiece.
A film by Pier Paolo Pasolini. A handsome, enigmatic stranger [Terence Stamp] arrives at a bourgeois household in Milan and successively seduces each family member, not forgetting the maid. Then, as abruptly and mysteriously as he arrived, he departs, leaving the members of the household to make what sense they can of their lives in the void of his absence.
In this cool, richly complex and provocative political allegory, Pier Paolo Pasolini uses his schematic plot to explore family dynamics, the intersection of class and sex, and the nature of different sexualities. After winning a prize at the Venice Film Festival, ‘THEOREM’ was subsequently banned on an obscenity charge, but Pier Paolo Pasolini later won an acquittal on the grounds of the films 'high artistic value.'
‘THEOREM’ is visually ravishing, with superb performances from its international cast and a brilliantly eclectic soundtrack featuring music by composers ranging from Ennio Morricone, Ted Curson, Wolfgang Amadeus Mozart and various other composers.
FILM FACTS: Awards and Nominations: Venice Film Festival: Nominated: Golden Lion. Win: Volpi Cup: Best Actress for Laura Betti. Pier Paolo Pasolini later expanded this film into a novel with the same name. Giorgio Battistelli composed an opera based on the film. In 2009, the Dutch theatre company 'Toneelgroep Amsterdam' created and performed a play version of this film.
Cast: Silvana Mangano, Massimo Girotti, Anne Wiazemsky, Laura Betti, Andrés José Cruz Soublette, Ninetto Davoli, Carlo De Mejo, Adele Cambria, Luigi Barbini, Giovanni Ivan Scratuglia, Alfonso Gatto, Cesare Garboli (Interviewer) (uncredited) and Susanna Pasolini (Old Peasant) (uncredited)
Director: Pier Paolo Pasolini
Producers: Franco Rossellini and Manolo Bolognini
Screenplay: Pier Paolo Pasolini
Composer: Ennio Morricone (Score) and Wolfgang Amadeus Mozart (Various composers)
Cinematography: Giuseppe Ruzzolini
Video Resolution: 1080p
Aspect Ratio: 1.85:1
Audio: Italian: 2.0 LPCM Mono Audio and English: 2.0 Dolby Digital
Running Time: 98 minutes
Region: Region B/2
Number of discs: 2
Studio: Euro International Film / BFI [British Film Institute]
Andrew's Blu-ray Review: There's something simultaneously infuriating and delightful about the situation explored in Pier Paolo Pasolini's 1968 film ‘THEOREM’ [Italian Title ‘TEOREMA’]. The director teases the viewer with a proposition during the opening minutes of the film, shot documentary-interview style, in which he considers what would be the impact should a bourgeois owner of a factory give his business over into the hands of the workers. Would this now make the workers the new bourgeoisie? On the one hand, the apparent simplicity of the theorem's proposition and Pier Paolo Pasolini's testing of it seems either obscure or ludicrously reductive, the film detailing a stranger's interaction with a bourgeois family on one half of the equation with the result that their lives undergo a radical transformation in the second half. The film offers no explanation or justification for what occurs, but the manner in which it expresses its ideas is daring and intriguing, opening up many other possible interpretations.
Social change, personal development, freedom of artistic expression, sexual liberation and shattering of bourgeois values are all Pier Paolo Pasolini's targets, and like Jean-Luc Godard, particularly during this period, that revolution extends to the screen, breaking the format, defying expectations, playing the part of revolutionary, prophet and artist. The ultimate purpose of ‘THEOREM’ or its relative success may therefore be difficult to define, but its intent is at least to is to challenge the viewer and force them to re-evaluate what they think they know and perhaps discover something new.
‘THEOREM’ was given a special award by the International Catholic Film Office when it was shown at the Venice Film Festival in 1968. But the award was then withdrawn, and the film renounced by the Pope because it apparently did not respect the sensibility of the Christian people. These contradictory reactions sum up a film which seems by its very nature to embody opposites: the possibility of a supernatural transcendence is contemplated, yet all those who encounter it are left destroyed. Is the Visitor an angel or a devil? Do the reactions of the visited family, which seem to echo the forms of escape sought by many in late-sixties Europe, excoriate 20th century capitalism or are they merely the historically inevitable results of humanity's estrangement from its primal past? Such questions are raised by the film almost without our being fully aware of their presence in the mind, and many more half-formed disquietudes of the soul are seeded by its lyrical, visually intoxicating poetry. It also has worth as a late-sixties cultural time capsule, capturing urban and pastoral shades of a transforming Italy during a period of great cultural upheaval and uncertainty.
‘THEOREM’ was previously released by the BFI on a PAL DVD disc only. ‘THEOREM’ has been upgraded to a Dual-Format Blu-ray and DVD edition. The film is presented both on Blu-ray on a single-layer disc, and on a dual-layer DVD-9 disc. The Blu-ray is an encoded 1080p at 24fps, the DVD is in the B/2 PAL format.
Blu-ray Video Quality – The quality of ‘THEOREM’ with the transfer was already high on the existing DVD release, so there might not be any major improvement evident here in its upgrade to High Definition. The Blu-ray has the same look and feel of the DVD (as well as a commonality of tone with the Pier Paolo Pasolini films ‘THEOREM’ most closely resembles ‘Oedipus Rex’ and ‘Pigsty.’ Contrast is strong and there is not an exceptional amount of extra detail in the 1080p image. The deep blacks are certainly more accurately rendered, but there is still not a great amount of shadow detail. Colours have a cool, neutral, natural tone. A significant amount of exteriors however are shot during early mornings or evenings and the golden glow of the sunrises and sunsets come over well in the transfer. Some minor print wavering or flicker is evident and grain is visible, but nothing more than you would expect from a film of this age. Overall however, the image is remarkably clean and sharp, with only a few stray dust spots visible. Some compression blocking or noise reduction artefacts are evident, but there are only really detectable in freeze-frame. Please Note: Playback Region B/2: This will not play on most Blu-ray players sold in North America, Central America, South America, Japan, North Korea, South Korea, Taiwan, Hong Kong and Southeast Asia. Learn more about Blu-ray region specifications.
Blu-ray Audio Quality – The Italian and English LPCM Mono Audio Track on the Blu-ray disc, as well as the 2.0 Dolby Digital Mono Audio track on the DVD disc, does not exhibit a great dynamic range, but it is clear and has few problems with analogue noise. Surprisingly, while small sound effects are relatively clear, it is the music score that is most lacking, but this is probably down to the original mixing and source materials. In an addition over the original DVD release, the film's English dub is also included on the Blu-ray and the DVD. The dub obviously dates from the film's release and uses mainly American voice-actors for most of the cast, but presumably Terence Stamp speaks his own dialogue and he doesn't really have enough lines to be certain of this. Not surprisingly, considering the international casting and the way films were made in Italy at this time, the lip-sync in English is much better than the Italian version. It's clear that almost everyone, even the Italian actors, were actually delivering their lines in English here, and it was only dubbed afterwards into Italian. The quality of the English dub has some low-level background noise, but is generally fine and clear. I thought it worked perfectly well with the film. Subtitles: English subtitles are included, in a white font and they are clear throughout. Some minor interjections and phrases where the meaning is quite apparent are left un-translated. In a film where there is not a great deal of dialogue, there is a certain balance to maintain and it strikes me that it has been achieved here. All extra features are subtitled in English except for Robert Gordon's commentary, which is curious, as it was subtitled on the previous DVD only release of ‘THEOREM’ very strange.
Blu-ray Special Features and Extras:
Presented in both High Definition and Standard Definition.
Optional alternative English language soundtrack.
Audio Commentary: Commentary by Italian film expert Robert Gordon: Italian film expert Robert Gordon presents a full and informative commentary for the film ‘THEOREM.’ It's often descriptive of what is happening on the screen, but at the same time interpretative and makes many interesting observations. Gordon also takes the time to place the film in the context of Pier Paolo Pasolini's other films, as well as his writing, his life and his themes. It doesn't perhaps offer any major illumination on the film's treatment than can be grasped by any viewer themselves, but Robert Gordon is a decent commentator and it's never dull or overly academic.
Special Feature: An Interview with Terence Stamp  [34:00] [DVD only] In a simply delightful and fascinating interview from Terence Stamp, reflects on what was an important period for him, liberating himself as an actor first for Fellini and then for Pier Paolo Pasolini before abandoning it all and going to live on an Ashram in India. The interview is edited down quite a bit and Terrence Stamp, as we've seen in some recent appearances, could talk for hours, but he is given plenty of time to develop his thoughts and stories about getting involved on this film specifically, working (or not, as it were) with Pier Paolo Pasolini, trying to figure out the man and his contradictions, as well as how he sees his own character in the film. Very frank and often very funny, Terence Stamp is mesmerising here and you could listen to him all day.
Theatrical Trailer  This is the Original Theatrical Trailer release for ‘THEOREM.’
BONUS: The extras are rounded out nicely by the stunning and brilliant BFI [British Film Institute] fully illustrated 18 page booklet. First of all we get an essay entitled “Theorem” by Geoffrey Nowell-Smith. Next up we have “Theorem reviewed” by Philip Strick. Then there are two a fascinating Biographies entitled “Terence Stamp (1939-)” by Roma Gibson and “Pier Paolo Pasolini (1922-1975)” by Geoffrey Nowell-Smith. Then we have the complete credit listings of the film ‘Theorem.’ Then we have ‘Extras,’ which is a short introduction to the “An Interview with Terence Stamp”  [34:00] [DVD only]. Then finally we have information “About the transfer” and “Acknowledments.”
Finally, Provocative, controversial, experimental, ‘THEOREM’ is definitely a product of its time, but such is Pier Paolo Pasolini's brilliance, his method of keeping the subject elusive and vague while at the same time simple and meaningful, that the film stands up very well today. The BFI [British Film Institute] High Definition dual-format upgrade doesn't really significantly improve on the previous DVD release, but this is still an impressive release with some good extra features that contribute to a fine appreciation of the film. This BFI [British Film Institute] package is a definite must for the student of 20th century cinema, providing the best possible reproduction of the movie and a host of enlightening, educational commentaries on it with the extras and booklet pieces. I totally recommended this beautiful BFI [British Film Institute] package, as they have done a stunning job and if you want to view a film that makes you think, then this will definitely be for you and I am so proud to have this in my Blu-ray Collection and if you feel this is not for you, well then you are really missing out on a truly stunning Pier Paolo Pasolini classic film of its time and now I am proud to have the ultimate version of this very provocative, controversial, experimental film. Highly Recommended!
Andrew C. Miller – Your Ultimate No.1 Fan
Le Cinema Paradiso
WARE, United Kingdom
The film is not as explicit as the publicity suggests one should expect, but that it not such a bad thing as it encourages viewer imagination and appreciation of the script. The "silent touches" are perhaps a little overdone, but do not detract from the sometimes quite stunning filmography - raw and confronting.
As always from this production source as well as the supplier, there were no complaints with packaging and arrival date.
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