Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.

  • Apple
  • Android
  • Windows Phone
  • Android

To get the free app, enter your mobile phone number.

Audible Sample
Playing...
Loading...
Paused

The Lewis Man Audio Download – Unabridged

4.6 out of 5 stars 1,849 customer reviews

See all formats and editions Hide other formats and editions
Amazon Price
New from Used from
Audio Download, Unabridged
"Please retry"
£0.00
Free with your Audible trial
Audio CD
"Please retry"
£21.69

Read & Listen

Switch between reading the Kindle book & listening on the Audible narration with Whispersync for Voice.
Get the Audible audiobook for the reduced price of £3.49 after you buy the Kindle book.
Free with Audible trial
£0.00
Buy with 1-Click
£14.10

Sold and delivered by Audible, an Amazon company


Product details

  • Audio Download
  • Listening Length: 10 hours and 54 minutes
  • Program Type: Audiobook
  • Version: Unabridged
  • Publisher: Quercus Publishing
  • Audible.co.uk Release Date: 5 Jan. 2012
  • Language: English
  • ASIN: B006UIWSS8
  • Amazon Bestsellers Rank:

Customer Reviews

Top Customer Reviews

By FictionFan TOP 100 REVIEWERVINE VOICE on 1 Jan. 2012
Format: Hardcover Verified Purchase
With this second part of his Lewis trilogy (the first being The Blackhouse), Peter May has again shown that he is up there in the top rank of the current crop of Scottish crime writers.

When a preserved body is discovered in a peat bog, DNA testing shows that the victim is related to Tormod Macdonald, the father of Marsaili, Fin Macleod's childhood love. Fin has now left the police force in Edinburgh and returned to Lewis to restore his parents' house and soon gets sucked into the investigation. Tormod is suffering from dementia and although he still has flashes of memory about the events of his youth he is unable to tell the story of what happened in words. However, the reader is allowed into Tormod's mind and through a combination of his fragmentary recollections and Fin's investigations a grim and moving picture gradually develops of Tormod's childhood experiences first in an orphanage and then shipped as a 'homer' to a family in the islands. May's story-telling skills bring this shameful and little known part of Scotland's recent past vividly to life. And again, as in the first novel in the series, the long shadows of the past loom threateningly over the present day.

As always, May's research is meticulous and the picture he creates has an air of complete authenticity. For me, the Lewis novels are shaping up to be his best - it seems he has an affinity with the life and natural world of the islands which makes his descriptive writing compelling. His recurring characters are likeable and their story is further developed in this book. May's handling of Tormod's difficult childhood and present dementia is sensitive and sympathetic.
Read more ›
8 Comments 220 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Hardcover Verified Purchase
I loved The Blackhouse, first book in the series. But I did wonder how the compelling past/present intertwining of the main character's story could be continued in the sequel.

Let me tell you, it can - and how. The Lewis Man is even better than the first book. A very poignant story, with enough twists and turns to keep you guessing (and guessing wrong). A fascinating insight into the mind as we grow older and the tolerance required of those around us as we age. A cracking yarn. An involving murder mystery. Events you can believe in, happening to characters you actually care about. (I believe I may even have shed a little tear at one point. Unless it was just something in my eye).

Not for nothing does this book claim its rightful place in 2012's top 10 best selling hardback works of fiction. Buy it, read it. Buy and read the first one too. And when they both finally fall from your numb fingers (because you REALLY won't be able to put either of them down), hopefully it will only be a short wait for The Chess Men, the final of the series.

(Oh, and if you've just been introduced to Peter May by this series, you might like to check out his Enzo Files books and China thrillers too.)
Comment 57 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Hardcover Verified Purchase
This is a total surprise. It starts out a mystery story, it soon becomes a search to identify who perpetrated a murder from half a century ago, and it's at times over-decorated with passages of scenic description. None of these features are the point, and it's unexpectedly moving for quite different reasons.

Running throughout are retrospect chapters, the unspoken silent reminiscences of an elderly man, father of the detective's childhood sweetheart. He is connected, so DNA tests have established, to the body of a murdered man found preserved in a bog. Is he the killer? Or rather, was he the killer? Now he's suffering from dementia and can barely communicate.

What's remarkable is the extent to which this man is shown to think and to feel, and how he does in his way connect to his immediate world, even while unable to communicate that connection. He feels pain, hurt, pleasure, joy. And all this is rendered simply, cleanly, in prose of total plainness, nothing fancy, and is extraordinarily moving because it stays so plain. Usually it's been film that's given us portraits of the incapacities that can accompany degeneration of the mind - "Iris", for instance, gave us a visual portrait of Iris Murdoch in her last years that was a heart-breaking contrast with how she once had been. What's moving here, though, is something more: Peter May's Lewis Man is still lucid in his thoughts and his recollections while clumsy and helpless as he tries to communicate to the world he inhabits, to the point of unwittingly alienating his wife and many of the well-meaning people who attempt to care for him. It's very Scottish, this capacity to make words and feelings so moving by dint of not exaggerating and not decorating, and opting instead for what appears unemotional plainness.
Read more ›
4 Comments 82 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Hardcover Verified Purchase
Some months after the end of The Blackhouse, Finn MacLeod is winding up his life in Edinburgh - his marriage, his job as a police detective - and returns to his emotional home, the island of Lewis in the Outer Hebrides. He plans to restore his parents' derelict croft house while living in a tent - pretty brave, considering the Scottish island climate.

Before getting very far in his task, Finn becomes embroiled in a murder case. The body of a man has been found buried in a peat bog. The victim has been killed, probably in the late 1950s or early 1960s. Finn is consulted by George Gunn, the constable on the island who worked with him on a previous case - the two men hope to find the victim's identity, and hence solve the crime, before specialist reinforcements arrive from the mainland and take over. At first, the task seems relatively simple, because a DNA test reveals that the victim is related to Tormond MacDonald, the father of Finn's childhood sweetheart Marsaili. (That's three coincidences so far, as Tormond was the only man on the island who did not request his DNA sample to be destroyed after the collection made in The Blackhouse.)

Finn cannot make progress, though, because the old man has dementia and is degenerating rapidly. Finn's gentle questioning of him throws up some clues, but not many. The author depicts Tormond very movingly, in particular his fractured internal life, in which past and present are confused. Something about Finn and Marsaili's enquiries triggers the old man's memories, and for much of the book we learn of his childhood. These sections of the book require the reader to suspend belief in the set-up in order to enjoy them, as they are written as if by an articulate, logical person and not convincing as a first-person narrative.
Read more ›
3 Comments 25 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews


Look for similar items by category