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The Girl Next Door Audio Download – Unabridged

4.1 out of 5 stars 135 customer reviews

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Product details

  • Audio Download
  • Listening Length: 10 hours and 4 minutes
  • Program Type: Audiobook
  • Version: Unabridged
  • Publisher: Bolinda Publishing Pty Ltd
  • Audible.co.uk Release Date: 14 Aug. 2014
  • Language: English
  • ASIN: B00MN23SEI
  • Amazon Bestsellers Rank:

Customer Reviews

Top Customer Reviews

Format: Kindle Edition Verified Purchase
I enjoyed this book and it did hold me to the end, but it's not quite what you might expect from Ruth Rendell. It's not a 'whodunnit?' and so has none of the thrill of working out who the murderer is, or solving a mystery. You know from the start who the guilty party is, so you're left with a slightly curious tale about a group of ageing individuals thrown together, who have not been in much contact with each other since childhood. The characterisation is good, as you might expect, it is both sad and funny in places, and there's enough 'what will happen?' to keep you reading to the end. But it's more a tale of various personalities interacting, reflecting on what they want in life and in some cases acting in ways no-one expects, rather than being one of the mysteries for which Ruth Rendell is famous. I hoped for a classic mystery, so while I enjoyed it, I was left feeling slightly disappointed.
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Format: Kindle Edition
Ruth Rendell has a long and distinguished career as a crime novelist, both of a series involving an ongoing inspector (Wexford) and as a crime writer of standalone books, without and ongoing investigator, And then there is her writing using another name, Barbara Vine. The Vine books (which generally prefer) are rather darker and rather more devoted to complex subterranean psychology. It could be said they are really psychological thrillers.

Curiously, Rendell's latest `Barbara Vine' did not quite `bite' with me the way she usually does.

This latest Rendell is also not quite expected Rendell. For those expecting a crime, and an investigation to unmask the perpetrator it will come as a bit of a surprise to find the crime, and the perpetrator, and indeed the motive, are all explained in the blurb.

In the 40s, a man murders his wife and her lover, does a bit of dismemberment and buries their hands in a biscuit tin. (he saw them holding hands, when he came home unexpectedly, which alerted him to what was going on). Local children, including his son, play in the tunnels in semi-rural Loughton (as it was then) The tunnels will serve as a hiding place for the hands

Jumping forward more than 60 years the community of children have gone their ways, though some have kept in contact. Their lives begin to connect again when building development work uncovers the hands and the tin, and a half-hearted cold cases enquiry begins. Half-hearted as it is pretty obvious that whoever did the deed, and on whom, is most likely to be dead. The children who played in the tunnels are either themselves dead or in their seventies and more.
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Format: Hardcover Verified Purchase
Not among those old enough to have accumulated some.
It is very daring to begin a novel with an unlikeable protagonist. We are lead to believe that this terrible person is to be the main character, and most readers prefer to be able to identify to some extent with the protagonist.
Luckily this psychopatic person leaves the scene, and keeps in the background from then on.
It is a geriatric novel, no doubt about it. All the characters from the first chapters are suddenly old, and in their twilight years.
As often is the case in crime fiction, the solving of a crime has more implications for a wider circle of people, and even between these old folks, feelings and emotions are stirred, and shaken.
After the unraveling of the crime which took place during ww||, the lives of the now very old group of people will not be the same again.
Ruth Rendell has done it again with the enthusiasm we have become used to expect from her.

People may look old on the outside, but the inside may still react in an unexpected and surprising way.

Bodil Marie - Keeping her Wits about Her.
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Format: Hardcover
Things I would like Ruth Rendell to stop doing, from now:
- pretending that all people think about when they speak is how politically correct they are being
- referring to how things used to be said/done/thought of in years past, either through her characters or in her authorial voice
- writing books as if all her audience are in their 80s

I admit, there's only so much of the above that I can take. In Wexford books I sort of expect it. In Tigerlily's Orchids and The St. Zita Society it was only a couple of the characters. But this book is pretty much all it is? Couple that with a complete lack of any suspense whatsoever, and I found this a relatively tedious read.

I get, I think, that this is more a "literary" novel about ageing and the elderly than anything else. If it is, though, it's not subtle enough. And I'm not sure I want to read Ruth Rendell for that - if she'd turned her hand to this 20 years ago, when at her peak, perhaps. At bottom, what I want from Ruth Rendell is a novel of suspense, with a sense of danger, with a few cold shocks throughout. She can do whatever she likes in the background, as long as the basic ingredients are there. Normally, I think writers should be allowed to write whatever they fancy. And that's fair enough if what they end up writing is good and satisfying, whatever it is trying to be. I find it hard to say that The Girl Next Door is either good or satisfying.

This is a novel whose message essentially is: old people are no different to the rest of us just because they are old; they continue to behave badly or well in the same way everyone else does, and have lives and loves, disappointments and joys.
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