Ken Loach directs this Glasgow-set drama about a young juvenile delinquent who is given one last chance to stay out of jail and carve out a future for himself. Small-time criminal and new father Robbie (Paul Brannigan) narrowly escapes a prison sentence after his most recent foray into the world of crime. With the help of a team of supportive community service workers, he makes a last-ditch attempt to get back onto the straight and narrow and to set up a small whisky distillery business.
Words defy me! Paul Brannigan as Robbie acts out his very own gritty Glaswegian life story. Read about Paul for yourselves, he will amaze and inspire you. Funny, real, violent but social reality permeates the whole film. I was left humbled and angry that we as a nation have left so many Scottish teenagers feeling disenfranchised and socially excluded from hope, inspiration and self-worth. Please watch it you will be entertained but moved too, I hope !
Is Ken Loach Britain's very own Woody Allen? On the surface, the answer would most likely be no. Stylistically very different. Closer inspection, however, show greater parallels than one might initially imagine. Both are extremely prolific, well within their twilight years, both have to venture into Europe to secure their funding and both are completely and utterly adored by the French.
For Loach, forever on the periphery of popular culture (aside from Kes (1969), of course), things have never really been otherwise. In many ways, his films have provided a critical and unflinching picture of Britain throughout the last 40 years. Standing on the sidelines shining a light on the underdog and highlighting the gaps within the British class system, he has done so not with a crass voyeurism in the manner of a sneering class tourist, but with a sincere brushstroke of honesty. For all the destitution and violence, he has detailed the strong bonds that often exist within the deprived communities.
The Angel's Share marks the 12th film that he has directed with the accompaniment of writer, Peter Laverty; a fruitful partnership that started back with Carla's Song (1996). Sharing more in common with the lighthearted and breezy (for Loach) Looking for Eric (2009) than the subsequent Route Irish (2010), there is room for plenty of laughs with this particular band of merry brothers (and sister).
Opening with the sentencing of a number of delinquents to community service, the focus falls on young Robbie (Paul Brannigan), a ne'er do well who represents the latest in a long line of rogues born from his family's gene pool. With history seemingly set to repeat itself, and feuds with neighbouring families falling from one generation to the next, Robbie needs to break the cycle. If not for him, then for the child that is on its way. In a bitter twist, his pregnant girlfriend is the daughter of a rival family who do not look upon his presence kindly.
Under the tutelage of community service officer, Harry (a reliably solid John Henshaw), Robbie is not only able to fulfill his civic obligation, but he is also able to strike upon a previously unforeseen nasal talent, which offers a potential 'out' through the whiskey trade. To say anything else would be a spoiler. Suffice to say, somewhere along the line a plan is hatched.
Where the first half of this film offers a sombre, grimy look at Glasgow and the push and pull of family ties and tensions, the second half takes a far lighter tone. The first half is the more effective and compelling. In one scene, a meeting is set up where Robbie is confronted with the victim of his crime. Interspersed with flashbacks to the horrific violence that formed the basis of Robbie's conviction in time past, the effect is shocking. Loach has stated that he didn't want the flashbacks to be put in slow motion. He felt that this would diminish the brutality. He wanted to showcase the violence in real time. He wanted it to be visceral. He has succeeded. In fact, at first, the film struggles to recover from the power of this scene. The pace of the script counters this by flushing the narrative forward. It excels in doing so. There is a contagious bonhomie with all of the main characters, and the script has enough brio and warmth to engage the viewer. A minor quibble would be that the well performed Albert (Gary Maitland) suspends belief a little too far as a personality type, cast as he is in the idiot savant role. Still, there is certainly enough here for both emotional investment and a good few chuckles along the way.
The only section that could be accused of dragging is the main set-piece involving the heist. This is perhaps an unfair criticism, however, as the film has to unavoidably subscribe to genre conventions at this point. The screenplay does its job well in enabling the film to zip by without too much damage being done.
As a non-professional actor plucked from obscurity, Paul Brannigan's performance is outstanding, and he certainly stands to gain the most from this film's success. He is a natural, bringing both a strength and a vulnerability to Robbie.
In some quarters, this film has been referred to as being a Scottish Full Monty. This does not necessarily do either film any real service. It is true that both are heartwarming and feature the working class. This is not enough to lump them in as the equivalent of each other though.
As an intoxicating pick-me-up, the Angel's Share succeeds. Ken Loach has stepped further out into the light with this film, creating what is surely his most family friendly film (minus the swearing and violence of course, but you were never going to get a Mrs Doubtfire from him, were you?). Is this film perfect? No. However, just like the characters in the Angel's Share deserve a fair chance, so does this picture.
for more film reviews: toomuchnoiseblog.com and [...]
Fortunately we didn't quite need subtitles for this movie, but we can understand that some viewers might! My wife and I enjoyed the story and were happily reminded of our many visits to Scottish distilleries over the years. An amusing dig at collectors (not only of whisky) with more money than sense.
Such a refreshing change to watch a film about people in whom you can believe and which is free from all the Hollywood explosions and frenetic action or, at the other extreme, out to manipulate your feelings by being overly sentimentalised and melodramatic. Many of the actors in the film are not professionals and the star of the film (on his own admission in his interview in the DVD extras) has a very similar rough and criminal background to the character he plays in the film. The reason I give it 4 stars rather than 5 is because the second half of the film seemed to branch off at a tangent from the very moving and almost documentary style of the first half. Perhaps not the best film which Ken Loach has directed, but still very good indeed and well worth watching.
This DVD was sold as Used - Very Good, it was not, it was unwatchable. The DVD cost was very cheap so not worth quibbling about but annoying as it was bought for a specific occasion. The DVD is covered in scratches which I presume made it unplayable. Poor.