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With Teeth Explicit Lyrics

4.6 out of 5 stars 69 customer reviews

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Product details

  • Audio CD (2 May 2005)
  • Number of Discs: 1
  • Format: Explicit Lyrics
  • Label: Island
  • ASIN: B0008E0DHS
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (69 customer reviews)
  • Amazon Bestsellers Rank: 8,178 in Music (See Top 100 in Music)
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Product Description

Product Description

Five years is a long time by most people's standards, but when such a period passes between albums by Nine Inch Nails, the turbulent electro-noir behemoth conducted by Trent Reznor, it's par for an increasingly elaborate course. With Teeth follows a period of intense self-investigation, a psychological shelf-clearing. It's an album that startles with its clarity, with its renewed vigour. A catalogue of grievances perhaps, like all his records, but possessed with more of a will to fight back than any other Nine Inch Nails release to date.

BBC Review

Nine Inch Nails are one of the most irritating and cynical bands on the planet. They also happen to be one of the best.

Irritating because of Trent Reznor's endless, fetishistic revisiting of the same nihilist themes he has explored since NIN's first release in 1989. Singing 'inside your heart it is black and it is hollow and it is cold' is forgivable pretension in a 24 year old, but in a man who turns 40 this month it seems both pitiful and laughable. And cynical because of how this faked alienation is packaged and marketed to the loyal goth masses year after year. Indeed, Nine Inch Nails would be as irrelevant as Slipknot or Korn were it not for the music.

Over the last sixteen years no-one has been as consistently musically inventive as Reznor. Though many have tried to ape his style notably one-time protégé Marilyn Manson none has managed to capture that mix of boiling black electronica and heavily processed guitar fury to such devastating effect.

If previous effort The Fragile saw Reznor's songwriting slipping into formula, With Teeth is the sound of a man intent on proving himself again. Despite its aggressive title, this is the most subdued and seductive Nine Inch Nails album yet, an effect achieved by stripping down the raging guitars and employing synths to build up dark, brooding and often beautiful sonic landscapes. So while the spittle-flecked rage of "You Know What You Are?" could have come from The Downward Spiral, it is a rare revisiting of old ground.

Take opener "All The Love In The World", with Reznor's usual sullen moans replaced with a cracked, hushed falsetto as trip hop beats stutter and a haunting piano riff loops. Or the quite astonishing "Right Where It Belongs" which starts as an aching, echoing mantra whispered over subdued buzzing synths before the mix abruptly shifts and the vocals come into heartbreaking, gorgeous focus.

Elsewhere bassist Jeordie White injects a new throbbing momentum into the rampant, exhilarating hit "The Hand That Feeds" and the murky Depeche Mode-like shimmer of "Every Day Is Exactly The Same". Startlingly, these are songs you could dance to.

Reznor is saying nothing new on this record but that doesn't stop With Teeth from being a dazzling masterpiece. --Jaime Gill

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Customer Reviews

4.6 out of 5 stars
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Top Customer Reviews

Format: Audio CD
First off, this has to be one of THE best albums of the year so far. I hope it doesn't go unnoticed when the awards are being handed out.
Secondly, to ht people comparing this to NIN's previous work (The Downaward Spiral in particular), please stop because it is good enough to stand alone. Also, to those that say that this is a more commercially-friendly record, I don't agree. Yes, it sounds more crisp, more polished, more 'sane' even than Trent's previous work but that is largely to due to him 'cleaning up' his act. New single 'Only' IS catchy and you CAN dance to it but so what? I found that I could dance to 'Closer' but did that make it MTV-orientated? If you listen to the lyrics, they really speak for themselves: "There is no f******* you, there is only me."
Like the previous reviwer, it took me a few listens to fully appreciate the depth of this album but once I got it, I fell in love. Standout tracks for me would be the brooding opener All The Love In The World, the superb Everyday is Exactly The Same, With Teeth, Only and Right Where It Belongs.
If you have only a mild interest in NIN or Trent Reznor please buy this album because I do not believe you will be disappointed!
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Format: Audio CD
The latest album from Trent Reznor and co. is a brilliantly hard-rocking, punchy and tuneful set of songs.

In scope With Teeth is simpler and more straightforward than previous NIN discs like the sprawling, ambitious double album The Fragile. It's also a lot more song-oriented, and less reliant on soundscapes, ambient instrumentals or studio atmospherics. Reznor alternates electronic elements like programmed synths and drum machines with the more organic instrumentation of a real rock `n' roll band - metallic guitars, bass, tambourine, piano and live drums courtesy of Dave Grohl. It's a straightforward, high-energy hard rock album, and it's an excellent example of that. It's still Nine Inch Nails and therefore it's still dark and angst-ridden, but there's something fresh here too: a kind of playful positive energy, an element of fun, even a wry sense of humour. It's far too angry to be considered anything like a feelgood album, but it somehow still manages to sound like Reznor coming from a stronger, wiser place rather than always putting himself in the same whiny martyr role.

Reznor has always had a strong gift for creating catchy melodies and memorable hooks, and he's not afraid to exploit his pop sensibilities on With Teeth. Several tracks are funky, danceable and instantly addictive. Three minutes into opener All the Love in the World, it suddenly morphs from gothic piano gloom into a bouncy disco/house beat; Only is insanely catchy, with its robotic 80s drum intro and bubbling New Wave keyboards; Every Day Is Exactly The Same belies its nihilistic title and suicide lyric to reveal an accessible pop core; Sunspots has a chorus you'll be humming for long afterwards.
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Format: Audio CD
Its different. Ive read a lot of reviews trying to compare this to NIN's other albums, the simple truth is that this album is different from the others, very different. If you havent listened to with teeth yet then, well, its most like the fragile and i can see what people mean when they say its a 'watered down' version of it, but the watering down of the exceptionally strong, and gritty album that is the Fragile has created the most accessible nin album to date.
When i first listened to it i was expecting a slight progression from the fragile (my favorite of the nin back cateloge) but i was supsrised to hear a much more melodic and punchy track listing, that to be honest, i wasnt that impressed with. But after listening though the entire album several times, i got more into the mindset of the music. Ive had to do this with every nin release so far, but have always been happy with the resulting pleasure of listening.
With teeth contains great music throughout, there are the highs and lows that every album contains but the lows are higher than most 'good' tracks. In my opinion 'the hand that feeds' is one of the weakest tracks. It doesnt quite fit in to the album as a whole, but saying this it is a great stand alone track and is much lauded, and rightly so, as a great song.
There is the usual mix of slower more relaxed songs as well as fast paced 'heavier' ones that i have come to expect from Nine inch nails, each section being placed perfectly within the album to create a undulating ride.
The starting few tracks build up to bring in the hand that feeds, with all the love in the world being a very notable build up track.
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Format: Audio CD
Many people have hit this album down because it deviates from the original style of the fragile and the downward spiral. Sure, those are great albums, but with teeth is a nice addition to the collection.

Bearing in mind that Trent had a sizeable break from music production to fight an onward battle against drugs and alcoholism, this album commemorates him, in a way, freeing himself from himself and getting back to what he loves doing. In an interview, reznor said "with teeth was, essentially, a test for me. to see if i still got it".

And he has.

The new songs have a melancholy and soothing feel at times (Every day is exactly the same), and then take you by surprise with tracks like "The hand that feeds" and "Getting Smaller".

This is by no means a bad album. Those who state it as so simply trashed it because trent has moved on from his roots slightly.
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