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Tango In The Night CD

4.7 out of 5 stars 205 customer reviews

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46F6728FA2E69FT7 60 years of the OCC
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Product details

  • Audio CD (13 April 1987)
  • Number of Discs: 1
  • Format: CD
  • Label: Rhino
  • ASIN: B000002L9Y
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (205 customer reviews)
  • Amazon Bestsellers Rank: 518 in Music (See Top 100 in Music)
  • Sample this album Artist (Sample)
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Product Description

Amazon.co.uk

Thanks to the long shadow cast by the group's blockbuster Rumours, this 1987 effort was inevitably regarded as something of a letdown. That's too bad, since it's an underrated set that contains plenty of inventively catchy tunes, with a quirky sonic edge that gives the songs added sonic and emotional depth. Lindsey Buckingham's eccentric, vaguely menacing "Big Love" is a standout, as is Christine McVie's brightly bittersweet "Little Lies", along with such dark-horse winners as "Seven Wonders", "Caroline", "Mystified", and Stevie Nicks's typically mystical "Welcome to the Room ... Sara". --Scott Schinder

Customer Reviews

Top Customer Reviews

Format: Audio CD
Fleetwood Mac are a group frequently associated with great stylistic leaps, but a close analysis of their work does not strictly bear this theory out. Sure, the early blues material is a world away from Stevie Nicks, but there is a path that one can use to connect the dots. Moving from the blues influences, taking them into an American soft-rock style, they arguably never changed over the course of the 70s, just got better at what they did.

By the 80s, personnel problems had slowed the band's out-put significantly (and for a band with a history of personnel problems like Fleetwood Mac, that's really saying something!) and they only released two albums during the decade; 'Mirage' and 'Tango in the Night'. Strangely, both of these albums are compromised, but in very different ways. 'Mirage' can easily be viewed as an attempt by the band to claw back some of the ground they lost commercially after 'Tusk', smoothing out the edges to such a point where several tracks verge on sounding bland. 'Tango', however, is a compromise in that it was not even meant to be a Fleetwood Mac album...

Lindsey Buckingham revealed a strong appreciation for new wave music in some of 'Tusk's' more idiosynchratic moments, and those experiments come to fruition on 'Tango in the Night'. Even though the sound has dated considerably, it is still possible to appreciate that 'Tango' is a thouroughly "modern" album. There is a sheen to the sound that keeps it fresh and crisp, synthesisers are used through-out the album, but are never too prominent, and many of the melodies have a distinctly new wave feel to them, and are far removed from the 'Californian' tendencies of the earlier Bukingham/Nicks era Fleetwood Mac. This is a modern 80s album, and is everything that implies.
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Format: Audio CD Verified Purchase
I originally owned this album on cassette which I purchased back in 1987 when it was originally released and have played it to death ever since and only recently I purchased it on CD to replace the cassette version. This album is still a knockout and remains possibly my favourite Fleetwood Mac album I own. All of the songs on here are of a very high standard and it's no wonder that Fleetwood Mac were at the top of their game when they made this album. I just love it for what it is and that is a great album.

The symbol start on the beginning track 'Big Love' is genius thinking and it probably explained why it opens the album. I couldn't really see it anywhere else except as an opening track. But this album spawned a handful of single releases including 'Big Love', 'Everywhere' and 'Little Lies'. Every track on here are tracks to sing-a-long to. Fleetwood Mac are and will be one of my favourite groups I listen to and they have produced some brilliant songs over the last 40+ years in their many guises. This Fleetwood Mac contained the members Mick Fleetwood, John McVie, Christine McVie, Lindsey Buckingham and Stevie Nicks. This group formation lasted until the early 1990's.

This album most certainly propelled Fleetwood Mac into one of the best groups of the 1980's and their songs, especially in the 1970's and 1980's, played a part in my growing up and I think that they are a great band. As far as this album is concerned, Fleetwood Mac gave us, in my mind, one of the best albums of the 1980's. Great stuff.
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Format: Audio CD Verified Purchase
I must say that I for one love the music from Fleetwood Mac just fantastic music
Middle of the road music to please many at any time of day or evening
they have many albums to pick from witch I play one after the other
from my collection... Great to chill out to Brilliant music

Five Gold Stars for Fleetwood Mac and there music
from SATAN
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Format: Audio CD
A decade on from Rumours this is an album with a sound that firmly underlines its period of release. Without the gentle love songs of their previous albums this record heads solidly in the direction of big, catchy pop tunes that grab instantly, but dont wear rapidly like a lot of music from the period. As usuall the rythm section of Fleetwood and McVie power the majority of songs and are prevalent on the strongest tracks on this album; "Big Love" and the fantastic "Little Lies". The album is let down possibly by too many songs in this popy mould and the track "Family Man" is awfull. However I would still class this as a great album on the strengths of about six songs which are just exquisite and arguably Mac at their best, and I simply dont tire of hearing. A bizzare album of the brilliant and tacky sides of Fleetwood Mac that is always in my CD box, cheesy, sunny, powerfull and class.
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Format: Audio CD
It took two album between Rumours and this to Fleetwood Mac to return with an album where ever track is fantastic. This was the first Mac album I bought and after that I then discovered Rumours. However the great singles Big love, Little Lies and everywhere are here but there is so much more than these singles. There are a couple of weaker tracks, when I see you again shows the strain on Stevie Nicks voice, but the best tracks appear to be when Buckingham gets together with McVie, Mystified and You and I part 1 are great tracks that stand up as good as the singles lifted from the album. Finally there is a knew expanded re-masted edition on the way so you may want to wait and check that out as it may contain you and i part one which was a great B side to big love
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