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Suldrun's Garden: 1 (Lyonesse) Paperback – 1 July 2016
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Take a doomed princess, a dispossessed prince and a wicked king, a vengeful magician and a melancholy witch; now add fairies, ogres, changelings, scheming barons, wanderers who are not what they seem, robbers, orphans, and a race of hardbitten warriors at war with all humanity. Stir in politics, intrigue, plots and assassinations, battles and sieges, then set it all to simmer in a mythical archipelago across the western sea before the time of Arthur. Jack Vance draws together the threads of fairy tale and pagan myth to weave an epic tapestry of adventure and intrigue in the Elder Isles. The result is a masterpiece. – Matt Hughes
Suldrun's Garden is Book I of the Lyonesse series, and Volume 52 of the Spatterlight Press Signature Series.Released in the centenary of the author's birth, this handsome new collectionis based upon the prestigious Vance Integral Edition. Select volumes enjoyup-to-date maps, and many are graced with freshly-written forewords contributedby a distinguished group of authors. Each book bears a facsimile of theauthor's signature and a previously-unpublished photograph, chosen from family archives for the period the book was written. These uniquefeatures will be appreciated by all, from seasoned Vance collector to new reader sampling the spectrum of this author's influential work forthe first time.
– John Vance II
- Print length472 pages
- LanguageEnglish
- Publication date1 July 2016
- Dimensions15.24 x 3 x 22.86 cm
- ISBN-101619470918
- ISBN-13978-1619470910
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Product details
- Publisher : Spatterlight Press (1 July 2016)
- Language : English
- Paperback : 472 pages
- ISBN-10 : 1619470918
- ISBN-13 : 978-1619470910
- Dimensions : 15.24 x 3 x 22.86 cm
- Best Sellers Rank: 611,553 in Books (See Top 100 in Books)
- 43,367 in Science Fiction (Books)
- 80,641 in Fantasy (Books)
- Customer reviews:
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Customers find the book excellent to read. They also disagree on the narrative style, with some mentioning the story is told with great richness, while others say the book has a very meandering feel to it.
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Customers find the book excellent to read.
"...CONCLUSION: one of the greatest and best fantasy books ever written, which I discovered first in French in the 80s, before re-discovering it with..." Read more
"excellent reading my type of writing" Read more
"...Overall, this was certainly an interesting read, full of imagination and rich detail and told with a distinctive voice...." Read more
"A good easy read if you want a bit of escapism into a fantasy world...." Read more
Customers are mixed about the narrative style. Some mention the story is told with a great richness, full of imagination, and rich detail. Others say the book is uninteresting, dry, and has a very meandering feel to it. They also say the writer's use of language is inconsistent and the descriptions feel very Tolkien-esque. Overall, customers say the plot is plot-driven and the book has s a meander.
"...but let me just tell you, that this is storytelling at the highest possible level!..." Read more
"...His descriptions are marvellous, though, and the worldbuilding is great, and his 'throwaway' inventiveness is on practically every page - ideas..." Read more
"...The plot was engaging, which is good because I nearly gave up on this book a few times to just read something, well, better, to be blunt...." Read more
"...but has a plot that keeps you interested through the book." Read more
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"Suldrun's garden" is the first - and the best - of three volumes of "Lyonesse Trilogy", written between 1983 and 1989 by the already very renowned American SF, fantasy and criminal mystery writer Jack Vance (1916-2013). Very prolific writer, Vance began publishing in 1945 but due to deteriorating eyesight he had to slow down greatly his work after 1992 - he ultimately stopped writing fiction in 2004 due to his advanced age and total loss of sight. "Lyonesse Trilogy" is therefore, together with roughly contemporary SF trilogy "Cadwal Chronicles" (1987-1992) and the stand alone "Night Lamp" SF novel (1996), amongst his latest but also greatest books. The whole trilogy is a GREAT read - but "Suldrun's garden", darker and less optimistic than most of Vance's books, is my favourite.
The story happens in Early Dark Ages, one or two generations before the times of King Arthur, on Elder Isles, a fictitious archipelago situated on Atlantic Ocean, roughly in the Biscay Bay, not far from France to the east, Spain to the south and British Isles to the north. The archipelago is composed of the huge main island Hybras, slightly larger than Ireland, surrounded by numerous smallers islands, of which the three most important are Skaghane, Troicinet and Dascinet.
There are some suggestions that Elder Isles were once part of a mightier and larger giant island - or small continent - on which a powerful civilization of wizards and wonders existed, but which was mostly swallowed by the ocean in an undescriptible, powerful cataclysm, remembered in realms further east as the story of Atlantis... The powerful Arch-Magicians, of which eight still endure on Elder Isles at the beginning of the story, are probably the last custodians of some knowledge of this ancient civilization - even if they do not master anymore the secrets of creation of new magical apparatus and therefore are greatly dependent on the few magical relics which survived the cataclysm.
Even after the cataclysm Elder Isles used to be governed by one High King but after a long series of civil wars were divided in smaller independent kingdoms. When the story begins, following realms exist on Elder Isles:
- Lyonesse, the most powerful; its ruler, King Casmir, has the best claim for the title of High King, being without question descended in straight line from the old dynasty of rulers of all Elder Isles
- Dahaut, the second most powerful, ruled by king Audry, also descending from old kings, but a much less ambitious character than Casmir
- Troicinet, relatively small by its surface, but owning the best navy on the Elder Isles; its ruler, King Granice, has no sons - and his succession is likely to be a troubled one...
- Dascinet, another sea power; its ruler, king Yvar, is allied with Casmir of Lyonesse and a bitter enemy of Troicinet
- North Ulfland, nominally under the rule of old king Gax - but most of the country is occupied by the Ska invaders...
- South Ulfland, nominally under the rule of king Oriante - but in reality the king controls only his own castle, the rest of country being divided between a multitude of independent permanently fighting and quarelling barons
- Godelia, the only kingdom populated by Celtic immigrants from the continent; it is ruled by king Dartwed and slowly expands its borders, thanks to the constant new arrivals of new Celtic warriors to Elder Isles
- Pomperol, Blaloc and Caduz, are small kingdoms trapped between Lyonesse and Dahaut - they survive for the moment, as neither of their two big neighbors dares attack them, fearing open war with the second one...
- Skaghane, a ferocious kingdom of grim invaders from distant northern lands, the Ska; this agressive new power also controls North Ulfland and prepares for even more expansion
- city-state of Ys, governed by a council of wealthy merchants ("syndics")
Then there are also some areas which escape all control by those human kingdoms - most of them are wild forests, rugged hills or misty swamps populated by fairies and monsters. Those places are terribly dangerous even for large groups of humans...
I will not tell you much about the story itself neither will I reveal who is the MAIN hero of this book (it will take some reading to discover it), but let me just tell you, that this is storytelling at the highest possible level! Mixing classical Celtic and German fairytales with some swashbuckling, some Tolkien-like travel tales, some "Game of Thrones"-style intrigues and fights and last but not least the typical Vancian enchanting touch of ironic humor, sadistic twists and especially absolutely UNIQUELY worded dialogs, this is a JEWEL!
The one thing I didn't really like was the Christian bashing - but at least there is not much of it and once we pass this couple of pages, the incident is over and we can continue reading...
CONCLUSION: one of the greatest and best fantasy books ever written, which I discovered first in French in the 80s, before re-discovering it with equal pleasure in its original English! A TREASURE, to buy, read, keep and pass to your children! ENJOY!
I was not familiar with Jack Vance or his work as I started out on this book, but had read some positive reviews for this book and found myself intrigued. Certainly his writing style struck me as rather unique fairly early on, he has a distinctive dry, and at times dark humour, that overall lent the book rather a quirky feel to it; at times the story felt almost farcical in its tone.
I was very impressed with all the world-building. The story starts off in the medieval Lyonesse, however, through the course of the book we travel quite extensively across the Elder Isles, and the story is told with a great richness. Indeed the attention to detail is quite extraordinary. The book also seems to blend a number of different styles, at times reading very much like a children's fairytale, other times feeling much more epic in its scope, with the feel of a historic fantasy.
There are multiple characters in the story, and the narration jumps and switches about from different character perspectives. I will say that at times the sheer amount of characters and locations and different political stances could feel rather overwhelming, and the jumping about between perspectives somewhat jarring. Also parts of the book did feel rather slow in setting things up, and the book overall had a very meandering feel to it, often drifting off in a different direction, and whilst overall I could generally see the relevance and connection to things, it sometimes felt as if a lot of time was dedicated to an adventure that had small significance to the overall story.
The book often throws surprises at you, to the extent that I did not take anyone's survival in the story for granted, and I did enjoy the twists and turns.
I think some of my personal favorite parts of the book were following the adventures of young Dhrun, as these sections of the story felt very magical, with the fairytale like adventures, curses and obstacles and monsters to overcome.
I did also like how everything came together at the end, with the various different threads connecting, though ultimately the book doesn't have a definite ending, rather just leaves you at a certain point, I assume from which Vance continues in the next book.
I think one of my main criticisms of the book would be that the writing style was such that I found it hard to forge an emotional connection with any of the characters, even though horrible things happen to some of them. However, even at times where it felt the story should be conveying more emotional weight, Vance's handling of the matter seemed rather 'light'. Also I did think the female characterisation here was rather stereo-typed and limited, though I appreciate the book was written a while back.
Overall, this was certainly an interesting read, full of imagination and rich detail and told with a distinctive voice. Whilst there was plenty that I was impressed with, I just don't think the story and characters resonated enough with me to have me truly invested, and at times the style of the writing bordered too much on the ridiculous and bizarre for me personally. Not sure if I plan to read the rest of the series at this point in time.
Top reviews from other countries
Die Story um eine Prinzessin, die der Zwangsverheiratung amit verschiedenen Mitteln zu entkommen versucht, dem strengen König, der sich um Land und Leute kümmert aber dabei als Privatmensch versagt und dem obligatorischen Krieg drumherum könnte aus dem "Handbuch für Standardplots für 08/15-Fantasy" abgeschrieben sein.
Charaktere und besonders Motivationen erscheinen vom heutigen Standpunkt aus viel zu simpel gestrickt, zu keinem Zeitpunkt schafft es die Geschichte den Leser wirklich hineinzuziehen.
Vielleicht hat LYonesse ja den Platz in den "Fantasy Masterworks" verdient, weil es seinerzeit recht erfolgreich war, mit etwas modernerer Fantasy in der selben Tradition, z.B. von Gemmel, Goodkind oder auch Hobb kann es sich aber nicht messen.






