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Street Photography Now Paperback – 13 Jun 2011

4.4 out of 5 stars 64 customer reviews

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Product details

  • Paperback: 240 pages
  • Publisher: Thames and Hudson Ltd; Reprint edition (13 Jun. 2011)
  • Language: English
  • ISBN-10: 0500289077
  • ISBN-13: 978-0500289075
  • Product Dimensions: 27.4 x 2.3 x 24.1 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (64 customer reviews)
  • Amazon Bestsellers Rank: 68,690 in Books (See Top 100 in Books)

Product Description

Review

A well put together ensemble of colourful and fetching stills, more of an orchestration for the eyes than a calamity for the senses --The Rad Dad Collective

A fine survey of the modern street photography scene. --Stuff

About the Author

Sophie Howarth is a writer, teacher, curator, and entrepreneur based in London. She was Curator of Public Programmes at Tate Modern and an Associate Curator for Artangel. She is coauthor, with Stephen McLaren, ofStreet Photography Now.

Stephen McLaren is a photographer, writer, and curator based in San Francisco. He is coauthor, withSophie Howarth, of Street Photography Now. He alsocoauthoredPhotographers' Sketchbooks withBryan Formhals.


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Customer Reviews

Top Customer Reviews

Format: Hardcover
A really thought provoking and inspirational book.

This careful (yet massively diverse and comprehensive) selection really helps to show the art and poetry that can be found in everyday situations on everyday streets. For any budding photographers it is a call to arms to load up and hit the streets.

I particularly like the 10 in depth stories told by the photographers on how one of their special photos came about.

100% inspirational and great value for money. Lovely quality print too.

Highly recommended.
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Format: Hardcover
A beautifully produced book showing the world's best street photography. It also explains what motivates and fascinates these 46 men and women contributors.

You close the book and still feel intrigued to understand more about the situations you've seen. Some are very amusing and uplifting, others leave you questioning and thoughtful. The pictures show you that wherever people are in the world they are consistently unaware of themselves and their actions.

I thought the interviews were very good and editorially perceptive. So much better than the usual assembly of disparate submissions. They give a real insight into the photographers and were suitably down to earth as is appropriate for street photography.

This is the most comprehensive book I've read on the subject to-date and it cleverly captures what makes street photographers tick.
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Format: Paperback Verified Purchase
Street photography can include a variety of subject types including, but not limited to, portraits, landscapes, 'news events', and the unusual, out-of-place or just plain weird. Examples of all of these groups are in the book which contains examples by some reasonably well-known photographers and others less well-known (at least to me). There are some whose photographic activity is wholly of the 'street' variety and others whose interests are wider.

Many of the photographs are of the "I could have taken that" variety but being in the right place at the right time and having the ability to recognise the possibilities of the situation are very important and many would not be so aware. Having a camera at the ready for such eventualities is not something all would do although it is an often-repeated suggestion seen in photographic magazines and in books. It does not need to be an expensive, near top-of-the-range DSLR but could be a mid-priced compact with a modest zoom, although some situations may need a wide-aperture lens rather than one with a range of focal lengths, but probably pocket-sized and carried almost constantly.

The book title suggests that its content is principally fairly modern, which it is, but the idiom is considerably older and it would have been interesting to contrast the styles of some of the images with those of photographers of the late 20s and 30s including such proponents as Cartier-Bresson, Brassai and possibly Dorothea Lange whose styles and work could barely be more different. There are many others from the post-WW2 period, and especially of the 60s and 70s when the idiom was possibly most practised, without whose ground-breaking efforts many of today's photographers would not have had the ideas or inspiration.
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Format: Hardcover
I first saw this book in the Tate Modern and put of buying it until I got back home, knowing Amazon was cheaper. I then put off buying it again and it was soon sold out at Amazon! I finally got the last copy at the Tate Modern and hence my first lesson learnt is buy books from Amazon when you see them, not later.

To the book ...

It is a truly fantastic collection of todays very best street photographers, displaying there greatest work and with some insights into their thoughts and techniques. I cannot fail to be inspired when I flick through it and it is one of the few photograph books I have bought this year which also contacts a number of excellent articles. Yes, it might pull together thoughts from blogs and other articles but it always points you in the direction to get more information and really encourages you to dig deeper in this amazing art.

If you get the chance, buy this book. You will not regret it.
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By Mr. G. Bridgeman TOP 500 REVIEWER on 30 Aug. 2011
Format: Hardcover
I really did enjoy this book as it opened my eyes to certain aspects of street photography I hadn't considered. Posed shots. Now you can say I am naive but I did seem to think that street photographers did walk around all day looking for compositions. However, its the Santa syndrome. That does always happen. There is a great chapter at the rear of the book which confirms that there are some street photographers pose their shots. And yes I did know of the controversy over those shots taking in Times square and eveb Capa's famous shot during the Spaniah Civil War. Saying that I now believe that some of those Cartier-Bresson images are staged, well the early ones. makes you look at street photography with new eyes.

I can't say that I liked all the contributions. Some images were like snap shots of nothing in particular. However some did warrant a second and third look as sometimes it is quite easy to miss the point of the image or some small intricate part of the image.

Over the years my taste has changed and from Cartier-Bresson (who doesn't like his style?) to Martin Parr who I really didn't get for years. The book looks at a number of world wide photographers with small biographies of their thoughts of their work. It works ok.... until the conservation at the rear of the book. This is a worldwide conversation with 6 or so street photographers discussing their art. All of a sudden their egos become apparent and what is cheap easy snaps (I am not saying they are not skilful) becomes something more when the photographers talk. I regret that leaves me cold. Yes this is an art form, not unlike street art by Banksy, but its really nothing to massage your ego with.
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