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In a Strange Room Hardcover – 1 April 2010
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'Beautiful. Strikingly conceived and hauntingly written.' Jan Morris, Guardian
Damon Galgut's masterful novel of longing and thwarted desire following one man on three very different journeys.
A young man takes three journeys, through Greece, India and Africa. He travels with little purpose, letting the chance encounters of the road dictate his path. But although he knows that he is drifting, he is unable to settle. It is as if, without these encounters, the person he is cannot exist. And yet each journey ends in disaster.
A novel of longing and thwarted desire, rage and compassion, In a Strange Room is an extraordinary evocation of one man's search for love, and a place to call home.
- Print length180 pages
- LanguageEnglish
- PublisherAtlantic Books
- Publication date1 April 2010
- Dimensions14.5 x 1.9 x 22.3 cm
- ISBN-109781848873223
- ISBN-13978-1848873223
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Review
Acute, beautiful, unsettling. I have rarely felt so moved whilst reading. --Sarah Hall, The Times
'One of the most beautiful and unsettling books I've ever read. I can't remember a more troubling and intense study of rootlessness and loneliness; Galgut is a writer of great, almost frightening, depth. --Tash Aw
Acute, beautiful, unsettling. I have rarely felt so moved whilst reading. --Sarah Hall, The Times
'One of the most beautiful and unsettling books I've ever read. I can't remember a more troubling and intense study of rootlessness and loneliness; Galgut is a writer of great, almost frightening, depth. --Tash Aw
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Product details
- ASIN : 1848873220
- Publisher : Atlantic Books; First Edition (1 April 2010)
- Language : English
- Hardcover : 180 pages
- ISBN-10 : 9781848873223
- ISBN-13 : 978-1848873223
- Dimensions : 14.5 x 1.9 x 22.3 cm
- Best Sellers Rank: 421,970 in Books (See Top 100 in Books)
- 42,248 in Literary Fiction (Books)
- 48,538 in Contemporary Fiction (Books)
- 145,488 in Romance (Books)
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Although it is a novel it feels strangely unlike one. The protagonist is a South African writer, also named Damon, although this is a work of fiction, the character and the writer share their story. It bears more comparison to Tim O'Brien's The Things They Carried however than to Paul Auster's New York Trilogy, which is a blessing. Like those two books, this novel also feels more like connected short stories than a traditional novel. Again, as with those books I started it with no idea what it was about. Metafiction, and I believe this counts, seems to be following me.
The story or rather stories, are travel stories, tapping into the new culture of going travelling, taking a gap year or going off to India to find oneself, which has so very nearly become a cliche. In these stories, Galgut exams the experience of the solo traveller, who by necessity almost, becomes involved in the lives of other travellers met along the road, and the potential artificiality or depth of those short-lived intimacies.
Each story has a different title, 'The Follower', 'The Lover' and 'The Guardian' and it seems to me that Galgut examines the different selves you become around different people, either by the role you play in their life or the self you make yourself be to fit in with them. Like acting, and in this case with the various destinations, all the world is a stage. It also makes the clear point that the relationships you create via travelling become unsustainable in the real world, or will break down under the pressures of existing in a foreign land. The moral of the tale is almost travel and friendship don't mix, and also that the friendships you leave behind are damaged by the alterations that take place within you during experiences they haven't shared. There is really something rather bleak about the story, but it is still a good story.
Damon meets Reiner in Greece, unable to define the parameters of their relationship, the two succumb to a damaging power struggle. He meets three Swiss friends in Zimbabwe and travels through Africa with them and is again damaged by his inability to express his feelings and seize the moment. In the final story, Damon takes old friend Anna to India seeking to improve her mental state, when things take a dramatic turn. The stories are by no means underwritten, but they are sparsely told, allowing for a lot of reading between the lines. Damon seems to constantly travel, unable to settle, looking for something, but wherever he goes, there he is, as the saying goes, his location changes but he doesn't, continuing to make attachments that can't or won't last. The stories are much more about his psyche than any of the destinations he visits.
The odd thing about the style was that the narrative voice mostly spoke in the third person but occasionally switched to the first, giving the impression that he is viewing his own actions remotely from afar. This has a very haunting quality, as though Galgut both has and hasn't the power to control events, a passing traveller within his own story, just as he is through all these countries. Rather, it should have been 'odd' but I quite liked it.
I'm not sure it's Booker winner worthy, but I did prefer it to both Room, for which I had misgivings and The Finkler Question whose comic status I question. I can imagine myself recommending this to people as interesting short stories that examine the complexities and frailties of human relationships; or to someone who has perhaps returned from lengthy overseas travel and feels rather disillusioned.
It is short, and I had it read in under 2 hours, but I liked the feel of it and admired the writing 7/10
Firstly to Greece, where he met a German traveller. A man who he would find an attraction to, though he couldn't define why. Then the German joins him in South Africa and they travel together for a while until their relationship falls apart.
Secondly through various African nations with a group, again troubled by his attraction to a man, this time a man who can barely speak the same language as him, He chases the group across Africa then eventually to stay with the man at his family home in Switzerland.
And thirdly to India, with a suicidal friend, the extent of who's illness he doesn't understand until they are alone together on the other side of the world.
To anyone who has spent time travelling, these fleeting friendships will be familiar, the camaraderie built up through collective loneliness and the distance from home. Equally his description of place is incredibly evocative. There is a genuine sense of place that is built up throughout the book.
Where it works at it's best though is in it's descriptions of the nature of memory. The narrative slips from first to third person. The narrator admits to gaps in the story. He puts focus on small things whilst larger events are happening in the background. Galgut exhibits a real understanding of how we remember things. It is never expressly explained whether the Damon of the novel is the Damon that is writing it, but one can assume that in some places it is and in some places it isn't and that this is in itself a continuation on the discussion on the fallibility of human remembrance.
Damon seems to be searching for something. Both mentally and physically, both running away from something and doing his best to run towards something. This is a book that tells us little, but in doing so actually reveals a huge amount. It is a haunting and masterfully crafted meditation on what it means to be human and how we are created from our collective memories.
I've been meaning to read Damon Galgut for a long time. His father (I think he was a judge) was a friend of my brother-in-law. When I saw this available on Kindle I decided to take the plunge and I'm so glad I did.
He has an extraordinary style in this book of writing as Damon and then in the third person, so you're never quite sure if it's a novel or autobiographical.
The book is divided into three parts. The first - The Follower, is the story of meeting this mysterious German stranger who only wears black, while backpacking around Greece. After his return to South Africa he is surprised but happy when he contacts him and they set off on a walking trip around Lesotho.
Damon, who had been slightly in love with this man, soon finds out that he is a control freak and he can't wait to get to the end of the trip to wave goodbye forever to him.
In the Lover, he is once more traveling through Africa - this time through Malawi and Tanzania. He meets up with a bunch of Swiss backpackers and again falls in love, following them all the way back to Europe where again, his love is thwarted.
In the third part, The Guardian, he is asked to take a very psychologically damaged friend to India to see if this will prevent her from committing suicide.
All the stories are beautifully written but I think his last, The Guardian, was absolutely outstanding. You get to feel his helplessness, anger, fear, sadness caused by this girl's total meltdown.





