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Story: Substance, Structure, Style and the Principles of Screenwriting (Methuen Film) Paperback – 16 July 1999
| Robert McKee (Author) See search results for this author |
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- Print length480 pages
- LanguageEnglish
- PublisherMethuen Publishing Ltd
- Publication date16 July 1999
- Dimensions13.6 x 3.8 x 21.7 cm
- ISBN-100413715604
- ISBN-13978-0413715609
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About the Author
Product details
- Publisher : Methuen Publishing Ltd; 1st edition (16 July 1999)
- Language : English
- Paperback : 480 pages
- ISBN-10 : 0413715604
- ISBN-13 : 978-0413715609
- Dimensions : 13.6 x 3.8 x 21.7 cm
- Best Sellers Rank: 127,439 in Books (See Top 100 in Books)
- 274 in Film History & Criticism (Books)
- 2,281 in The Performing Arts
- 14,962 in Literary Fiction (Books)
- Customer reviews:
About the author

Robert McKee, a Fulbright Scholar, is the most sought-after story authority in the world. The best-selling author of STORY, DIALOGUE: The Art of Verbal Action for Page, Stage and Screen, and soon to be published STORYNOMICS, McKee occupies a unique place in modern media storytelling. His teachings have spread beyond the screen, stage and page and his influence in corporate storytelling has become a global phenomenon. Writers of fiction and non fiction, producers, directors, media professionals, and business leaders from the world over read McKee's books and attend his sold-out international seminars (http://mckeestory.com) for an exclusive deep dive into the mastery of the story arts.
McKee’s former students include over 65 Academy Award Winners, 250 Emmy Award Winners, 2,000 Emmy Award Nominees, 150 WGA (Writers Guild of America) Award Winners, 250 WGA Award Nominees, 50 DGA (Directors Guild of America) Award Winners, and 100 DGA Award Nominees.
McKee continues to be a project consultant to major film and television production companies such as 20th Century Fox, Disney, Paramount, & MTV. In addition, Pixar, ABC, BBC, Disney, Miramax, PBS, Nickelodeon, Paramount, GLOBOSAT, MNET and other international TV and film companies regularly send their entire creative and writing team to his lectures.
In the corporate world, McKee consulted his STORYNOMICS to companies such as Microsoft, Intel, BOLDT, Marriott International, Arm and Hammer, and Deutsche Telecom/T-Systems to name a few.
Since 1984, more than 100,000 students have taken McKee’s courses in various cities around the world.
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Learn more how customers reviews work on AmazonReviewed in the United Kingdom on 13 March 2021
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There's no doubting the author's credentials, he is one of the heavyweights of Hollywood. He pulls no punches in pointing out the many (in his eyes) flaws in modern screenwriting. Some of the concepts are a bit hard to follow, but hey it's a book you can always re-read when it comes to preparing your masterworks.
My only niggle with the book is he does cite the French New Wave - Brunuel, Godard as well as Ingmar Bergman an awful lot. The only American writer who gets a look in is Robert Towne. Perhaps McKee doesn't rate any of the Scorseses or Spielbergs but it would have been good to at least get his take on their (immensley successful) approaches to story.
Despite all the self-analysis, smashing of preconceptions, and an awful lot of honest (are you sure you can do this?) talk, McKee has crafted a text that spurs the budding writer on. It builds confidence by presenting the tools, saying 'Look, this works' and then setting you free. His parting message is to be courageous. Something that I have learned and will be putting into practice today, and everyday from now on.
I was bogged down, struggling to write when I realized that I did not have any knowledge or tools for the job, and I needed to learn about writing. So I bought this book.
Robert McKee beautifully and succinctly gives you everything you need to create a good story.
A must read for screenwriters, but certainly a recommended read for directors, playwrights, actors, novelists, and anyone who endeavors to be a storyteller.
It’s harsher than most. He holds mediocre scripts in high distain and says that a screenwriter should take more than a few years to learn his/her craft. In the opening chapters he describes why stories, good stories are so important for any society and how they reflect human nature as a whole. Those looking for a book that will tell them how to make a quick buck from screenwriting should look elsewhere.
It is a wonderful piece of work. Full of useful bits of information and persuasive arguments, it’s certainly a insightful book. But what really cuts through is the writers passion for his subject. His inability to accept anything less than the the best from writers and stories rubs off on the reader.
I can imagine a struggling novelist or screenwriter re-reading a few of these pages and feeling elated, inspired and ready to take on the world. I just can't help wondering if really takes a long as he says to become a scriptwriter.






