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Top Customer Reviews
I only got around to getting the album this week and think it's fantastic - it's rare you love nearly every song on an album upon the first listen when you haven't heard the artist before but I enjoyed it from start to finish and played it again straight away. I really like the vocal and it works perfectly on all the songs that range from sexy & quirky electronica to funky indie with some brilliant guitar and chunky bass, as well as a couple of slower tracks that work just as well. There is some really good songwriting on this album with interesting and quirky lyrics.
Digital Witness is probably my favorite track on the album at the moment - every person I've played it to has liked it and asked who it is.
If you're in doubt then watch some videos on Youtube - I will definitely be getting more albums from this artist in the future!
The eccentricity that we have come to know and love is still prevalent on St Vincent, but everything is so tight and thoroughly thought out that it just feels right. You could safely call the album art rock, but there is no hint of pretention. Everything is laid out, yet still with a shroud of mystery about it all. Clark can very easily bounce from the vulnerable to the darker side of things, with an emphasis of love and self reflection in the 21st Century being foremost on this self-titled effort.
“I Prefer Your Love” is a late night jam that floats on an air of a forgotten dreamy r’n’b track, with a little hook that you’ll find has buried itself deep inside your brain. Consisting of only a few notes, the hook has such an understated impact. It’s these tender moments that really display to versatility that Ms. Clark has. For every wild, discordant solo that teeters on the side of disturbing there is a moment that you fall for the delicate release of emotion.
There are some tracks on the album that you can truly groove to such as “Bring Me Your Loves” with its sharp synth lines and shuffled beat. It’s a step in a slightly different direction.Read more ›
Try to write a review of the music of St Vincent aka Annie Clark without using the words strange, quirky, eccentric or experimental. Not an easy task since Clark has been a proud pusher of boundaries since the release of her solo debut album "Marry Me" in 2007. She has also in that time struck up a useful partnership with the "Head" Talking Head David Byrne and if 2012's joint effort "Love this Giant" was quite what it promised then Clarks self titled fourth album sets the record straight.
St Vincent is the complete album that Ms Clark has been promising the over the past seven years. There have been occasions in her previous work that it has been a little to clever with songs that sound that they need more work or a slight injection of melody. It is pleasing to report therefore that she has shown more restraint here yet at the same time produced an album that could only be an St Vincent production. The ingenuity of her arrangements remains but somehow more shape and order is present. The powerhouse funky opener "Rattlesnakes" has a staccato synth line and breathy vocals by Clark and is an ecstatic start. The angular "Birth in reverse" is not one of the stronger tracks here but the track "Prince Johnny" that follows is a joy. It is almost a conventional ballad for Clark infused with brilliant lyrics not least the observation "Remember the time we went and snorted/A piece of the Berlin wall that you'd extorted/And we'd had such a laugh of it/Prostrate on my carpet". From here on the album gets better and better. "Huey Newton" starts like a slow trip hop song, only to introduce a nasty powered monster riff at around 3 minutes.Read more ›
Most Recent Customer Reviews
Destined to go down as an experimental alt rock classic, love it.Published 1 month ago by P. L. Kerr
Fantastic album but the vinyl didn't come with a lyrics sheet or a download code which is kind of lamePublished 3 months ago by Someone
This is St Vincent's fourth studio album released in 2014. With a mixture of Electro pop and indie rock there is a good range of songs on this album. Read morePublished 5 months ago by Vampirewerewolfzombielover
Contrived and overcooked, I preferred her stripped down and less devoted to style over content. It's like a restaurant that covers every type of cuisine currently in vogue without... Read morePublished 6 months ago by Tony T
wouldn't recommend this album as an introduction to St. Vincent. The songs are not as strong as Strange Mercy and the production is deliberately overdone. Read morePublished 9 months ago by A. CRAIG