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The Squid And The Whale [DVD] [2006]

4.2 out of 5 stars 44 customer reviews

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Product details

  • Actors: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline, William Baldwin
  • Directors: Noah Baumbach
  • Producers: Wes Anderson
  • Format: Subtitled, PAL
  • Language: English
  • Subtitles: Spanish, Dutch, English, Hindi
  • Dubbed: Spanish
  • Subtitles For The Hearing Impaired: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 1.85:1
  • Number of discs: 1
  • Classification: 15
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: 7 Aug. 2006
  • Run Time: 81 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (44 customer reviews)
  • ASIN: B000FS9PB2
  • Amazon Bestsellers Rank: 27,425 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

In his third feature, director Noah Baumbach scores a triumph with an autobiographical coming-of-age story about a teenager whose writer-parents are divorcing. The father (Jeff Daniels) and mother (Laura Linney) duke it out in half-civilized, half-savage fashion, while their two sons adapt in different ways, shifting allegiances between parents. The film is squirmy-funny and nakedly honest about the rationalizations and compensatory snobbisms of artistic failure as well as the conflicted desires of adolescents for sex and status. In detailing bohemian-bourgeois life in brownstone Brooklyn, Baumbach is spot on. Everyone proceeds from good intentions and acts rather badly, in spite or because of their manifest intelligence. Fulfilling the best traditions of the American independent film, this quirky, wisely written feature explores the gulf between sexes, generations, art and commerce, Brooklyn and Manhattan.

From Amazon.co.uk

The Squid and the Whale follows the divorce of Joan (Laura Linney, You Can Count on Me) and Bernard Berkman (Jeff Daniels, The Purple Rose of Cairo) as it wreaks havoc on the emotional lives of their two sons, Walt (Jesse Eisenberg, Roger Dodger) and Frank (Owen Kline, The Anniversary Party). Though there's no plot in the usual sense, the movie progresses with growing emotional force from the separation into the bitter fighting between Joan and Bernard and the hapless, floundering behaviour of Walt and Frank, who act out through plagiarism, sexual acts and drinking.

Some viewers may find the ending too diffuse; others will appreciate that writer/director Noah Baumbach (Mr. Jealousy) doesn't wrap up the messiness of life in a false cinematic package. Either way, viewers will appreciate how the specificity of the personalities makes The Squid and the Whale so compelling, as Baumbach has drawn the characters with such detail, both engaging and off-putting, that they leap off the screen. Naturally, he's greatly helped by the cast: Linney, Eisenberg, Kline and especially Daniels bite into these often unsympathetic portraits and give fearlessly honest performances, interlocked in both painful and funny ways--rarely have family dynamics been captured so vividly. If there was an ensemble Oscar, this cast would deserve it. --Bret Fetzer

Customer Reviews

Top Customer Reviews

Format: DVD Verified Purchase
The Squid and the Whale is Noah Baumbach's autobiographical film about his parents' divorce. Beyond that I know nothing of the source material or of Baumbach's life - not even which of the two boys in the film represents him - but you don't need to, of course. And the truth of everything in the film beams through it so clearly that you would be in no doubt, anyway, that it came from real life.

Jeff Daniels gives a quietly barnstorming performance as Bernard (pronounced Ber-NARD) Berkman, a lazily bearded New York writer whose literary career is on the skids. His wife Joan (Laura Linney), meanwhile, has been published in the New Yorker and is about to get some good news about her first novel... Berkman is presented to us in toto in the opening scene, playing tennis with the family, the hilariously bitter competitive dad figure as he takes his son to one side and whispers "Try to get your mother's backhand. It's her weak point."

When the divorce is announced, along with joint custody ("Joint custody blows" - for some reason this has been changed on the UK DVD cover to 'joint custody sucks'), elder son Walt takes dad's side, accusing his mother of breaking up the family. He dates Sophie, a charming but unworldly girl who is taken in by his faux-intellectualism (another inheritance from his father), describing her favourite book as 'minor Fitzgerald,' bluffing a discussion and calling Metamorphosis 'Kafkaesque,' and faking authorship of Pink Floyd songs. Younger son Frank, aged - what? - ten or eleven, takes to masturbating and smearing his semen in public places, and to alcohol.

If all this makes it seem utterly grim, that could not be further from the truth. The film is not (or not only) uplifting in a Richard Yates way, for its honesty in portraying misery.
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I caught up with this film nine years after it was made, it was recommended and I'd enjoyed Noah Baumbach's later When We Were Young.
I might have thought this equally good if it hadn't abruptly ended at what I estimated as 3/4 of the way through the film. It didn't, it really was 80 minutes long, but to someone closely following the story, it seemed as if the director had suddenly cried "Cut. All go home!" just as we might have been approaching some sort of climax or resolution. So we are cut off in limbo, as it were. A pity since there is some fine acting, very good writing, in this tale of what happens to two young sons of about 12 and 17 when their parents divorce.
You are never quite sure if the director is sending up the rather pompous parents, and you are not allowed to really like any of them, but that does not detract from the enjoyment of watching how the so-called 'best intentions' of these liberal parents are actually harming their young sons.
I was really enjoying it, when BANG! The End appeared on the screen. You have been warned.
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Set in the 1980s this is an uncompromising, insightful, brutal, tragic and comedic examination of the consequences of the bitter separation and divorce of a bohemian literary couple living in New York and the effect this has on their two sons. Jeff Daniels’ tour de force performance as the father, a smug, narcissistic, pompous, opinionated college academic writer is almost matched by Laura Linney’s quietly devastating turn as the dissatisfied novelist mother, finally deciding that the marriage has to end. There are parallels here with the 2012 film What Maisie Knew as both sets of parents appear to exhibit a disturbing selfishness, but here the screenplay is altogether more complex and possesses a devastating subtle dark acerbic humour punctuated with throwaway profanities . The confusion, frustration and anger felt by the two boys are exhibited in different ways and in the case of the younger boy by some particularly antisocial adolescent behaviour. However, it is Jesse Eisenberg’s performance as the older boy which is at the core of the film as his attitude towards his individual parents gradually changes as he realises that they are not paragons of virtue, but flawed individuals. Highly recommended.
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Sometimes painful often very funny I enjoyed this film with its witty dialogue and satirizing of academic pretensions about English literature criticism. So many US films are geared to the teen market, but this was a film for people who have experienced some of the vicissitudes of relationships and family life. The characters were sympathetically portrayed. Nothing was black and white: every character had good and bad points-just like real-life iteractions between people. All the acting was excellent, especially the two sons.
I wouldn't rate this as one of the greatest films ever made, but it was very well worth buying, and viewing again.
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Bernard and Joan are an ordinary middle-class couple, unendearingly played by Daniels and Linney,and their relationship isn't so much on the skids as wrecked. It is immoderate to call such a situation as a marital split as tragic, they are so banal. But what I liked about this film was achieved through the wavering, uncertain situation in which their two boys, Walt and Frank, are placed by their parents' divorce. I found myself thinking, not by accident, that in the 40 years since I was at secondary school the world has turned upside down and, in a sense, we accept this: at my school of 1400 people ONE pair of boys were from a split home, and they were brothers. Now fully half would be in this pair's and these two boys' boat - to Stalin a statistic but it seems to be tragic. This is old-fashioned but I have seen too much 'collateral damage' and it is seen here too. Well acted by all, the important thing is not the unspectacular narrative but the way themes arise, such as the boys' conflicted loyalties, always somehow snatching defeat from the jaws of victory, like encountering famine in the midst of plenty. I sensed we are all living in an unhappy world. No answers in this film - we know there is no magic - but it makes one consider quite what a selfish thing divorce can seem to children, and the terrible price modern life exacts as we encounter misery where once was love and romance and desire. Or so it can seem The shibboleth of choice, of satisfaction. No longer. This quiet drama is well acted and absorbing; the modern world has misplaced something important, it is absent here too. Poignantly.
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